Now it’s time to add some color. Once again I used the Smart Fill Tool to add some new shapes that I would apply color to. With a shape selected, simply click on a color from the Color Palette or create a new color by clicking on the current color square located below in the bottom, right-hand corner of the Status Bar. It was important to have a limited color scheme for this design. So this design has two shades of green, two shades of tan, black and red.
LinesTreeVariable - this holds not just a single value but a complete tree of values. Word of caution here, if you are going to do this you need to be aware that the XSLT engine is going to load this tree into memory ... so do not load huge trees. In our completed invoice template we will only load the lines tree for each invoice. In this example we are loading all the lines in the XML regardless of invoice ... thats OK thou, our XML is small, just be aware of what are doing here. 

The standard method for displaying a page number in InDesign is to insert an Automatic Page Number Marker into a text frame (Text menu: Insert Special Character: Marker: Current Page Number). This is typically done on your master page(s) so that the page number will appear on every page using that master. If you wish to hide the page number on pages in your document, just use a different master that does not include the marker (or use the “None” master if you do not wish to display any master page items).
As a vector graphics editor, CorelDraw is used primarily for marketing and advertising businesses, particularly those that specialize in print advertising development. Outside of logos, CorelDraw is a program used in the professional space to create brochures, newsletters and various other printable documents using its page layout features. Furthermore users use the program to create complex drawings.
The easiest way to implement a numbering scheme for headings is to add one to a heading style. To illustrate, we'll modify Heading 1 by adding a numbering scheme. First, right-click Heading 1 in the Styles gallery (in the Styles group on the Home tab). Then, choose Modify as shown in Figure A to launch the Modify Style dialog. If you thumb through the default properties, you'll not find a numbering scheme (Figure B). Click the Format button and choose Numbering as shown in Figure B. If necessary, click the Numbering tab. Choose the predefined scheme that's the best match for what you want (Figure C).
I am creating a file in inDesign for a client that is asking for numbered tickets. They'd like to be able to print a specific number for each ticket. I've read some of the older answers for similar questions that refer to Data Merge, but I'd prefer not to take that route if avoidable. What I'd ultimately like to do is create a space for the numbers to go, select the number of pages within the Print menu, and have the spaces populate with the corresponding numbers while printing.
Law firms use numbered lists daily to prepare contracts, pleadings, letters and memos. Word makes activating and customizing numbering fairly straightforward. You can create simple numbered lists, such as A, B, C and 1, 2, 3. You can also customize these lists to setup specific numbering styles for your firm and practice group. Multilevel lists such as I, A, 1 are handled through Word's Outline Numbering feature, which is explained later in this chapter. Many firms rely on outline numbered lists to draw up contracts and pleadings. Like numbered lists, outline numbered lists can be customized.
Changing the numbering display affects how pages are indicated in the InDesign document, as in the Pages panel and in the page box at the bottom of a document window. The numbering display also affects how you specify page ranges when printing and exporting the document. However, the numbering display does not change the appearance of page numbers on document pages.
The RedBrown Object: Merge Mode > Multiply > Opacity 100. And finally the Black object - the outlines - I just keep Normal with an opacity of 100. I could add effects to it but because the outline is within the Yellow base objects, inside the border so to speak, I keep it. If it was a outline around the entire illustration, I might had added more effects to the outline.
That’s it for the mascot but by simply adding logotype to this design we can create a full identity for this team. The first thing I did was find a font that was close to what I envisioned for this brand. Using the Text Tool (Toolbox > Text Tool or F8), I typed out the name of the team and then selected the font I liked from the Font List on the Property Bar.
A CorelDRAW Graphics Suite expert, Roger has been a popular presenter at industry trade shows. He has developed and conducted classroom training and online sessions throughout North America and has authored articles for key industry magazines, including SQE Professional and The Screen Printers Resource Guide, and is a regular contributor to Trophex magazine. You can train with Roger using his book, Bring It Home with CorelDRAW: A Guide to In-House Graphic Design, or by watching his online course, CorelDRAW Essential Training.

In 2012 the joint LibreOffice/re-lab team implemented libcdr, a library for reading CDR files from version 7 to X3 and CMX files.[47] The library has extensive support for shapes and their properties, including support for color management and spot colors, and has a basic support for text.[48] The library provides a built-in converter to SVG, and a converter to OpenDocument is provided by writerperfect package. The libcdr library is used in LibreOffice starting from version 3.6,[49] and thanks to public API it can be freely used by other applications.
With Corel PHOTO-PAINT & CorelDRAW, creating street art images, and later printing them out as stencils, is no problem. Actually, you have the perfect graphic software for this in front of you. Creating a Street Art editorial illustration for a magazine is no different, you just need a few extra tweaks and learn the word ’Superimposed’. This Street Art illustration will be placed on a brick wall. In others words, there is photo maniplualtion in play here.
While InDesign veterans may assume everyone already knows this, I can assure you I have worked with very sophisticated documents from designers who did not take advantage of this basic feature. A good rule of thumb to keep in mind as you tackle InDesign challenges is this: If it’s repetitious, tedious, or time-consuming, there’s probably a built-in solution right there in the program. You just need to go look for it.
Erica Gamet has been involved in the graphics industry for an unbelievable 30 years! She is a speaker, writer, and trainer, focusing on Adobe InDesign and Illustrator, Apple Keynote and iBooks Author, and other print- and production-related topics. She is a regular presence at CreativePro Week’s PePcon and InDesign Conferences, and has spoken at ebookcraft in Canada and Making Design in Norway. You can find Erica’s online tutorials at CreativeLive and through her YouTube channel. When she isn’t at her computer, she can be found exploring her new homebase of Seattle and the greater Pacific Northwest.

Now, right-click the Background object and choose Duplicate. Go to New Lens > Grayscale. You now have two obejcts of the brick wall. Choose New Lens > Grayscale, drag the Opacity slider, in my case, to 80. Go to Merge Mode > Overlay. This creates a more intense feel to the brick wall. This places the Grayscale Lens Object over the duplicated brick wall photo object.

UPDATE: I was able to fix this by DEselecting “Allow Document Pages to Shuffle” and “Allow Spreads to Shuffle.” Or perhaps I only need to do one of those, but I was trying everything in the book and happen to uncheck those. Once I deselected those, I was able to move the spreads back to the way they needed to be. Of course, I had to do each of them individually, which would be tedious if you had a very large document already created. Definitely something that I will have to remember to do at the beginning of creating a document. (Luckily, this particular one is only six pages.) I’m wondering if there is a quicker way if this issue returned.

When you're working on a document such as a magazine or a book with many pages in it, using the master page feature in Adobe InDesign CC 2015 to insert automatic page numbering simplifies working with the document. On a master page, you designate the position, font, and size of the page numbers and any additional text you want to accompany the numbers such as the magazine name, date or the word "Page." Then that information appears on every page of the document along with the correct page number. As you work, you can add and remove pages or rearrange entire sections, and the numbers remain accurate.

With the Segment dimension tool, you also have the ability to measure the distance between the two most distant nodes in multiple segments. Using the Segment dimension tool , marquee select the segments, drag to position the dimension line, and click where you want to place the dimension text. You can also measure successive segments automatically by clicking the Automatic successive dimensioning button on the property bar, and marquee select the segments that you want to measure. Drag to the location where you want to place the dimension text and release.


Thanks for the head start on this, it got me part the way through my problem but I found that when I had 3 figures in a row then a map, the next figure would jump back to #.1 again. Because I had figures, maps and tables that needed to be numbered I used the ‘levels’ to differentiate between them as you suggested, but found if you create a new number list for each entry ie. number list for maps, and number list for tables etc then they don’t conflict. thanks for the start off though. no where else pointed it out as clearly as this. Cheers
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