We will create an imaginary logo, and we apply the Blue Style. Then, to create the background, double click on the Rectangle tool (Toolbox > Rectangle tool or F6), to create a rectangle the size of the page. We apply the Yellow Style, and we then create a gradient (we press the G-key to activate the Interactive Fill tool and drag the handles to adjust the gradient). Finally, we expand the size to cover the bleed area. As the card measures 90x50 mm, we will make the background of 96x56 mm, centered on the page (to center the background object, select and press P on the keyboard).
Eliminate the need to draw and project dimension objects in multiple steps thanks to the advanced dimension tools. Display precise measurement values in building plans and more, including radial and diameter dimensioning. Plus, with projected dimension options, your projected drawings can be quickly documented with precise and dynamic dimension lines and text.
For multiple figure references, I am using Grant’s solution, i.e.: captions are numbered “Figure^.^#:” and then my basic paragraph style GREPs any “Figure~.” to an invisible style (tiny font, white colour). I chose a punctuation space (^. or ~. in GREP) to distinguish it from other instances of “Figure “. This is pretty effective, but another issue remains unresolved: it seems one cannot include a nonbreaking space in a number/bullet style. This means that the text “Figure 121” can break across lines (I have tried selecting “No Break” in my caption style…no joy). So even now that the resulting string is “Figure^SFigure^.121”, where “Figure^.” is invisible, the break at the punctuation space (^.) occurs.
Ole’s tale: “Late night. The pale glow from the monochrome monitor of my Compugraphic phototypesetter. The smell of the office standard ‘French Vanilla’ coffee—warming, now, for several hours and resembling nothing so much as battery acid. The gentle snoring of one of the staff writers, who is curled up in the warmth of the unit that holds the filmstrips containing the fonts I’m using to set his story.
Using an indexing shortcut, you can quickly index individual words, a phrase, or a list of words or phrases. Adobe InDesign recognizes two indexing shortcuts: one for standard index entries; the other for proper names. The proper name shortcut creates index entries by reversing the order of a name so it is alphabetized by the last name. In this way, you can list a name with the first name first, but have it appear in the index sorted by last name. For example, the name James Paul Carter would appear in the index as Carter, James Paul.
If you are sending the original .CDR file, you must provide all the required information. The best way to do this is to go to File > Collect for Output…, which creates a new folder with a copy of the .CDR file, the fonts used and the color profile. If you are using externally linked images, these files will be also be included. Optionally, you can also create a PDF.
- On occasion you may have content…you'd like appearing at the top of every page.…Maybe at the bottom of every page.…How about automatic page numbering for example.…That's what we're going to talk about in this movie…and we're going to do it with our with our…Landon Hotel newsletter we've been building.…And here as we look at page one,…zoomed in to see the whole page…I don't see any page numbering there.…If we go to pages two and three,…well it looks like there might be something up there…at the top left and top right hand corner.…So let's zoom in and I'm going to use the slider…and go to around 100% and just scroll up…to the top of the pages,…and let's move over to the left hand side.…
However, note that just because you choose a font doesn’t mean your audience will see it. Fonts used for list or combo boxes are embedded (so the final viewer will definitely see them in the correct font). However, fonts you choose for text fields are not embedded in the PDF, and so the end user will only see the correct font if they’re using Adobe Acrobat or Reader and have those fonts active on their computer. If the fonts aren’t present, Acrobat and Reader will substitute Adobe Serif MM or Adobe Sans Serif MM.
I agree with Sherry, Matt, and Jack that measuring in picas is easier and more logical than measuring in inches. And it is not true that only people who worked in newspapers understand picas. Most if not all the InDesign books I’ve gone through use picas and points in their illustrations. You can move or adjust objects by a tenth of a point (0.1 pt) or three-tenths without using a calculator.
Last year, though, a brilliant production artist mentioned to me that nobody really knows picas except for people with newspaper training. Whether this is true or not, it freed me up to work in inches. Let go of your guilt and work in the measurement system you prefer. Choose different options from the Horizontal and Vertical menus in the Units & Increments panel of the Preferences dialog.
With Word Online, you can apply font, font size, and several font formatting attributes—including bold, italic, underline, and superscript. Highlight text, change font color, and clear formatting for selected text. Document theme formatting is available to format text in Word Online. Find the active theme fonts at the top of the Fonts gallery and theme colors in the Font Color gallery. Learn more about differences between using a document in the browser and in Word.
When you add a new figure, and figure caption, make sure you anchor the text from the caption box (using blue anchor box on text frames) (if its not inline with the text frame…) and it will update the figure number…. unless you anchor it, it will just become the last number in the document. You will need to do this with all figures. Just anchor them and they will flow and update when needed! Hope this helps!
By default, bullets and numbers inherit some of their text formatting from the first character in the paragraph to which they’re attached. If the first character in one paragraph is different from the first characters in other paragraphs, the numbering or bullet character may appear inconsistent with the other list items. If this is not the formatting you desire, create a character style for numbers or bullets and apply it to your list by using the Bullets And Numbering dialog box.
From version X4 (14) on, the CDR file is a ZIP-compressed directory of several files, among them XML-files and the RIFF-structured riffdata.cdr with the familiar version signature in versions X4 (CDREvrsn) and X5 (CDRFvrsn), and a root.dat with CorelDraw X6, where the bytes 9 to 15 look slightly different -- "CDRGfver" in a file created with X6. "F" was the last valid hex digit, and the "fver" now indicates that the letter before does no longer stand for a hex digit.
Check Apply Leading to Entire Paragraphs in the Type panel is basically a sign that you don’t know how to use InDesign efficiently and that you’re mostly using it like Illustrator instead. If you use styles instead of manually changing everything, you’ll never have to check that option, ever. That’s because Paragraph styles affect everything in the paragraph, including the invisible characters such as spacing at its end.
The Adjust Layout feature can alter your page elements in several different ways, including resizing and moving frames. But it can also (optionally) alter the size of your text on the page. For example, if you’re converting a large A3 poster into a smaller A4 flyer, you probably want all your text to be half as large (and with half the leading). This is a pain to do manually, but it’s just a checkbox away with Adjust Layout (Figure 3).
One of the most common issues is related to the image quality. For example, if you download an image from the internet, such as a wallpaper, it will be good for viewing on your screen but not for printing. Most of the images on the internet are low-quality (for example 72 dpi or 96 dpi), because it makes uploading the images to the web faster. But this resolution is not good for printing, because the image will be "pixelated" with jagged edges and the printed result will be bad.
Ditch the Typical Display for High Quality might works for documents with fewer than 20-30 pages, but for document with 50+ pages, it’s actually involves an HUGE risk of corrupting your file. This is because of how InDesign, as a WYSIWYG software. (WYSIWYG is how we call software in which you see and works on the result live. It’s basically means “What You See Is What You Get”.)
InDesign is an essential tool for design firms, ad agencies, magazines, newspapers, book publishers, and freelance designers around the world. This course presents the core features and techniques that make this powerful page layout application fun and easy to use. Author David Blatner shows how to navigate and customize the workspace, manage documents and pages, work with text frames and graphics, export and print finished documents, explore creating interactive documents, and much more. He also covers popular topics such as EPUBs and long documents and includes advice on working with overset text, unnamed colors, and other troublesome issues that may arise for first-time designers.
There are many reasons why you might want to adjust the size of a layout, but the three most common adjustments are to page size, margins, or amount of bleed. It’s extremely easy to change any of these in InDesign, but changing them and altering your text frames and other page elements has long been a huge hassle. The new Adjust Layout feature in InDesign CC 2019 comes to the rescue.
Word Online displays documents that are protected with Information Rights Management (IRM). However, these documents cannot be edited in the browser, and you cannot create IRM-protected documents in Word Online. Word Online can't open documents that are encrypted with a password. Advanced document protection features, such as creating IRM-protected documents and applying password-protection, are only available in the Word desktop app.
Cons: The one thing i can say that i didn't pretty much like with coreldraw is that it is somehow hard to learn, it takes a long time before you get use to the user interface and also the shortcut keys are not common unlike the Microsoft shortcut keys that are straight forward, but once you get use to the system, then sky is your limit because it's fun working with coreldraw and so many wonderful things can be done on it.
In Figure 4, I placed six raster images from my sample files using the “gridify” feature, producing a 2 × 3 grid of frames. When the Make Content-Aware Fit preference was turned off, the images were placed using the Fit Content Proportionally option (in Object > Fitting). When Make Content-Aware Fit is turned on by default, the feature did a pretty good job of finding the useful content to include within the frames. Of course, you can continue to tweak the image position manually in individual frames after using the fitting command.
Use the callout drawing tool in Corel DESIGNER to add interactive functionality to callout shapes in technical publications. With the Object Data Manager docker, you can list metadata fields, such as WebCGM metadata, for any graphical or callout shape. Object data items can be edited so that shapes can be manually edited as hotspots for WebCGM output.