Yes, it is also possible to manually change a color (Edit > Find and Replace > Replace Objects > Replace a Color...), but it is necessary to change every color and every shade of this color for each page. The Color Styles docker will replace the color and all shades on all pages in just one step. But it is important to remember that it is necessary to "apply" the Color Style to the object, since it is not enough to be "Yellow" or the same color (e.g. Pantone 012), the Color Style must be applied. When you change the Color Style, only the objects using that style will change, not all yellow objects.


Instantly find images on your local network and search online portals and websites, and easily access content using built-in content assistant Corel® CONNECT. Organize assets by type or project in trays that are shared between Corel DESIGNER, CorelDRAW, Corel PHOTO-PAINT and Corel CONNECT for maximum efficiency. Utilize the Content Exchange and the tray synchronization option with Microsoft OneDrive.
Benefit from the versatile authoring tools in CorelDRAW® Technical Suite 2018 that allow you to create detailed assembly instructions, complex user manuals, multi-faceted documentation and more. Achieve unsurpassed productivity with new, high-caliber features to accelerate efficiency, and get full support for technical standards to publish, share or print with this expansive technical illustration and drafting software.
Microsoft’s own Publisher program is a step down from those applications in both power and price, but not every version of Office includes Publisher, and it costs $140 to purchase separately. However, chances are good that you already own a copy of Microsoft Word, and that software has a host of desktop publishing tools that you can use to produce pages that rival the output of the best layout artist.
Finally, here’s a small but welcome improvement: in earlier versions of InDesign, when you exported a PDF, the default file name would be the last one you used for a PDF export—even though the document name may have changed. This would often cause errors or confusion when the PDF name didn’t match the document name it was made from. Now, when you export a PDF, a new checkbox option appears in the Export dialog box: Use InDesign Document Name as the Output Filename. (Note that the new feature also appears and works in other export formats as well.)
Some drawbacks to this feature are that you lose a little control when you are typing. Word formats for you and some users do not like this. Also, on certain items, you will get a number when you do not expect or need one. For example, you have an attorney whose name begins with an initial (A. George Smith). When you type the name and press ENTER, the first initial "A." converts to an automatic number.
If you do not want pdf, you can install the MS Office document image writer. Create document in word, excel etc, select print from file menu and change the default printer to the document image writer. It will give you an image of your document which will not change in different systems and can be viewed same as the original document by every one whom you forward it.
For Pinyin, if multiple words have the same Pinyin, the order is sorted by (1) tone and (2) stroke count in ascending order. For Stroke Count, each character is sorted by (1) stroke count, (2) first stroke, and (3) second stroke. You can either edit the sort information directly in the Sort By field, or you can click the arrow to the right of the Sort By field to open either the Pinyin Entry dialog box or Stroke Count Entry dialog box. You can edit the fields and click OK. Repeat this process for each topic level.
the tools are much better than the competition, it is easier to vectorize and edit vectors. when exporting I think it has the most extensive file support, plus I can even open Illustrator files (which I can not do vice versa) the cleaping mask option is better than another, I can edit even the bitmap colors a lot easier without worrying about damaging the original file
A request for numbering headings in a new document doesn't have to elicit terror—it only sounds ghoulish. If you're good with styles, you might consider a custom numbered list style, but that's too much work. Instead, use Word's built-in heading styles for a painless process. My best advice is to get the numbering scheme in place before you create the document. Trying to number headings in an existing document really can cause nightmares!
When you add a new figure, and figure caption, make sure you anchor the text from the caption box (using blue anchor box on text frames) (if its not inline with the text frame…) and it will update the figure number…. unless you anchor it, it will just become the last number in the document. You will need to do this with all figures. Just anchor them and they will flow and update when needed! Hope this helps!

In bulleted lists, each paragraph begins with a bullet character. In numbered lists, each paragraph begins with an expression that includes a number or letter and a separator such as a period or parenthesis. The numbers in a numbered list are updated automatically when you add or remove paragraphs in the list. You can change the type of bullet or numbering style, the separator, the font attributes and character styles, and the type and amount of indent spacing.

For Pinyin, if multiple words have the same Pinyin, the order is sorted by (1) tone and (2) stroke count in ascending order. For Stroke Count, each character is sorted by (1) stroke count, (2) first stroke, and (3) second stroke. You can either edit the sort information directly in the Sort By field, or you can click the arrow to the right of the Sort By field to open either the Pinyin Entry dialog box or Stroke Count Entry dialog box. You can edit the fields and click OK. Repeat this process for each topic level.
InDesign is an essential tool for design firms, ad agencies, magazines, newspapers, book publishers, and freelance designers around the world. This course presents the core features and techniques that make this powerful page layout application fun and easy to use. Author David Blatner shows how to navigate and customize the workspace, manage documents and pages, work with text frames and graphics, export and print finished documents, explore creating interactive documents, and much more. He also covers popular topics such as EPUBs and long documents and includes advice on working with overset text, unnamed colors, and other troublesome issues that may arise for first-time designers.

Like the Control panel, the Properties panel changes based on what’s selected. The mode you’re working in (for example, Text Insertion or Linked File) appears listed at the top of the Properties panel. The rest of the panel is grouped into sections. For example, if you are editing text, the panel configures itself to show sections for Text Style, Appearance, Character, Paragraph, Bullets and Numbering, and Quick Actions (Figure 1).
Acrobat’s PDF comment and review features are widely used for marking up documents, but there has always been a frustrating limitation: you couldn’t see those comments where you needed to most… on your InDesign page! (There have been some third-party add-ons that have helped with this, including the Annotations plug-in from DTP Tools.) Now, with CC 2019, you can import comments added in Adobe Acrobat or Adobe Reader as part of a review process, and the comments will show in the context of your InDesign layout (Figures 8 and 9). Even better, InDesign can now make some changes for you, including inserting or deleting text that has been marked in the PDF!
In its first versions, the CDR file format was a completely proprietary file format primarily used for vector graphic drawings, recognizable by the first two bytes of the file being "WL". Starting with CorelDraw 3, the file format changed to a Resource Interchange File Format (RIFF) envelope, recognizable by the first four bytes of the file being "RIFF", and a "CDR*vrsn" in bytes 9 to 15, with the asterisk "*" being in early versions just a blank.[33] Beginning with CorelDraw 4 it included the version number of the writing program in hexadecimal ("4" meaning version 4, "D" meaning version 14). The actual data chunk of the RIFF remains a Corel proprietary format.
Add all of the elements that are repeated throughout most of your document: guides, page numbers, a running text box, image frames, graphic elements, etc. You can have more than one set of master pages in a document, which is particularly useful for brochures, whose content often varies (for example, with a mostly textual introduction followed by image-heavy pages).
      Here is what Corel has to say about the Premium service: “Premium membership is an optional benefit that only X6 users can elect to purchase annually on top of their perpetual license (it’s automatically included for current subscribers). We offer our premium members early access to new features, exclusive content and upgrades to the next major version of CorelDRAW. In the past year, we have added over 20 new features that only premium members have access to.”

Another master layer is created for the names of the weekdays, which are also common to all pages. The sequential position of the background and the weekdays is different, which is why two master layers are needed. The weekdays layer is sixth from the bottom in the sequence of layers. This master layer must be placed on top of all layers (Figure 9).


If we send the file to Print (File > Print or CTRL+P), notice that one card per sheet appears. But if we go to File > Print Preview, we can perform an Imposition (the second tool on the left), as well as set the gutter distance between the cards. Replays can be identical or different, why we chose it as the page number. We can also add Crop Marks (third tool), and many other options.
For example, imagine that we start a job with 2 colors, Blue and Yellow. Instead of applying these colors to each individual object, it is better to create two Color Styles and apply these to the objects (to create a new color style, select the object and right-click and choose > Color Styles > New from Selected…), If you need to use shades of each color (such as 10% of Blue, 20%, 30%, etc) you can choose "Create Gradient" on the same Color Styles docker (Window > Dockers > Color Styles), or (CTRL+F6).
When you embed a series of images on a page, they typically look best when you align each image's left or right edge along the respective edge of the page. If you place them across the width of a document, they usually look best when their top or bottom edges are aligned. To align a series of images to the left or right down the page margin, click on the first image and then hold down the Shift key while clicking on each additional image until you’ve selected all of them. Next, click the Picture Tools tab on the Ribbon and click Format > Align > Align To Margin. Now click Format > Align > Align Left to align the images down the left margin, or Align Right to line them up down the right margin.
The described numbering process is useful. I’m wondering what the Best Practice would be to ensure that the text frame containing the figure / section / chapter number remains locked to the figure that it refers to. A couple of attempts I’m tried haven’t been successful. Perhaps I’m not applying the technique properly or I’m unaware of another approach. Anyone have a suggestion or two?
We will create an imaginary logo, and we apply the Blue Style. Then, to create the background, double click on the Rectangle tool (Toolbox > Rectangle tool or F6), to create a rectangle the size of the page. We apply the Yellow Style, and we then create a gradient (we press the G-key to activate the Interactive Fill tool and drag the handles to adjust the gradient). Finally, we expand the size to cover the bleed area. As the card measures 90x50 mm, we will make the background of 96x56 mm, centered on the page (to center the background object, select and press P on the keyboard).

Other sources of major problems on target computers are ‘styles’, or lack of them, and ‘lists’. It’s beyond the scope of this brief comment here to explain why but they are the source of many problems. It’s more noticeable in large documents because page numbers in cross references and table of contents are obviously wrong. On closer inspection you’ll start to notice that lists are not always correct, more noticeable with numbered lists, and that some styles are no longer correct.


      To add some value to the premium membership, Corel has added in some new features that are not available in X6 or with the standard membership. These new features include: QR Codes; Validate Barcodes; Guideline Setups Docker; Alignment Setup Docker; The Camera Filter; Font Playground; and Color Styles. For more information about the subscription memberships visit this link: http://www.corel.com/static/product_content/cdgs/membership/CDGS_Membership_FAQs.pdf.
Microsoft Publisher, the desktop publishing component of the Professional version of the Office Suite, can perform many time-saving tasks for busy business owners, including layout and design work. It can even help you avoid a shopping run to try to find tickets for your next employee picnic, holiday giveaway or executive board meeting. Create your own tickets, including the vital sequential ordering needed for raffles or attendance tracking, using Publisher’s page numbering. With a few tricky manipulations of the page number process, you can start running the numbers in an entirely new fashion.
“These are the things I think of when I hear the word ‘typesetting’—they’re memories from my job at Seattle’s free rock and roll newspaper The Rocket, circa 1982. Desktop publishing didn’t exist yet, and digital (as opposed to photo) typesetting systems—with their WYSIWYG displays—were rare. The codes and characters I saw on my screen wouldn’t look anything like type until they were printed, one character at a time, on a strip of photographic film and developed. I could set just about any kind of type using that machine, provided the characters would fit on a piece of film not more than seven inches wide, and provided I didn’t need to use characters from more than six fonts.”
      2. You now will be monitored in the sense that each version of CorelDRAW that is running will be checking in with a server at Corel. You will only be able to have the program installed on three computers with only one computer being active at one time. In terms of installations, here is a response from a Corel employee, “What this three devices rule means is that you can install it (CorelDRAW) on your workstation, your laptop plus one extra computer without having to purchase additional licenses (most other software vendors limit this to one or two devices), with the condition that CorelDRAW is used by only you and that you never start the desktop software on two computers simultaneously. In other words, it is not OK to buy one box, install it on three computers and have three co-workers use CorelDRAW simultaneously (you need three licenses in that case). The EULA hasn’t changed between X6 and X6.1. This should be clear and is quite standard in terms of software. When you are logged into one of the standard accounts then Corel can verify this.”

You now have three options for the size of preview text. Plus, the preview text can be the text you have selected on the page, or you can select between five preset text phrases. By the way, if you hate these kinds of font previews (some people do!), you can turn off the Enable In-menu Font Previews option in the Type pane of the Preferences dialog box.


Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.

Using Emoji fonts, you can include various colorful and graphical characters, such as smileys, flags, street signs, animals, people, food, and landmarks in your documents. Of course, you can’t just type an emoji inside InDesign, so to insert them, you can copy and paste them from another program, or double-click them inside the Glyphs panel (Type > Glyphs).

For example, imagine that we start a job with 2 colors, Blue and Yellow. Instead of applying these colors to each individual object, it is better to create two Color Styles and apply these to the objects (to create a new color style, select the object and right-click and choose > Color Styles > New from Selected…), If you need to use shades of each color (such as 10% of Blue, 20%, 30%, etc) you can choose "Create Gradient" on the same Color Styles docker (Window > Dockers > Color Styles), or (CTRL+F6).


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By default, bullets and numbers inherit some of their text formatting from the first character in the paragraph to which they’re attached. If the first character in one paragraph is different from the first characters in other paragraphs, the numbering or bullet character may appear inconsistent with the other list items. If this is not the formatting you desire, create a character style for numbers or bullets and apply it to your list by using the Bullets And Numbering dialog box.
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