I use cross-reference in my text which is works perfectly. but always I have had big problem when I wanted to put several Figures in parenthesis. simply I want to write for example (Figs 2-3 and 2-4) instead of Fig 2-3 and Fig 2-4). as you know I can delet Fig and write by hand Figs but as soon as I update the fields all the fig will come back and makes like (Figs Fig 2-3 and Fig 2-4). I hope some of you can help me to solve the problem

Virtual Memory is used by Windows to swap information from RAM to the hard disk in order to free memory for use by applications when physical RAM is low. A paging file is used to accomplish this task. By default, Windows manages the paging file size and sets it to 1.5 times the amount of RAM on the system. This can be increased in cases where CorelDRAW appears to slow as a result of graphic and object intensive documents. When setting the paging size, the max size should never exceed 3 times that amount of physical RAM installed on the computer. To increase Virtual Memory settings, please consult the Windows help files.
Thank you very much for this! It seems to do the trick! I have about 80 images in each chapter of my document so I am hoping this will work throughout…It seems that anchoring the figure number text frames to the (cross-referenced) figures in the main text works….There are some pages where I only have images and figure descriptions so I think I will anchor the figure descriptions to each other in this instance….unless there is a better way of doing this? Is it possible to anchor the text frame to the text within the box itself?!
I love Adobe InDesign. For multi-page documents, it’s the most flexible and complete application out there. Yet I remember how counter-intuitive some things were when I was learning it for the first time. Here are some tips I wish I had known when starting out, as well as some answers to questions that others often ask me. This is not intended to be a manual; some good ones are already out there (although I personally learned by doing). Hopefully, these tips will help you make the best of your day-to-day use of InDesign. If you are preparing a document for print, keep your margins and bleeds in mind from the beginning. Your printer will give you the measurements for the bleed, but generally 1⁄8 inch or 3 mm should suffice. Approximately the same area within the document should be kept free of text and important graphic elements (such as the logo). Set up your document for bleed in InDesign as you create it by selecting the correct settings in the document set-up box.

PSDs take up significant memory, which can sometime cause problems when exporting as PDF. I would recommend avoiding PSD files for simple images that could just as easily be flattened when saved as TIFF or EPS. But in cases where using a PSD file really solves a problem, make sure it is 300 PPI and in CMYK color mode, and keep it at its actual size. And when exporting to PDF, double-check that the transparency flattening is set to high.
Publications by Wizard provides you with templates you can modify to suit your needs. You have several formatting choices including: Newsletter, Web Sites, Announcement, Invitations, and more. These format choices are located in the left frame of the Catalog window under the title Wizard.� Within each of these formats, you will find many styles, or designs, from which to choose.
But not all documents can use the CMYK color mode, because it requires 4 inks. If you create a file with only two or three colors (e.g. blue and yellow) perhaps it is best to use only two or three colors (Spot Colors), such as Pantone colors. In addition, not all colors can be printed using CMYK, e.g. "Gold", "Silver", etc. Some bright colors can only be achieved by using special inks, and these cannot be achieved with CMYK. Spot colors are also important for "non-printing objects" (for example, an outline to die cut) or "overprinted objects" (such as UV varnish). It's not only vectors that can use spot colors, also bitmaps can use Spot Colors. On the Bitmap Menu go to Mode > Duotone and convert the bitmap to one ("monotone"), or more spot colors.
If activated, you likely see the Desktop Alert in the lower right-hand corner of your screen every time you receive an email, displaying a quick preview of the email. The intent is that regardless of the application you are in, you can quickly view the email by clicking on the Desktop Alert. However, for many of us, the Desktop Alert only proves to be a distraction from various tasks at hand.

A note about link exchanges. This site does not participate in link exchanges to build web presence. If you have a link that you think would be of use to people reading this page, please send it to the webmaster with the url of the page where you think it should appear and it will be considered. Your placing a link to this site will not affect the decision on whether to add your link, though.


And I'll get there by choosing the Page that I want to affect.…In this case Page 9 and I'll double-click on that, so I can actually jump to it.…I'm going to select that page and then go to the Pages panel menu and choose…Numbering & Section Options.…You're going to also find that under the Layout menu, there it is, Numbering…and Section Options.…When you choose that, it let's you change the Page Numbers for any page you have…selected in the Pages panel, Right now it's set to Automatic Page Numbering,…
The Adjust Layout feature can alter your page elements in several different ways, including resizing and moving frames. But it can also (optionally) alter the size of your text on the page. For example, if you’re converting a large A3 poster into a smaller A4 flyer, you probably want all your text to be half as large (and with half the leading). This is a pain to do manually, but it’s just a checkbox away with Adjust Layout (Figure 3).
To create a running list—a list that is interrupted by other paragraphs or that spans multiple stories or documents—create a paragraph style and apply the style to paragraphs that you want to be part of the list. For example, to create a running list of the tables in your document, create a paragraph style called Tables, make a defined list part of the style, and then apply the Tables paragraph style to all paragraphs you want in your Table list.
Of course, there are several types of jobs: magazines, business cards, brochures, etc. It's almost impossible to talk about all, but most of the settings are common for all jobs. But remember: it's very important to talk to the printing company before you start, because each company has its own rules and requirements. Cost is an important factor in any job, and any change (such as a change in the size or colors used), even minimal, can result in a change to the final price of the job.
On the "Prepress" tab you have the option of activating "Bleed Limit". Even if the current document does not have an active bleed, you can activate it while creating the PDF. But remember that the objects must extend out from the page limit. Activating the "Bleed Limit" does not automatically increase the size of objects used to create the design. Another option which is often useful is to activate "Crop marks" to indicate the limits of our design. For this reason it is important that the page size is the real size.
Cons: Its old-school nature of user experience, however, means some of its features are kind of unintuitive to use for modern vector-handling, and also making it sometimes slow to work with. Since it is primarily confined to the Windows ecosystem also makes it difficult to work with files on another operating system unless you export it to another open standard for vectors. On top of that, the full price is far too much, considering Inkscape, being free, has a similar interface and can practically do 70% of what Corel can do. The subscription fee, while helpful, also isn't appealing, since professional illustrators would instead opt to get Affinity Designer instead.
PSDs take up significant memory, which can sometime cause problems when exporting as PDF. I would recommend avoiding PSD files for simple images that could just as easily be flattened when saved as TIFF or EPS. But in cases where using a PSD file really solves a problem, make sure it is 300 PPI and in CMYK color mode, and keep it at its actual size. And when exporting to PDF, double-check that the transparency flattening is set to high.
Whatever the design, many times your client will ask for an alternate color scheme or additional options for fonts and text attributes. In other cases, you may want more options for your design. Spending time creating these options manually can add hours and additional costs to your project. Instead, why not use “Styles” in CorelDRAW? In this webinar, Anand Dixit, CorelDRAW Master, graphic designer and trainer will show you how to create options for your designs in minutes, including:
Adobe has changed the name of Typekit to Adobe Fonts. However, it still appears as Typekit in some programs, such as Photoshop, which will undoubtedly cause some confusion for a while. But the confusion goes deeper than just branding. After all, the font called Adobe Garamond is an “Adobe font,” because it was designed and developed by Adobe. But hundreds of other fonts were designed and developed by other non-Adobe font foundries, and only licensed to be distributed through Typekit. Unfortunately, those are now also called “Adobe Fonts.” So when you’re talking with someone about “Adobe Fonts,” you need to be clear whether you’re referring to the fonts from Adobe or “the service formerly known as Typekit.”
Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.
Let's say you want to use different page numbers or number formats and styles in different parts of your document. You could use page numbers such as i, ii, iii… for the introduction and table of contents and 1, 2, 3… for everything after. The trick is to divide the document into sections and to make sure those sections aren’t linked. Then, set the page numbering for each of those sections by following these steps.

When desktop publishing appeared, we found that it couldn’t do everything Ole could do with his Compugraphic—but that being able to see what our type would look like before we printed it more than made up for any deficiencies. These days, page layout programs are far more capable than Ole’s trusty EditWriter. Does that mean, however, that there’s no more room for improvement? For surprising new features? Is typesetting “done”?
Once you’ve selected a Style Set, the Styles gallery on the Home tab will display a series of styles that you can use to format text in your document. To apply a style, select a block of text (such as a heading) and click an item, such as Heading 1, in the Style gallery. Typically you’ll use Normal for body text and Heading 1 for headings. You can use other styles for special elements in the document.

Pros: Corel draw is one of the best vectoring softwares, since I have used it in our company all of our documents have gotten significantly better. We redraw every graph that comes from excel, we recreate all of the tables created with word and edit all of the pictures that come from powerpoint. For me it has been an excellent complement to our office softwares.
Cons: Among the couple of problems I can state about this program remains in recommendation to the gradients, since when it is printed it does not work effectively, as if it had low levels. The filters for photos, since they do not deal with pictures with lots of information, they do not look extremely natural or lose the majority of the information when used.

Cons: The basic disadvantage that I find is the same as it applies to any graphic software of vector character: you must have a computer equipped with a powerful and powerful processor that allows you to perform all the calculations necessary to design with this software, a task that becomes a lot slower to the extent that the number of data rises, as more elaborate designs are desired.

Changing the sort order affects the sort order in the Index panel and in the index stories that are generated afterwards. You can create multiple indexes with different sort orders. For example, you can generate an index in German, change the sort order, and then generate a separate index in Swedish — just make sure Replace Existing Index isn’t selected when you generate the index.

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