One thing I find a little odd is if you break apart a line into two or more segments they are still considered part of each other. In other words, once it is broken apart, if you select one of the new segments, it will select all of them. I ended up deleting the others and making new separate one. It isn't a big deal, just a little weird when you first encounter it.

I have a word document with a table of 6 exact cells on a full page table. In those cell areas I have been printing tickets with a list and a mail merge and updating labels. I call to an excel list of 1-2000 and then I generate all the pages through the Finish and Merge option. This all works perfect. I get 2000 individually numbered tickets to print...however...I then have six tickets printed on a page of paper with ticket numbers 1, 2, 3, 4, 5 ,6 then the next page has 7,8,9,10,11,12. This is fine but I then have to cut and stack these tickets in groups of six and at that point none of the numbering is sequential. The tickets are basically random.


the tools are much better than the competition, it is easier to vectorize and edit vectors. when exporting I think it has the most extensive file support, plus I can even open Illustrator files (which I can not do vice versa) the cleaping mask option is better than another, I can edit even the bitmap colors a lot easier without worrying about damaging the original file
Multi-level numbering is quite easy, once you’ve figured out how to do it. I am using InDesign CS4 to write a technical dissertation, and it works great with my multi-level headings, such as “3.4.1 Partial Transient…”, and figures and tables throughout each section (or chapter). I do have the whole document in one file, but it’s not too large since the images are all linked.
Since Word 2000 applies outline numbering by default, as you press TAB or SHIFT+TAB in a numbered list, you are moved to the next or previous outline level. If you are in a numbered list that has outline numbering generated by the method described in the previous exercise, when you choose Bullets and Numbering from the Format menu (or alternate-click a portion of the numbered list), the Numbered tab appears on the Bullets and Numbering dialog box. However, if you first select the entire list and choose Bullets and Numbering from the Format menu, the Outline Numbered tab from the Bullets and Numbering dialog box is selected.
I then trawled through various forums and Parallels Desktop was being highly praised, so I purchased it right away from the Apple retailer Gravis. The software was installed quickly and without any difficulty and I’ve been using CorelDRAW on my Mac ever since with excellent performance. It runs quickly and smoothly and I find the seamless integration of Windows and Windows programs in the Mac OS interface with the Coherence view mode to be top notch.”

Hi David, i just figured this out, using CS6, if you place all your graphics and set up a figure number style, and place some of your styles in an inline text frame and the ones that need to fall outside the text frame, the numbering will be off, UNTIL you take the blue anchor frame and anchor it to text of the stand alone graphics, then the figure numbers will then be in order. It also works on 11×17 pages where you have to link the figure number to the previous page and then Anchor Object options and use the Inline or above Line (position) to move text frame to the next page. :-)
There is an enhanced display of choices when browsing fonts in the Control, Character, and Properties panels font family menus. When you click the Font Family menu, there are two tabs at the top left (Figure 5): the “Fonts” tab shows currently installed or activated fonts. But here’s the cool one that is easy to overlook: The “Find More” tab previews Adobe Fonts that are available to be activated. Yes, that means instant access to thousands of fonts from within InDesign, without having to visit Adobe’s website.
Microsoft Publisher might seem like a secondary choice next to so many dedicated competitors from other companies, but don't be fooled – this is some of the best publishing software around. Granted, it has its drawbacks – we wish it offered some more impressive graphic design tools – but as a product for laying out your family's next scrapbook page or putting together a new resume, it's one of the best. It has some of the best typography and template tools of any DTP software. Another hug bonus is its availability. Most people already have access to it, whether they know it or not, since it is included in the Microsoft Office package. This is multifunctional software that will help you create all kinds of documents and publications.
For multiple figure references, I am using Grant’s solution, i.e.: captions are numbered “Figure^.^#:” and then my basic paragraph style GREPs any “Figure~.” to an invisible style (tiny font, white colour). I chose a punctuation space (^. or ~. in GREP) to distinguish it from other instances of “Figure “. This is pretty effective, but another issue remains unresolved: it seems one cannot include a nonbreaking space in a number/bullet style. This means that the text “Figure 121” can break across lines (I have tried selecting “No Break” in my caption style…no joy). So even now that the resulting string is “Figure^SFigure^.121”, where “Figure^.” is invisible, the break at the punctuation space (^.) occurs.

You could include things like empty spaces and paragraph breaks in your search if you know, for example, that the word that has to change is followed by a space. Insert these special characters by clicking the “@” arrow to the right of the Find box, or search for a particular glyph by going to the Glyph tab. Replacing glyphs one by one might be best, so that you can monitor your work and progress.
InDesign CC makes a lot of assumptions about you. For example, it’s pretty sure that your world view is pretty Dark. It thinks you understand picas. And it’s pretty sure that you don’t want to take advantage of that gorgeous display your monitor offers. I can’t tell you why it makes these assumptions—but I can tell you where to change them if they’re not working for you. So if you’ve never customized your InDesign preferences, just press Command+K (Mac) or Ctrl+K (Windows) to open the dialog box and follow along.
      Ok, I am no lawyer and do not want to be one. So pardon me if I miss a translation of a point with the TOS or EULA. I am not going to get into this in detail. If you are really concerned, then I suggest you type Terms of Service or EULA and CorelDRAW into Google. There are enough discussions on the web that relate to this topic to keep you going and to breed fire and brimstone in a few of you.

Ensure a consistent look, style, and layout throughout your design projects with Object Styles, Color Styles and Color Harmonies. With the enhanced Object Styles in Corel DESIGNER, you can manage object styles, such as outline color, line style, line width, halo, fill type and color, and text styles. You can then create symbol libraries that can be accessed and used across projects. Reuse the style definitions that you create once and apply to the individual components in the custom symbols.
Last year, though, a brilliant production artist mentioned to me that nobody really knows picas except for people with newspaper training. Whether this is true or not, it freed me up to work in inches. Let go of your guilt and work in the measurement system you prefer. Choose different options from the Horizontal and Vertical menus in the Units & Increments panel of the Preferences dialog.
   If you are a shop that relies on one version of CorelDRAW and it is installed on multiple computers, you may be in for a surprise and added expense if you update to a service pack 6.1 or higher, or if you decide that when a new version of CorelDRAW comes out, you want to upgrade and install one license on a number of computers. For example, if you usually have four people working at the same time on their own computers, then each version on each computer will require its own license. I know that a lot of shops have the same version of CorelDRAW on multiple computers. So, when upgrade time comes you could be in for a significantly higher cost.

The true power of Microsoft Publisher is in the superb quality and selection of its templates. Unlike so many of its competitors, Publisher links to Microsoft Office's online template portfolio, which is regularly updated and sports crisp, clean designs that can easily jump-start your projects. The template selection isn't particularly huge – you can only expect access to about 700 different options, compared to the thousands that other software offers – but it's diverse, covering every type of project you might undertake. Microsoft hasn't tried to inflate its numbers by offering dozens of ugly variants of the same template, picking quality over quantity every time.
The Adjust Layout feature can alter your page elements in several different ways, including resizing and moving frames. But it can also (optionally) alter the size of your text on the page. For example, if you’re converting a large A3 poster into a smaller A4 flyer, you probably want all your text to be half as large (and with half the leading). This is a pain to do manually, but it’s just a checkbox away with Adjust Layout (Figure 3).
First, add the image to your Word document, select the image, and choose Picture Tools on the Ribbon toolbar. Click Format > Wrap Text > Tight. Now, with the image still selected, click Format once more and choose Edit Wrap Points. A red line with black markers, called wrap points, will appear around the image. Adjust this line by dragging the wrap points: You can drag the wrap points inward to wrap text over the image, or drag them outward so that the text moves away from the image. Drag on the line itself to create additional wrap points, as desired. When you’re done, click away from the image, and the wrap points will disappear.

On occasion, re-installing CorelDRAW may be needed to update certain application files. When reinstalling CorelDRAW, turn off all non-critical background services and startup items. This will ensure that no other program conflicts with the installation routine. To disable service and startup items, refer to the instructions previously listed in this document.
Footnote numbering is not continued across documents in a book. This is an expected behavior and not a bug. Please see the section Footnote numbering and formatting options in this URL: http://help.adobe.com/en_US/indesign/cs/using/WSa285fff53dea4f8617383751001ea8cb3f-6f37a.h tml. Please see attached screen: However, if you have threaded text frames across your book documents, then Footnote numbering will continue.

As far as figure or table numbering goes, the numbering needs to be done under the same list but on a different level. I use level 4 for my figures and level 5 for my tables. As an example, the figure style has this in the Number field: Figure^.^1-^#:^>. This renders any figure caption anywhere in the document correctly: Figure 3-7, Figure 5-2, Figure 1-11, depending only upon where in the text the style is applied. The ^. is a punctuation space. It’s slightly less than a regular space and keeps any cross-referenced figure instance from breaking over a line; so I’ll never see text like “…see Figure(line break)2-2 for a diagram of…” Also, the en space (^>) adds a nice distance between the figure number and the text explaining the figure.
The Newsletter Wizard gives you, as a default, four pages of newsletter with which to work.� For this project, we will only need two pages.� To become comfortable changing the Wizard-created template, we will guide you through the process of deleting two pages from the newsletter � namely, pages three and four.� This is easily done if you follow the steps below:
15 May 1992[6] 3 1, 2, 3 2, 3 3.0, 3.1 (preferred) Included Corel Photo-Paint asp ( for bitmap editing), CorelSHOW (for creating on-screen presentations), CorelCHART (for graphic charts), Mosaic and CorelTRACE (for vectorizing bitmaps). The inclusion of this software was the precedent for the actual graphic suites.[7] CorelDraw for Unix also became available.[8][9] The fonts bundled with CorelDraw are no longer in the proprietary Corel format WFN, but in Type 1 PostScript fonts and TTF TrueType formats.
First, add the image to your Word document, select the image, and choose Picture Tools on the Ribbon toolbar. Click Format > Wrap Text > Tight. Now, with the image still selected, click Format once more and choose Edit Wrap Points. A red line with black markers, called wrap points, will appear around the image. Adjust this line by dragging the wrap points: You can drag the wrap points inward to wrap text over the image, or drag them outward so that the text moves away from the image. Drag on the line itself to create additional wrap points, as desired. When you’re done, click away from the image, and the wrap points will disappear.
I then trawled through various forums and Parallels Desktop was being highly praised, so I purchased it right away from the Apple retailer Gravis. The software was installed quickly and without any difficulty and I’ve been using CorelDRAW on my Mac ever since with excellent performance. It runs quickly and smoothly and I find the seamless integration of Windows and Windows programs in the Mac OS interface with the Coherence view mode to be top notch.”

A defined list can be interrupted by other paragraphs and lists, and can span different stories and different documents in a book. For example, use defined lists to create a multi-level outline, or to create a running list of numbered table names throughout your document. You can also define lists for separately numbered or bulleted items that are mixed together. For example, in a list of questions and answers, define one list for numbering the questions and another for numbering the answers.
×