Pros: Corel draw is one of the best vectoring softwares, since I have used it in our company all of our documents have gotten significantly better. We redraw every graph that comes from excel, we recreate all of the tables created with word and edit all of the pictures that come from powerpoint. For me it has been an excellent complement to our office softwares.
We'll work with the existing heading styles. When applying this technique to your own documents, you can modify the heading styles to reflect the properties you need—you're not stuck with the default settings. If, however, the built-in heading styles are already in use because you're working with an existing document, you'll have to create new styles. Avoid this route when possible. We'll be changing properties for the numbering scheme and not the actual heading styles.
Pros: I like the ability to bend and make it do whatever you want to achieve related to graphic design, when i first came across the software i thought it wasn't a great deal but when i started exploring it, i realized that there is nothing you can't do with CorelDraw,you can achieve almost anything and can bend it to do so many wonderful things in different ways.

Meet Smashing Book 6 — our brand new book focused on real challenges and real front-end solutions in the real world: from design systems and accessible single-page apps to CSS Custom Properties, CSS Grid, Service Workers, performance, AR/VR and responsive art direction. With Marcy Sutton, Yoav Weiss, Lyza D. Gardner, Laura Elizabeth and many others.


Enjoy a more natural drawing experience and achieve more expressive results with the native support for Microsoft Surface, and advanced stylus support. Take advantage of pressure, bearing, tilt, and rotation when using the touch-up tools, painting and other brush tools within the applications. Experiment with rotation, flatness and elongation settings to control your brushstrokes in any given illustration.
To include numbering prefixes from higher levels, enter text or click at the start of the Number box and choose Insert Number Placeholder and then select a Level option (for example, Level 1), or enter ^ and then the list level (for example, enter ^1). In a list with first levels numbered 1, 2, 3, and so on, and second levels numbered a, b, c, and so on, including the first-level prefix in the second level renders second-level numbers as 1a, 1b, 1c; 2a, 2b, 2c; 3a, 3b, 3c.

Publisher is included in higher-end editions of Microsoft Office, reflecting Microsoft's emphasis on the application as an easy-to-use and less expensive alternative to the "heavyweights" with a focus on the small-business market, where firms do not have dedicated design professionals available to make marketing materials and other documents.[1][2] However, it has a relatively small share of the desktop publishing market, which is dominated by Adobe InDesign and QuarkXPress.[1]
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Cut and copy work in a similar way. Highlighting a piece of text, right-clicking and selecting copy/cut will store the text in memory [memory: used to store data ]. The difference is copy leaves the highlighted text behind where as cut removes it. To insert the copied/cut text into a different area of the document, a different document, or an entirely different application altogether, right-click and select paste.

automatic page numbering Adobe Indesign CC 2014, how to insert page numbers. How to skip page number on cover page and back cover. How to start page number 1 after cover and contents page. How to start and end page numbering where you want.Macbook pro, iMac, macbook air, macbook, macbook retina display, macbook retina display 2, mac pro, iMac retina 5k display , mac mini,apple laptop ,custom page numbering. Page numbering tricks in Indesign CC, adobe indesign 2014. Page numbers. all about page numbers indesign. Page numbering advance Indesign. Windows, laptop, desktop.tutorial . how to page number indesign
For the calendar project, you will need 12 pages -- one for each month of the year. You can create multiple pages by duplicating the first page (with all its layers). Before you do that, however, you can rename the layers on Page 1, so that when you duplicate the page and its layers, the names of the layers are duplicated on the other pages as well. For example, I have given the layers intuitive names that indicate the type of content that I will place on each layer: Dates, Advertisements, Logo&Month, and Back&Photos. When you have renamed the layers on the first page, duplicate the page by right-clicking the Page 1 tab at the bottom of the application window and choosing Duplicate Page from the pop-up menu. Since you haven't added any objects to the page yet, you can accept the default options in the Duplicate Page dialog box and click OK. Repeat this process to create all 12 pages of the calendar. You can now rename the pages with the corresponding names of the months (Figure 3).

When you add a new figure, and figure caption, make sure you anchor the text from the caption box to text inside your document (using blue anchor box on text frames) (if its not allready inline with the text frame…) and it will update the figure number…. unless you anchor it, it will just become the last number in the document. You will need to do this with all figures. Just anchor them and they will flow and update when needed! Hope this helps!
You could include things like empty spaces and paragraph breaks in your search if you know, for example, that the word that has to change is followed by a space. Insert these special characters by clicking the “@” arrow to the right of the Find box, or search for a particular glyph by going to the Glyph tab. Replacing glyphs one by one might be best, so that you can monitor your work and progress.
If she is using the standard windows fonts, then install drivers for the printer that you have at church. Some printers may use a slight bit more space per line than others. A page that is full between the margins will then overflow on that printer. Installing the printer, even if you cannot print to it, will let your computer see how that printer will format the page.
Cut and copy work in a similar way. Highlighting a piece of text, right-clicking and selecting copy/cut will store the text in memory [memory: used to store data ]. The difference is copy leaves the highlighted text behind where as cut removes it. To insert the copied/cut text into a different area of the document, a different document, or an entirely different application altogether, right-click and select paste.
Thank you very much for this! It seems to do the trick! I have about 80 images in each chapter of my document so I am hoping this will work throughout…It seems that anchoring the figure number text frames to the (cross-referenced) figures in the main text works….There are some pages where I only have images and figure descriptions so I think I will anchor the figure descriptions to each other in this instance….unless there is a better way of doing this? Is it possible to anchor the text frame to the text within the box itself?!

For example, imagine that we start a job with 2 colors, Blue and Yellow. Instead of applying these colors to each individual object, it is better to create two Color Styles and apply these to the objects (to create a new color style, select the object and right-click and choose > Color Styles > New from Selected…), If you need to use shades of each color (such as 10% of Blue, 20%, 30%, etc) you can choose "Create Gradient" on the same Color Styles docker (Window > Dockers > Color Styles), or (CTRL+F6).
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Sorry to hear it, but many thanks for the confirmation.  It will save me time looking for easier solutions.  I'll manually solve the problem this time, waiting until right before printing before I # the notes across docs manually, and think of a script if I continue to use InDesign after.  Still, I'm stunned that the coders have built in automatic page numbering, and yet not this.  Not much different for footnotes, as you suggest (check the final # of footnotes, increment by 1 and that is the # of the first footnote in the next doc), and as someone else mentioned. 
Sending a Word (or any format document) doesn’t convert anything when it is send as an attachment. The most common culprit, from my experience, is when the document uses fonts which the receiver(s) don’t have on their computer. In that case a different similar font is used. Using only fonts which come preinstalled on all Windows versions will solve many (but not all) of the incompatibility problems. Unfortunately, this won’t work on a different OS such as MacOS or Linux. The best solution is to convert the document to .pdf and it should work on all machines.
Unlike other desktop publishing programs, Microsoft Publisher isn't designed to stand alone. It's available as part of certain versions of Microsoft Office, and consequently pairs well with the rest of the Office suite. For example, it natively imports Microsoft Word .doc and .docx files, parsing them perfectly and integrating them into complex layouts with ease. Likewise, if you need a table or graph from Excel in your next newsletter, you can pull it in without hassle.
For multiple figure references, I am using Grant’s solution, i.e.: captions are numbered “Figure^.^#:” and then my basic paragraph style GREPs any “Figure~.” to an invisible style (tiny font, white colour). I chose a punctuation space (^. or ~. in GREP) to distinguish it from other instances of “Figure “. This is pretty effective, but another issue remains unresolved: it seems one cannot include a nonbreaking space in a number/bullet style. This means that the text “Figure 121” can break across lines (I have tried selecting “No Break” in my caption style…no joy). So even now that the resulting string is “Figure^SFigure^.121”, where “Figure^.” is invisible, the break at the punctuation space (^.) occurs.
If you do not want pdf, you can install the MS Office document image writer. Create document in word, excel etc, select print from file menu and change the default printer to the document image writer. It will give you an image of your document which will not change in different systems and can be viewed same as the original document by every one whom you forward it.

Cut and copy work in a similar way. Highlighting a piece of text, right-clicking and selecting copy/cut will store the text in memory [memory: used to store data ]. The difference is copy leaves the highlighted text behind where as cut removes it. To insert the copied/cut text into a different area of the document, a different document, or an entirely different application altogether, right-click and select paste.


The Capitalize dialog box provides a global solution for editing the capitalization of index entries so that you don’t have to edit entries one by one. For example, if you’ve indexed some of your entries as lowercase (cats) and others as uppercase (Cats), these entries will be considered separate topics. You can fix this problem by capitalizing selected entries.
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