If you are sending the original .CDR file, you must provide all the required information. The best way to do this is to go to File > Collect for Output…, which creates a new folder with a copy of the .CDR file, the fonts used and the color profile. If you are using externally linked images, these files will be also be included. Optionally, you can also create a PDF.
On the "Objects" tab you had several important options. The standard PDF X-3 is good, so you don't need to change anything. In particular, it's not needed to convert text to curves, because the PDF will embed all the fonts. Use this option only if you use fonts with restrictions for print, but only a few fonts have this problem. The 'Convert to curves' option will create a bigger and more complex file, and some RIPs will have problems processing it. Since the fonts will be embedded, it is not necessary to convert text to curves.
You can also insert a page number inside existing artistic or paragraph text. If the text is located on a local layer, the page number is inserted on the current page only. If the text is located on a master layer, the page number becomes part of the master layer and appears on all pages where the master layer is visible. For more information about artistic and paragraph text, see Adding and manipulating text.
Virtual Memory is used by Windows to swap information from RAM to the hard disk in order to free memory for use by applications when physical RAM is low. A paging file is used to accomplish this task. By default, Windows manages the paging file size and sets it to 1.5 times the amount of RAM on the system. This can be increased in cases where CorelDRAW appears to slow as a result of graphic and object intensive documents. When setting the paging size, the max size should never exceed 3 times that amount of physical RAM installed on the computer. To increase Virtual Memory settings, please consult the Windows help files.
At least 20% of the corrupted file case, the culprit comes from the Page Panel. That thing is a mess and Adobe refuse to recognize its related issues. The thing is that the Page Panel update itself LIVE while you modify the content. It’s DOUBLE the memory usage from reading the page content regardless of the size of the thumbnails and it doesn’t load its content with references to the masters, but instead with reference to individual pages. This means, if you got 75 elements per pages while 30 of those are part of the masters, those 30 are loaded multiple time in the RAM at once as its reference to each page “current” state. Turning off the Preview in the Thumbnails stabilize the document (especially when you move/add/remove pages), but come at the cost that you need to know where you are in the document with the pages numbers. Some might hate it because it requires them to use their brain a bit more (and we all know we’re already over-use it), but it’s a give to receive situation.
Want to get started on your publication right away? The good news is that Microsoft Publisher is now available for digital download. Once you’ve paid for the software, you’ll simply be able to download it directly from the Microsoft website. There’ll be no waiting around weeks for shipping. You’ll have access to your new publishing software straight away.
Hello, I am having way too much trouble with Indesign to the point I just hate this program. I changed the visualization of the document in preferences like you said to high quality but the document which is from Illustrator still looks like crap when before it looked good. Also, the option in object that also says to change the visual quality is greyed out and I have no clue why aor how to change it. Getting desperate here, please help!
      There is nothing more igniting to create a firestorm of debate than those issues that surround a TOS or EULA. If I only had a dollar for every time I listened to a podcast or read an article that related to the constant debate on this TOS and that TOS. I can tell you that people just hate it when a company or government even comes close to taking away or even treading close to their rights.
Publication design shouldn’t have to be complicated and if you use Microsoft Publisher, it won’t be. The software has a great drag and drop feature that allows you to quickly insert photos and other media into your publications. The drag and drop feature will save you no end of time. You can even drop content directly from your social media pages into your document!

Overall: Ever since i started using coreldraw i have helped so many companies advertise their products through graphic design, i have also help many organizations to spread information in a form of banner/flyers as well as wedding invitations and many other helpful things, i use the knowledge i have with coreldraw as a source of income for myself because i get paid pretty good when ever i create a banner or any graphic design content for a client.
After adding a few more facts, as shown in Figure F, you might notice something new—the two-digit numbers don't align with the previous one-digit numbers. You could leave the list as is, but most likely you'll want to adjust it. Leaving it as is makes the reader uncomfortable; it's simply not as readable as it should be. We expect numbers to align using the period character or the right-most digit if there's no punctuation.

There is no set limit as to how many fonts can be installed in Windows XP, Vista, and Windows 7. For best performance it is recommended that only required fonts be installed at any given time. Having too many fonts installed can decrease performance and lead to font corruption. It is also recommended that TrueType and Adobe Type 1 fonts with the same name not reside within the Windows Fonts folder at the same time. Finally, checking for corrupt fonts periodically is also advised (corrupt fonts are usually zero kilobytes in size). These fonts must be removed from the Fonts folder in Windows.
Pros: I've been using CorelDraw since version 3 back in 1993. CorelDraw combines the features of apps like Illustrator, Photoshop and Indesign in one intuitive and easy to use application. Need to design a vector ad that uses a few images? Edit the image and adjust resolution inside CorelDraw without having to first use another program like Photoshop. Need page layout for a multi-page project? Do it all in CorelDraw instead of having to build every page or ad separately and import into a separate application just for page layout. In addition to features that allowed us to use a single program rather than multiple, CorelDraw has an assortment of shortcuts that just make sense, and that Adobe hasn't bothered to include an easy way to accomplish in programs like Illustrator. Select the next object below or last below is a perfect example of this. With Illustrator a simple feature like this wasn't possible until CS5, while Corel had it for years before. All in all, CorelDraw's ease of use and flexibility saved me countless hours over the years.
InDesign CC 2019 can now attempt to intelligently and automatically fit the best part of an image inside a frame, rather than your having to manually position it. Of course, what “the best part of the image” means is always open to argument, but Adobe is using a machine-learning algorithm—part of their Adobe Sensei artificial intelligence initiative.
Certain XP themes have been identified as cause operability problems with certain versions ofCorelDRAW. Furthermore, Visual Effects require resources in order to function correctly, which may have an adverse effect on applications installed on the system. Disable Themes and Visual Effects to determine if the problems persist. To disable themes, do the following:
In 1987, Corel engineers Michel Bouillon and Pat Beirne undertook to develop a vector-based illustration program to bundle with their desktop publishing systems. That program, CorelDraw, was initially released in 1989. CorelDraw 1.x and 2.x ran under Windows 2.x and 3.0. CorelDraw 3.0 came into its own with Microsoft's release of Windows 3.1. The inclusion of TrueType in Windows 3.1 transformed CorelDraw into a serious illustration program capable of using system-installed outline fonts without requiring third-party software such as Adobe Type Manager; paired with a photo-editing program (Corel Photo-Paint), a font manager and several other pieces of software, it was also part of the first all-in-one graphics suite.
Now, are you thinking to yourself, “I did change that once, but it didn’t stick…?” Even experienced users can get confused by which preferences are document-specific and which ones are application-specific. For help, read A Visual Guide to InDesign Preferences. In the meantime, anytime you find yourself irritated by the state of things in InDesign, take a trip to the Preferences dialog and see if you can change a setting to better suit you, your computer and your work.
I’d have to know what you mean by “come apart” and exactly how you send it. If you’re actually sending a WORD document (.docx, .doc) then this article you just commented on should answer your question: word documents DON’T necessarily display the same everywhere. Generally the “right” way to publish is to save as PDF and send PDFs around — it’s actually exactly why PDF was invented. 🙂

I have installed MS 2007 home/studen on 2 computers in my home; a desktop and a laptop. The programs do not even have all the same fonts. The laptop has some fonts that the desktop doesn’t have and visa versa. Both systems are running Vista and both were installed with the same disk. I have also seen many occasions where the document comes through totally different.
Produce illustrations that contain descriptive text, then output directly to the Translation Memory System (TMS), and process in Corel DESIGNER for translated results to use in multi-lingual global technical publication. Now, you can format text spanning multiple columns and use Corel DESIGNER to author complete user manuals or documents. Next, send the source language text for translation and receive translations to create localized documents literally with one click.

On the "Objects" tab you had several important options. The standard PDF X-3 is good, so you don't need to change anything. In particular, it's not needed to convert text to curves, because the PDF will embed all the fonts. Use this option only if you use fonts with restrictions for print, but only a few fonts have this problem. The 'Convert to curves' option will create a bigger and more complex file, and some RIPs will have problems processing it. Since the fonts will be embedded, it is not necessary to convert text to curves.
Microsoft Publisher, the desktop publishing component of the Professional version of the Office Suite, can perform many time-saving tasks for busy business owners, including layout and design work. It can even help you avoid a shopping run to try to find tickets for your next employee picnic, holiday giveaway or executive board meeting. Create your own tickets, including the vital sequential ordering needed for raffles or attendance tracking, using Publisher’s page numbering. With a few tricky manipulations of the page number process, you can start running the numbers in an entirely new fashion.
Like the Control panel, the Properties panel changes based on what’s selected. The mode you’re working in (for example, Text Insertion or Linked File) appears listed at the top of the Properties panel. The rest of the panel is grouped into sections. For example, if you are editing text, the panel configures itself to show sections for Text Style, Appearance, Character, Paragraph, Bullets and Numbering, and Quick Actions (Figure 1).
Thank you very much for this! It seems to do the trick! I have about 80 images in each chapter of my document so I am hoping this will work throughout…It seems that anchoring the figure number text frames to the (cross-referenced) figures in the main text works….There are some pages where I only have images and figure descriptions so I think I will anchor the figure descriptions to each other in this instance….unless there is a better way of doing this? Is it possible to anchor the text frame to the text within the box itself?!
InDesign is an essential tool for design firms, ad agencies, magazines, newspapers, book publishers, and freelance designers around the world. This course presents the core features and techniques that make this powerful page layout application fun and easy to use. Author David Blatner shows how to navigate and customize the workspace, manage documents and pages, work with text frames and graphics, export and print finished documents, explore creating interactive documents, and much more. He also covers popular topics such as EPUBs and long documents and includes advice on working with overset text, unnamed colors, and other troublesome issues that may arise for first-time designers.

For example, you could have a single style that adds Space Below and Space After a paragraph, and then change this “space between” setting to zero points. If you apply this to a group of five paragraphs, the first paragraph would have space before, the last paragraph would have space after, and none of these paragraphs would have space added between them.
Number Pro does not create your raffle ticket or document it just allows an easy way to  number them. Check out Number Pro, take a look at the demo videos and even try the demo of Number Pro to see how it works. Number Pro is a cloud based application meaning there is no download of the application. We access the application online in the members area. They offer a three year membership with unlimited use.
A new feature with the ungainly name “Space Between Paragraphs Having the Same Style” is a useful addition to setting spacing in the Paragraph, Control, and Paragraph Styles panels. It is particularly useful when setting bulleted lists, numbered lists, and block quotes. It allows you to use one style for lists, instead of resorting to separate styles to create the proper space above and below the list.
If the list you want is as simple as "1", "2", "3", you'll appreciate how easy it is to apply this type of numbering in legal documents. Simple numbered lists are different in Word 2000 than they were in Word 97. In Word 2000, the default for even the most basic list is multi-level. For example, if you number an item and press Enter and then press the TAB key, Word automatically formats this number as the second level in an outline numbered list format. Single and multi-level numbering are explained later in this chapter.
Ensure a consistent look, style, and layout throughout your design projects with Object Styles, Color Styles and Color Harmonies. With the enhanced Object Styles in Corel DESIGNER, you can manage object styles, such as outline color, line style, line width, halo, fill type and color, and text styles. You can then create symbol libraries that can be accessed and used across projects. Reuse the style definitions that you create once and apply to the individual components in the custom symbols.
Trajan Color Concept—an OpenType SVG font that now ships with InDesign—includes color information, via 20 stylistic sets with various colors and gradients. However, because OpenType SVG fonts are already colored, you cannot apply different colors to OpenType SVG fonts within InDesign. The colors can be viewed in PDF, EPUB, or Publish Online documents. (Just be aware that some PDF and ebook readers may not be updated yet to display this color information correctly!)
Unlike other desktop publishing programs, Microsoft Publisher isn't designed to stand alone. It's available as part of certain versions of Microsoft Office, and consequently pairs well with the rest of the Office suite. For example, it natively imports Microsoft Word .doc and .docx files, parsing them perfectly and integrating them into complex layouts with ease. Likewise, if you need a table or graph from Excel in your next newsletter, you can pull it in without hassle.
My point is, if you (like myself) often work with large and/or highly complicated graphics, you may want to hold off on changing any global “Display Performance” settings and instead adjust the quality on a per-graphic basis. If you do change the global settings to “High-Quality Display” and start to notice the program lagging a bit, you should turn down the display settings of each graphic (starting with the largest) to “Typical Display” until that lag goes away. If you want to see a preview of what your graphics will ultimately look like use the “Presentation” (Shift+W) preview. Hope these tips help!
First, add the image to your Word document, select the image, and choose Picture Tools on the Ribbon toolbar. Click Format > Wrap Text > Tight. Now, with the image still selected, click Format once more and choose Edit Wrap Points. A red line with black markers, called wrap points, will appear around the image. Adjust this line by dragging the wrap points: You can drag the wrap points inward to wrap text over the image, or drag them outward so that the text moves away from the image. Drag on the line itself to create additional wrap points, as desired. When you’re done, click away from the image, and the wrap points will disappear.

There are many reasons why you might want to adjust the size of a layout, but the three most common adjustments are to page size, margins, or amount of bleed. It’s extremely easy to change any of these in InDesign, but changing them and altering your text frames and other page elements has long been a huge hassle. The new Adjust Layout feature in InDesign CC 2019 comes to the rescue.
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When I learned that CorelDRAW was not available for the Mac, I was shocked. I had just assumed that this graphics program had to be available for Mac OS X. In order to use CorelDRAW on my Mac, I needed a program that allowed me to run Windows on a Mac. My first choice was the virtualization software VirtualBox. It worked, but the performance wasn’t very good and I couldn’t properly configure the screen resolution.

The same happens with the styles of text and graphics. Suppose that we are working on a magazine, and we use Garamond, 24 pts for titles and Times New Roman, 11 pts for the body of the text. But after we have finished, our customer wants to change the fonts, and asks us to use Humanist777 - 30 pts for the titles and HelveticaNeue LT Pro 55 Roman - 12 pts for the body of the text. Although you can change it manually if we edit the Style of the titles it will change on all the pages in a second.
      Ok, I am no lawyer and do not want to be one. So pardon me if I miss a translation of a point with the TOS or EULA. I am not going to get into this in detail. If you are really concerned, then I suggest you type Terms of Service or EULA and CorelDRAW into Google. There are enough discussions on the web that relate to this topic to keep you going and to breed fire and brimstone in a few of you.
I am editing a lengthy document (140 pages) in Spanish. At the beginning of the document I could right click on a word and get a list of synonyms and had the option in most cases of looking at a thesaurus as well. But as I progressed in the document, the synonym / thesaurus function stopped appearing as a option. I’m using MSOffice 2013. How can I get it back?
You can now preview type you have selected in a layout in any font by hovering your mouse over the font name in a list of fonts. This can be used in the Control panel, Character panel, and Properties panel menus. For example, in Figure 5, the heading for a book cover is selected on the page, and in the font family menu, Abadi MT Condensed Extra Bold is being previewed. (In earlier versions, you could do something similar, but you had to hover and also press a modifier key on the keyboard.) You can also preview the currently selected text directly in the font family menu by setting the sample text options pop-up menu to Selected Text.
Word Online automatically checks spelling as you type and applies a wavy red underline to misspelled text. Common AutoCorrect actions are included, such as correcting routine misspellings or converting characters to symbols. Additionally, you can set the proofing language or turn off the spelling checker for selected text. Learn more about differences between using a document in the browser and in Word.

Some drawbacks to this feature are that you lose a little control when you are typing. Word formats for you and some users do not like this. Also, on certain items, you will get a number when you do not expect or need one. For example, you have an attorney whose name begins with an initial (A. George Smith). When you type the name and press ENTER, the first initial "A." converts to an automatic number.
When you click More Options in the Generate Index dialog box, formatting options appear that let you determine the style and appearance of the generated index. InDesign includes a number of built‑in paragraph and character styles that you can select to format the generated index, or you can create and select your own styles. After you generate the index, you can edit these styles in the Paragraph Styles and Character Styles panels.
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