The Classification filter (Figure 7) shows the same categories and icons that are found on the Typekit/Adobe Fonts website for filtering fonts. There are icons for each of eight classifications that were available in earlier InDesign versions, such as Serif, Script, and so on. You can also select properties for weight, width, x-height, contrast, standard or CAPS only, and Default Figure Style.
As I mentioned above, you can now convert footnotes to endnotes and endnotes to footnotes in your document. To convert footnotes and endnotes, choose Type > Convert Footnote and Endnote. In the dialog box, you can specify whether you want to convert all the endnotes and footnotes in your document or only from the selection. Also, when importing Word or RTF files, there is now an option to place Word endnotes as static notes. Choosing static notes imports endnotes the way they were imported in InDesign CC 2017 before InDesign’s own endnote feature was introduced.
Publisher is included in higher-end editions of Microsoft Office, reflecting Microsoft's emphasis on the application as an easy-to-use and less expensive alternative to the "heavyweights" with a focus on the small-business market, where firms do not have dedicated design professionals available to make marketing materials and other documents.[1][2] However, it has a relatively small share of the desktop publishing market, which is dominated by Adobe InDesign and QuarkXPress.[1]
The secretary at my church sends be the bulletin to check and make corrections in each week. She uses Windows XP, Office 2003 Pro. and MSOffice 2003. I have the same programs on my computer, and my settings are the same as hers on here machine, however, the lines do not show up the same on mine as hers. She has two pages she sends and when I open it, there are three pages. I do not understand why.
Other sources of major problems on target computers are ‘styles’, or lack of them, and ‘lists’. It’s beyond the scope of this brief comment here to explain why but they are the source of many problems. It’s more noticeable in large documents because page numbers in cross references and table of contents are obviously wrong. On closer inspection you’ll start to notice that lists are not always correct, more noticeable with numbered lists, and that some styles are no longer correct.
Despite its lack of compatibility with Adobe products, Publisher still shines as a layout tool. Custom guidelines help you align objects on the page, while master pages give you control over elements that will appear on every page of a document, like page numbers or framing blocks of color. Publisher even has full support for CMYK-optimized printing. This is the printing format used by ink printers to produce clear, high quality printing.
Warning  Making even minor changes to an outline numbering scheme won't necessarily change the initial position you've selected in the gallery, but rather may create a new gallery position, overwriting an existing one. Because of this problem, attaching numbering to styles is strongly recommended. This is covered in greater detail later in this chapter and in the chapter on Styles.

With Word Online, you can apply a choice of three bullet styles or five numbering styles. Click the Increase Indent and Decrease Indent buttons to change the list level for existing bulleted and numbered lists in the document, as well as those created in the Word desktop app. Learn more about differences between using a document in the browser and in Word.
Sorry to hear it, but many thanks for the confirmation.  It will save me time looking for easier solutions.  I'll manually solve the problem this time, waiting until right before printing before I # the notes across docs manually, and think of a script if I continue to use InDesign after.  Still, I'm stunned that the coders have built in automatic page numbering, and yet not this.  Not much different for footnotes, as you suggest (check the final # of footnotes, increment by 1 and that is the # of the first footnote in the next doc), and as someone else mentioned. 
One of the easiest ways to begin applying numbers is by starting to type a numbered list. Word recognizes that you are creating a list and responds accordingly by converting text that you type into numbered items. The number scheme, delimiter characters that mark the beginning or end of a unit of data and formatting are all based on what you have typed.
Now, are you thinking to yourself, “I did change that once, but it didn’t stick…?” Even experienced users can get confused by which preferences are document-specific and which ones are application-specific. For help, read A Visual Guide to InDesign Preferences. In the meantime, anytime you find yourself irritated by the state of things in InDesign, take a trip to the Preferences dialog and see if you can change a setting to better suit you, your computer and your work.
You may want to set out an essay with two different number styles. In academic essays Roman numerals start after the title page until the body of the essay begins. For example this may include an abstract, table of contents, executive summary etc… Arabic numbers start from the main body of the essay. To achieve this you will need to use section breaks in your document. Change the number format in the Page Number Format window.
This InDesign Documents from the exercise files called 4C_arthistory has 241 pages in it.…I can tell that by looking in the lower left corner of the Pages panel, were it…says 241 pages, in a 121 spreads.…Now this document, a book has various sections in it.…For example, the Opening section is the front matter.…And my introduction should have page numbers, but they should be in Roman Numerals.…Can I do that? Absolutely!…I can break my document up into sections and change the page numbering of those…sections by using the Numbering & Section Option dialog box.…
So I spent some time trying to figure it out, playing with Normal.dotm and the various styles (List paragraph, List Number, List Bullet etc etc). And finally, when I've got Normal.dotm open (i.e. I'm editing that template file), I get my result: I apply a standard numbered list, and it comes up flush left (i.e. not indented) and hanging at 1.0cm (cos I don't use inches...) and with a tab stop applied at 1.0cm as well - funky stuff!
      2. You now will be monitored in the sense that each version of CorelDRAW that is running will be checking in with a server at Corel. You will only be able to have the program installed on three computers with only one computer being active at one time. In terms of installations, here is a response from a Corel employee, “What this three devices rule means is that you can install it (CorelDRAW) on your workstation, your laptop plus one extra computer without having to purchase additional licenses (most other software vendors limit this to one or two devices), with the condition that CorelDRAW is used by only you and that you never start the desktop software on two computers simultaneously. In other words, it is not OK to buy one box, install it on three computers and have three co-workers use CorelDRAW simultaneously (you need three licenses in that case). The EULA hasn’t changed between X6 and X6.1. This should be clear and is quite standard in terms of software. When you are logged into one of the standard accounts then Corel can verify this.”
Hello, I am having way too much trouble with Indesign to the point I just hate this program. I changed the visualization of the document in preferences like you said to high quality but the document which is from Illustrator still looks like crap when before it looked good. Also, the option in object that also says to change the visual quality is greyed out and I have no clue why aor how to change it. Getting desperate here, please help!
Originally, I had an other problem as well. The first no on a level 2-numbering refered to the section and not to the chapter. I had a book with 2 parts and 3-5 chapters in each part. The numbering then all started on 1 in book-part 1 and all on two in book-part 2, (i.e. figures in book-part 2 chapter 4 all numbered 2.1). I got around that by creating 8 dokuments/book parts for my 8 chapters, but if someone knows how to fix this properly Í’m eager to hear about it!
You can see, it's not only about the Font name and size, there are a lot of text attributes that can be used in the same style, including colors. And you can have several color styles, i.e. for footnotes, headers, etc. Editing a style will change the entire document in just one step. Remember that as with Color Styles, it is necessary to apply the style to an object/objects, so that replacing or editing a style that uses Garamond will change all text objects that have had this style applied, not each and every Garamond text object.
Using Emoji fonts, you can include various colorful and graphical characters, such as smileys, flags, street signs, animals, people, food, and landmarks in your documents. Of course, you can’t just type an emoji inside InDesign, so to insert them, you can copy and paste them from another program, or double-click them inside the Glyphs panel (Type > Glyphs).

Guess what happened? It’s likely you accidentally hit a keyboard shortcut that toggles off this preference. Check Use Typographer’s Quotes again, then lock it down by changing the keyboard shortcut. (Do you really need to toggle this off? If you need foot and inch marks, just use those keyboard shortcuts: Command+’/Command+Shift+” or Ctrl+’/Ctrl+Shift+”.)
CorelDraw is quite expensive to purchase outright. This makes it difficult for an independent user to justify such a large expenditure unless the software is used frequently. For most students, grad students or researchers who lack a big software budget, open-source applications may do the job just as well. But if you need a pro-grade tool that can handle any task, then you'll do well to purchase CorelDraw.

Keyboard shortcuts for kerning and tracking are awesome for quickly experimenting with type and for copyfitting. But InDesign’s default increment of 20/1000 ths of an em is HUGE. I knocked it down to 5 in the Kerning/Tracking field (Preferences > Units & Increments > Keyboard Increments). Maybe you love it—leave it alone. Maybe you think it’s too small—bump it up. The point is, you can make this setting work for you.
      Well, there you have it. CorelDRAW has finally chosen to fall in with the rest of the software world and force users to be legal. This may seem a little harsh in tone, but this is really what they are doing. For some of you out there, the time has come for you to “pay the piper” if you choose to upgrade to a new version of CorelDRAW. To its credit, Corel will now be allowing multi-user discounts for those installs where there are a number of users. Is it right? Sorry, but yes it is. Most other software programs already have the same ELUA and TOS. Corel really is finally putting their proverbial foot down and saying, “We are going to control this in terms of each user having their own license.” If you are one of those people who buys one copy and installs it on ten computers in your office, then you will not be allowed to do this once you have upgraded to X6.1 or higher.

This simple technique makes quick work of a single-level numbered list and accommodates multiple lists within the same document. However, it doesn't work with multilevel lists. If you must work with an existing document, modify the heading style as shown above. Then, select each heading and apply the heading style that you modified by adding a numbering scheme. As I mentioned, this isn't possible if the existing document already employs the heading style. But if you face numbering headings in a document, you know you've got the request covered—and you won't lose a minute's composure. Just tell them, "Yes, I can do that."

I love Adobe InDesign. For multi-page documents, it’s the most flexible and complete application out there. Yet I remember how counter-intuitive some things were when I was learning it for the first time. Here are some tips I wish I had known when starting out, as well as some answers to questions that others often ask me. This is not intended to be a manual; some good ones are already out there (although I personally learned by doing). Hopefully, these tips will help you make the best of your day-to-day use of InDesign. If you are preparing a document for print, keep your margins and bleeds in mind from the beginning. Your printer will give you the measurements for the bleed, but generally 1⁄8 inch or 3 mm should suffice. Approximately the same area within the document should be kept free of text and important graphic elements (such as the logo). Set up your document for bleed in InDesign as you create it by selecting the correct settings in the document set-up box.


In 2012 the joint LibreOffice/re-lab team implemented libcdr, a library for reading CDR files from version 7 to X3 and CMX files.[47] The library has extensive support for shapes and their properties, including support for color management and spot colors, and has a basic support for text.[48] The library provides a built-in converter to SVG, and a converter to OpenDocument is provided by writerperfect package. The libcdr library is used in LibreOffice starting from version 3.6,[49] and thanks to public API it can be freely used by other applications.
Law firms use numbered lists daily to prepare contracts, pleadings, letters and memos. Word makes activating and customizing numbering fairly straightforward. You can create simple numbered lists, such as A, B, C and 1, 2, 3. You can also customize these lists to setup specific numbering styles for your firm and practice group. Multilevel lists such as I, A, 1 are handled through Word's Outline Numbering feature, which is explained later in this chapter. Many firms rely on outline numbered lists to draw up contracts and pleadings. Like numbered lists, outline numbered lists can be customized.
Note that some versions of Word may have slightly different ways to create numbering. Each version of Word is slightly different, so some of the exact placement of buttons may change. However, all current versions of Word allow page numbering by double-clicking on the top or bottom of the page. This will allow you to open up the Page Number menu.[3]
Why would you need another panel for applying formatting to text or objects? Adobe has found that InDesign’s plethora of panels and dialog boxes can be confusing, especially for those who are new to InDesign, or who use it less frequently. So, following the lead of Illustrator CC and Photoshop CC, the new Properties panel shows many of the relevant layout commands. And while it doesn’t offer all the same features as the Control panel (which still exists), even if you are an experienced user you may find the Properties panel faster for some of your workflows because most of your needed commands are found in one place.
try this…if you place all your graphics and set up a figure number style, and place some of your styles in an inline text frame and the ones that need to fall outside the text frame, the numbering will be off, UNTIL you take the blue anchor frame and anchor it to text of the stand alone graphics, then the figure numbers will then be in order. It also works on 11×17 pages where you have to link the figure number to the previous page and then Anchor Object options and use the Inline or above Line (position) to move text frame to the next page. :-)

the tools are much better than the competition, it is easier to vectorize and edit vectors. when exporting I think it has the most extensive file support, plus I can even open Illustrator files (which I can not do vice versa) the cleaping mask option is better than another, I can edit even the bitmap colors a lot easier without worrying about damaging the original file

You can also insert a page number inside existing artistic or paragraph text. If the text is located on a local layer, the page number is inserted on the current page only. If the text is located on a master layer, the page number becomes part of the master layer and appears on all pages where the master layer is visible. For more information about artistic and paragraph text, see Adding and manipulating text.
Overall: Ever since i started using coreldraw i have helped so many companies advertise their products through graphic design, i have also help many organizations to spread information in a form of banner/flyers as well as wedding invitations and many other helpful things, i use the knowledge i have with coreldraw as a source of income for myself because i get paid pretty good when ever i create a banner or any graphic design content for a client.
CorelDRAW Technical Suite 2018 Enterprise license customers gain exclusive additional collaboration and sharing benefits from the new connectivity of Corel DESIGNER and CorelDRAW to Microsoft SharePoint sites, giving you direct access to your organization’s Document Management System (DMS) right from within the visual communication authoring applications.

   If you are a shop that relies on one version of CorelDRAW and it is installed on multiple computers, you may be in for a surprise and added expense if you update to a service pack 6.1 or higher, or if you decide that when a new version of CorelDRAW comes out, you want to upgrade and install one license on a number of computers. For example, if you usually have four people working at the same time on their own computers, then each version on each computer will require its own license. I know that a lot of shops have the same version of CorelDRAW on multiple computers. So, when upgrade time comes you could be in for a significantly higher cost.
CorelDraw (styled CorelDRAW) is a vector graphics editor developed and marketed by Corel Corporation. It is also the name of Corel's Graphics Suite, which includes additionally the bitmap-image editor Corel Photo-Paint as well as other graphics-related programs (see below). The latest version is marketed as CorelDraw Graphics Suite 2018 (equivalent to version 20), and was released in April 10, 2018.[1] CorelDraw is designed to edit two-dimensional images such as logos and posters.

You can change all three settings, but they aren't on the Numbering option's dropdown, where you might expect them. To access these options, right-click the numbers (not the list) and choose Adjust List Indents from the resulting submenu, as shown in Figure C. In the resulting dialog, adjust the appropriate settings. For example, in Figure D, you can see that I've transposed the first two settings. Figure E shows the new settings in place. If the ruler is enabled, you can also see that the left tab the feature uses moved accordingly.
Re: Number 4, you state “ a brilliant production artist mentioned to me that nobody really knows picas except for people with newspaper training.” This is FALSE. None of the professionall designers I know worked in newspapers, and we all use picas because the units of measure make a lot more sense when used in conjunction with type sizes. 14 points of space after a paragraph is 0.1944 inches, and 15 points is 0.2083 inches. Picas and points are the measurement system of typography. Sure, you can measure in hectares if you’re the only one working on your files, but if you want to be taken seriously as a professional designer, you should learn the craft of your chosen profession. 
Word is not designed for handling large document collaboration, which includes sending clients reports. As Leo has suggested, create the PDF of your report and send that your client. If they want changes, have them communicate them back and you make the necessary changes and then PDF the revised report again. It’s the only way that you can be absolutely certain that your client sees what you intended.
That’s not exactly correct. It prints correctly on one machine but not others. So it’s not the difference between the screen version and the print version. In most cases, it prints as it looks on the screen. Read the article you are commenting on for the reasons. From my experience, the most common reason is due to the different fonts installed on the machines. I once received a document to print and the layout was all wrong. I installed the missing fonts and it printed correctly.
One solution is to format the heading with the style and follow it with a hidden paragraph mark. You should format the text in the next paragraph with a style that is not included in the Table of Contents. A hidden paragraph mark keeps the text together on one line when it is printed, even though it is actually two separate paragraphs. The Table of Contents command picks up only those paragraphs with heading styles and places them into the Table of Contents.
If you use the same page size and language for most of your documents, you can change these defaults with no document open. For example, to change the default page size, close all documents, choose File > Document Setup, and select a desired page size. To set a default dictionary, close all documents, choose Edit > Preferences > Dictionary (Windows) or InDesign > Preferences > Dictionary (Mac OS), and select an option from the Language menu.
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