As I mentioned above, you can now convert footnotes to endnotes and endnotes to footnotes in your document. To convert footnotes and endnotes, choose Type > Convert Footnote and Endnote. In the dialog box, you can specify whether you want to convert all the endnotes and footnotes in your document or only from the selection. Also, when importing Word or RTF files, there is now an option to place Word endnotes as static notes. Choosing static notes imports endnotes the way they were imported in InDesign CC 2017 before InDesign’s own endnote feature was introduced.
If you want to use a bullet found in a specific font (such as the pointing hand from Dingbats), be sure to set the bullet to remember that font. If you use a basic bullet character, it’s probably best not to remember the font, because most fonts have their own version of that bullet character. Depending on whether you select the Remember Font With Bullet option, a bullet you add can reference either a Unicode value and a specific font family and style, or just a Unicode value.
InDesign CC 2019 can now attempt to intelligently and automatically fit the best part of an image inside a frame, rather than your having to manually position it. Of course, what “the best part of the image” means is always open to argument, but Adobe is using a machine-learning algorithm—part of their Adobe Sensei artificial intelligence initiative.
Instantly find images on your local network and search online portals and websites, and easily access content using built-in content assistant Corel® CONNECT. Organize assets by type or project in trays that are shared between Corel DESIGNER, CorelDRAW, Corel PHOTO-PAINT and Corel CONNECT for maximum efficiency. Utilize the Content Exchange and the tray synchronization option with Microsoft OneDrive.
If you’re like most designers, you spend a significant amount of time picking just the right font, including previewing the way it appears in different parts of your layout. So you’re going to be very happy about a new method of previewing and selecting fonts. Plus, InDesign CC 2019 introduces a new font type that supports glyphs with colors and gradients.
People keep changing the subject before the question is answered. I am having the same problem - I have used InDesign for many years and have not had this problem before - it is very unpleasant - especially on a deadline, and I can understand his frustration. It ONLY happens when I use Paragraph Styles, not when clicking the Numbered List button. I would forgo using the Paragraph Syles altogether when using the Numbering List, but sometimes I need to change the spacing, and I'd like it to look consistent. I think I am going to have IT re-load InDesign.
Home Screen/Start workspace changes. The initial screen you see after launching InDesign is now called the Home screen, and it still appears as the Start Workspace. By default, it also appears any time that when no documents are open. You can turn it off by going to the General pane of the Preferences dialog box and turning off Show ‘Start’ Workspace When No Documents Are Open.
A CorelDRAW Graphics Suite expert, Roger has been a popular presenter at industry trade shows. He has developed and conducted classroom training and online sessions throughout North America and has authored articles for key industry magazines, including SQE Professional and The Screen Printers Resource Guide, and is a regular contributor to Trophex magazine. You can train with Roger using his book, Bring It Home with CorelDRAW: A Guide to In-House Graphic Design, or by watching his online course, CorelDRAW Essential Training.
That’s not exactly correct. It prints correctly on one machine but not others. So it’s not the difference between the screen version and the print version. In most cases, it prints as it looks on the screen. Read the article you are commenting on for the reasons. From my experience, the most common reason is due to the different fonts installed on the machines. I once received a document to print and the layout was all wrong. I installed the missing fonts and it printed correctly.
If you have Office professional, it comes with MS Publisher. I use that for newsletters and flyers as it’s much easier to control where the text and photos appear. You’d still need to export it as a .pdf, otherwise most people wouldn’t be able to read it. And even if they had MS Publisher, they would still need to have the same fonts installed for it to look the same.
And I'll get there by choosing the Page that I want to affect.…In this case Page 9 and I'll double-click on that, so I can actually jump to it.…I'm going to select that page and then go to the Pages panel menu and choose…Numbering & Section Options.…You're going to also find that under the Layout menu, there it is, Numbering…and Section Options.…When you choose that, it let's you change the Page Numbers for any page you have…selected in the Pages panel, Right now it's set to Automatic Page Numbering,…
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When you're working on a document such as a magazine or a book with many pages in it, using the master page feature in Adobe InDesign CC 2015 to insert automatic page numbering simplifies working with the document. On a master page, you designate the position, font, and size of the page numbers and any additional text you want to accompany the numbers such as the magazine name, date or the word "Page." Then that information appears on every page of the document along with the correct page number. As you work, you can add and remove pages or rearrange entire sections, and the numbers remain accurate.
Note that some versions of Word may have slightly different ways to create numbering. Each version of Word is slightly different, so some of the exact placement of buttons may change. However, all current versions of Word allow page numbering by double-clicking on the top or bottom of the page. This will allow you to open up the Page Number menu.
For example, imagine that we start a job with 2 colors, Blue and Yellow. Instead of applying these colors to each individual object, it is better to create two Color Styles and apply these to the objects (to create a new color style, select the object and right-click and choose > Color Styles > New from Selected…), If you need to use shades of each color (such as 10% of Blue, 20%, 30%, etc) you can choose "Create Gradient" on the same Color Styles docker (Window > Dockers > Color Styles), or (CTRL+F6).
When I learned that CorelDRAW was not available for the Mac, I was shocked. I had just assumed that this graphics program had to be available for Mac OS X. In order to use CorelDRAW on my Mac, I needed a program that allowed me to run Windows on a Mac. My first choice was the virtualization software VirtualBox. It worked, but the performance wasn’t very good and I couldn’t properly configure the screen resolution.
One of the harder things to do in Adobe InDesign, surprisingly for a page layout tool, is to create multilevel or outline format numbered lists. The right way to accomplish this, according to the folks at Adobe, is to create a Style for every level of the list you’d like to have! Here are Adobe’s instructions on how to do so (This content is taken directly from https://helpx.adobe.com/indesign/using/bullets-numbering.html#create_multi_level_lists):
Last year, though, a brilliant production artist mentioned to me that nobody really knows picas except for people with newspaper training. Whether this is true or not, it freed me up to work in inches. Let go of your guilt and work in the measurement system you prefer. Choose different options from the Horizontal and Vertical menus in the Units & Increments panel of the Preferences dialog.
Pros: It has a very old-school user interface, while also being very simple learn and grasp. It has a great variety of features -- while not as many as Adobe Illustrator or as versatile as Affinity Designer -- are still plenty in general to make good art and even work with raster images. It also has a good stylus support, making it great for complex vector illustrations. And its also very stable and reliable.
Word's numbered list feature is easy to use but modifying the results isn't always as intuitive as you might like. As is often the case with Office, knowing the right setting to use and where to find it is the key. In this article, we'll take a basic look at Word's numbering feature and then move on to two common problems—indents and alignment—that are easy to solve if you know where to look and how to alter the setting to get the results you want.
Re: Number 4, you state “ a brilliant production artist mentioned to me that nobody really knows picas except for people with newspaper training.” This is FALSE. None of the professionall designers I know worked in newspapers, and we all use picas because the units of measure make a lot more sense when used in conjunction with type sizes. 14 points of space after a paragraph is 0.1944 inches, and 15 points is 0.2083 inches. Picas and points are the measurement system of typography. Sure, you can measure in hectares if you’re the only one working on your files, but if you want to be taken seriously as a professional designer, you should learn the craft of your chosen profession.
One of the most common issues is related to the image quality. For example, if you download an image from the internet, such as a wallpaper, it will be good for viewing on your screen but not for printing. Most of the images on the internet are low-quality (for example 72 dpi or 96 dpi), because it makes uploading the images to the web faster. But this resolution is not good for printing, because the image will be "pixelated" with jagged edges and the printed result will be bad.
On measurements… I’ve made a fortune fixing all the poorly crafted jobs of people who don’t use picas and points. When you size type you use points – I can honestly say I RARELY run across situations where type in a file is sized in inches or metrically. It makes more sense to use one system of measurement of an entire document. Points are a sub unit of picas and beyond that you can be much more precise – 72 points in an inch (not even getting into half or quarter points) can you tell me what 1/72 of an inch is in a decimal value off the top of your head? Likely not. Then again I keep seeing layouts where the width of a text box is along the lines of 4.5839″ by 6.2991″ – you keep doing your sloppy work and I’ll keep making money. And when you can’t figure out why things look slightly off in your design in terms of spacing of elements or alignments, tell me once again how picas and points are so very arcane.
With Word Online, you can apply a choice of three bullet styles or five numbering styles. Click the Increase Indent and Decrease Indent buttons to change the list level for existing bulleted and numbered lists in the document, as well as those created in the Word desktop app. Learn more about differences between using a document in the browser and in Word.
To make the best use of the first few pages of a newsletter, you should start a long story on one page and finish it on a later page. That way, you can fit more stories on the front page, which is what your readers will see first. You can accomplish this by placing the story in linked text boxes, so that when the first text box is full, excess text will automatically flow into the second text box.
Make the most of your content and important data by repurposing it from existing sources, including 3D designs with the integrated XVL Studio Corel Edition, and the optional XVL Studio 3D CAD Corel Edition add-on for advanced 3D CAD assembly formats. You’ll benefit from full support for a variety of content exchange types including .DWG CAD files, and over 100 other data file formats, and the ability to instantly access content through Corel® CONNECT™.
Benefit from the versatile authoring tools in CorelDRAW® Technical Suite 2018 that allow you to create detailed assembly instructions, complex user manuals, multi-faceted documentation and more. Achieve unsurpassed productivity with new, high-caliber features to accelerate efficiency, and get full support for technical standards to publish, share or print with this expansive technical illustration and drafting software.
First, create the text boxes by clicking the Insert tab on the Ribbon, clicking Text Box > Draw Text Box, and then dragging your mouse to draw a text box on the page. Repeat this step to create a second text box on a later page. Next, select the first text box and click Drawing Tools > Format > Create Link. The cursor will change to resemble a jug with a down-pointing arrow in it. Position the cursor over the second empty text box, and click once to link the two text boxes. Now when you type or paste text into the first text box, and there’s too much to fit in the first box, it will overflow into the second box. The best part is that you can edit within either box, and the text will automatically flow back and forth as you cut or pad the story.
There is nothing more igniting to create a firestorm of debate than those issues that surround a TOS or EULA. If I only had a dollar for every time I listened to a podcast or read an article that related to the constant debate on this TOS and that TOS. I can tell you that people just hate it when a company or government even comes close to taking away or even treading close to their rights.
Cons: Perhaps the only limitation I find in CorelDRAW is the need to innovate in terms of using simpler commands for users who are not as skilled. Sometimes having to look in the menu of the program with the mouse cursor, it becomes somewhat uncomfortable for those who are not so professional and are approaching the world of graphic design for the first time.
Cons: Among the couple of problems I can state about this program remains in recommendation to the gradients, since when it is printed it does not work effectively, as if it had low levels. The filters for photos, since they do not deal with pictures with lots of information, they do not look extremely natural or lose the majority of the information when used.
I have read up on the InDesign figures and cross referencing and have been testing this out. I am using separate text boxes for each figure description with the jump frames command. When I delete a figure the numbers automatically update and I can update the cross references. However, when I add a figure the numbers go out of sequence and I can’t work out how to update them. Perhaps there is another setting I need to change? Is there a way of numbering text boxes sequentially? I was able to thread boxes to update the numbers but this could lead to problems down the line…Any advice on this would be greatly appreciated.
Another extremely useful feature for text-heavy documents is Find/Change. I don’t know about you, but in my experience, the longer the text, the greater the chance that the client will ask me to replace all occurrences of a certain phrase or title. When you have a fully laid-out 192-page book with footnotes, glossary and index, the task of manually replacing phrases is rather daunting.
To change the default, choose High Quality from the Default View menu in the Display Performance panel of Preferences. For good measure, I also unchecked Preserve Object Level Settings so that even graphics that are set to Fast or Typical (via Object > Display Performance) always display at High Quality. (But what about that big background graphic that is slowing you down? Put it on a layer and hide it. Don’t display it as a shadow of its former self.)
Create isometric or other parallel projected technical illustrations for assembly and maintenance instructions by dynamically drawing on a projected plane. Project your existing planar objects to a desired plane instead of manually calculating the skew angle and rotation. Obtain more precision and exactness with the UI controls in Corel DESIGNER®, as users can draw and edit shapes using accurate measurements in isometric and other projected drawing modes.
Organize and manage your font library with the intuitive Corel Font Manager and use your frequently used fonts without installing them, and work faster with fonts using the network storage feature. Quickly find and install fonts for your technical illustration projects, organize fonts for easy access, or manage unneeded fonts. In addition, you can browse and search online and local fonts, preview font glyph sets, create font collections, and more.
In general, change the feature settings in the dialog box, and then save the settings. Styles and presets are stored in the document in which they are created. You can use the settings from another document by importing or loading the styles and presets from that document. In addition, most presets can be exported or saved to a separate file and distributed to other computers.