I also teach young people how to create good graphic design with coreldraw because i found this software to be an invaluable tool to make a living, it has really helped alot of businesses, companies and organizations to spread and advertise their products and generate more revenue for them selves in one way or another, to be frank with you, coreldraw is one of the best softwares i have ever seen in my life because of the wonders you can do with it, just try it out and see what i am talking about.
Pros: I've been using CorelDraw since version 3 back in 1993. CorelDraw combines the features of apps like Illustrator, Photoshop and Indesign in one intuitive and easy to use application. Need to design a vector ad that uses a few images? Edit the image and adjust resolution inside CorelDraw without having to first use another program like Photoshop. Need page layout for a multi-page project? Do it all in CorelDraw instead of having to build every page or ad separately and import into a separate application just for page layout. In addition to features that allowed us to use a single program rather than multiple, CorelDraw has an assortment of shortcuts that just make sense, and that Adobe hasn't bothered to include an easy way to accomplish in programs like Illustrator. Select the next object below or last below is a perfect example of this. With Illustrator a simple feature like this wasn't possible until CS5, while Corel had it for years before. All in all, CorelDraw's ease of use and flexibility saved me countless hours over the years.
i have a similar but bigger problem… the thing is that i installed the same font on 2 different machines (both with same os and software) the font is gill sans condensed, but it looks different on each one… the machines have exactly the same stuff and configuration… i even checked the screen dpi, the font smothness, etc but had no luck, anyone had this problem before? they look way too different, as if it was another font, but if i open a flash document, it would warn you if the font wasn’t installed, but it doesn’t (so this means that the font is installed) it just displays different… any clue?
We'll work with the existing heading styles. When applying this technique to your own documents, you can modify the heading styles to reflect the properties you need—you're not stuck with the default settings. If, however, the built-in heading styles are already in use because you're working with an existing document, you'll have to create new styles. Avoid this route when possible. We'll be changing properties for the numbering scheme and not the actual heading styles.
Cons: Perhaps the only limitation I find in CorelDRAW is the need to innovate in terms of using simpler commands for users who are not as skilled. Sometimes having to look in the menu of the program with the mouse cursor, it becomes somewhat uncomfortable for those who are not so professional and are approaching the world of graphic design for the first time.
If you want to use a bullet found in a specific font (such as the pointing hand from Dingbats), be sure to set the bullet to remember that font. If you use a basic bullet character, it’s probably best not to remember the font, because most fonts have their own version of that bullet character. Depending on whether you select the Remember Font With Bullet option, a bullet you add can reference either a Unicode value and a specific font family and style, or just a Unicode value.
For multiple figure references, I am using Grant’s solution, i.e.: captions are numbered “Figure^.^#:” and then my basic paragraph style GREPs any “Figure~.” to an invisible style (tiny font, white colour). I chose a punctuation space (^. or ~. in GREP) to distinguish it from other instances of “Figure “. This is pretty effective, but another issue remains unresolved: it seems one cannot include a nonbreaking space in a number/bullet style. This means that the text “Figure 121” can break across lines (I have tried selecting “No Break” in my caption style…no joy). So even now that the resulting string is “Figure^SFigure^.121”, where “Figure^.” is invisible, the break at the punctuation space (^.) occurs.
Word's numbered list feature is easy to use but modifying the results isn't always as intuitive as you might like. As is often the case with Office, knowing the right setting to use and where to find it is the key. In this article, we'll take a basic look at Word's numbering feature and then move on to two common problems—indents and alignment—that are easy to solve if you know where to look and how to alter the setting to get the results you want.
For my workflow, I decided to turn off Check Links Before Opening Document in the File Handling pane of the Preference dialog. Yes, sometimes I do have the imported files, but in those cases I don’t move the files. And I have to check the links before output anyway. Anything you can do to make opening documents more seamless is nice, so check out this preference and others in this area.
The true power of Microsoft Publisher is in the superb quality and selection of its templates. Unlike so many of its competitors, Publisher links to Microsoft Office's online template portfolio, which is regularly updated and sports crisp, clean designs that can easily jump-start your projects. The template selection isn't particularly huge – you can only expect access to about 700 different options, compared to the thousands that other software offers – but it's diverse, covering every type of project you might undertake. Microsoft hasn't tried to inflate its numbers by offering dozens of ugly variants of the same template, picking quality over quantity every time.
Thanks. I found this to be extremely helpful for some of those nagging annoyances in iD. Unfortunately I have to use iD v3 at work. All but #10 (& the part about changing the bg color in #1) were available as described. Apparently #10 wasn’t an option until a later version – that would have been nice… but hey – I got a bunch of other awesome workable tips! 😀
When you create an account, you are asked to choose one of the two memberships: standard or premium. As a default, you are assigned a standard subscription. This allows you to access some online products along with some fonts. You will be informed of any updates that are available to be downloaded and those downloads will be applied if you choose.
I have installed MS 2007 home/studen on 2 computers in my home; a desktop and a laptop. The programs do not even have all the same fonts. The laptop has some fonts that the desktop doesn’t have and visa versa. Both systems are running Vista and both were installed with the same disk. I have also seen many occasions where the document comes through totally different.
This course offers in-depth instruction in all the core features and tools in Publisher 2016, the desktop publishing software from Microsoft. Author David Rivers demonstrates Publisher's features using real-world examples of the different kinds of publications you can create with Publisher, from greeting cards to brochures to newsletters. The course explains how to work with text frames and format and edit text; insert and position shapes, pictures, and tables; and customize and automate the layout and design of publications. Plus, learn about Publisher's features for sending out mass mailing with Mail Merge and sharing publications on the web or in print.
Well, there you have it. CorelDRAW has finally chosen to fall in with the rest of the software world and force users to be legal. This may seem a little harsh in tone, but this is really what they are doing. For some of you out there, the time has come for you to “pay the piper” if you choose to upgrade to a new version of CorelDRAW. To its credit, Corel will now be allowing multi-user discounts for those installs where there are a number of users. Is it right? Sorry, but yes it is. Most other software programs already have the same ELUA and TOS. Corel really is finally putting their proverbial foot down and saying, “We are going to control this in terms of each user having their own license.” If you are one of those people who buys one copy and installs it on ten computers in your office, then you will not be allowed to do this once you have upgraded to X6.1 or higher.
When you have a multiple-page document, such as a brochure or catalog, using master pages will save you time. Master pages are used to automatically insert layout elements on various pages. All elements of the master page are placed onto any page you choose, and these are by default not selectable, which allows you to further develop the page without worrying about accidentally modifying the pre-defined elements (such as page numbers, grids and guides, and graphic elements).
Virtual Memory is used by Windows to swap information from RAM to the hard disk in order to free memory for use by applications when physical RAM is low. A paging file is used to accomplish this task. By default, Windows manages the paging file size and sets it to 1.5 times the amount of RAM on the system. This can be increased in cases where CorelDRAW appears to slow as a result of graphic and object intensive documents. When setting the paging size, the max size should never exceed 3 times that amount of physical RAM installed on the computer. To increase Virtual Memory settings, please consult the Windows help files. desktop numbering using publisher