If you start to type in what appears to be a numbered list, Word formats your manually typed "numbers" to an automatic numbered list. The main benefit of this option is that you do not need to click any button to start numbering and you can choose your numbering style as well. For example, if you type "(a) some text" and press Enter, it starts numbering using the "(a)" format.
If you want numbered headings to be underlined, but do not want a line under the number, it can be difficult if you don't know how it works. This is because by default, the format of the number follows the format of the text that follows it. For example, let's say you want to underline a paragraph in a Heading 2 style. Chances are it will look like this:
The easiest way to implement a numbering scheme for headings is to add one to a heading style. To illustrate, we'll modify Heading 1 by adding a numbering scheme. First, right-click Heading 1 in the Styles gallery (in the Styles group on the Home tab). Then, choose Modify as shown in Figure A to launch the Modify Style dialog. If you thumb through the default properties, you'll not find a numbering scheme (Figure B). Click the Format button and choose Numbering as shown in Figure B. If necessary, click the Numbering tab. Choose the predefined scheme that's the best match for what you want (Figure C).

On measurements… I’ve made a fortune fixing all the poorly crafted jobs of people who don’t use picas and points. When you size type you use points – I can honestly say I RARELY run across situations where type in a file is sized in inches or metrically. It makes more sense to use one system of measurement of an entire document. Points are a sub unit of picas and beyond that you can be much more precise – 72 points in an inch (not even getting into half or quarter points) can you tell me what 1/72 of an inch is in a decimal value off the top of your head? Likely not. Then again I keep seeing layouts where the width of a text box is along the lines of 4.5839″ by 6.2991″ – you keep doing your sloppy work and I’ll keep making money. And when you can’t figure out why things look slightly off in your design in terms of spacing of elements or alignments, tell me once again how picas and points are so very arcane.
Excellent stylus support (including the ability to adjust stylus tilt, bearing and rotation in real time). A quick editing workflow. Each node has a distinct appearance depending on the handle or selection type, and the size, colours and shapes of the editing points are customisable via Options. More intuitive interactive sliders for gradients, blends, transparency and so on wrap up a decent release.

Regarding the display settings, InDesign users who are still using CS6 or earlier will often take a serious performance hit by setting “Display Performance” to “High-Quality Display” if they have any high-res raster images or complex vector graphics. I assume that this is due to there not being a 64-bit version of InDesign before CC. Even if you have a high-end machine, 32-bit programs can’t utilize all of your system’s resources. And even with the 64-bit CC version, you’ll have performance issues if you use enough high-res/complex graphics in one document. Unlike Photoshop and Illustrator CC, InDesign has no option to use graphical hardware acceleration – i.e. it can’t use a dedicated graphics card, so all of the computations have to be run through the CPU; this too can bottleneck it’s performance.
Using an indexing shortcut, you can quickly index individual words, a phrase, or a list of words or phrases. Adobe InDesign recognizes two indexing shortcuts: one for standard index entries; the other for proper names. The proper name shortcut creates index entries by reversing the order of a name so it is alphabetized by the last name. In this way, you can list a name with the first name first, but have it appear in the index sorted by last name. For example, the name James Paul Carter would appear in the index as Carter, James Paul.
Leverage all the power you need to publish, share and output important technical documents, including a new capability to publish to WordPress. Using a diverse set of cross-media publishing and distribution capabilities, including CGM, WebCGM, SVG, PDF, and 3D PDF, you will ensure all of your important technical files will be delivered in a readable format and accessible through online, print and mobile options.
Pros: I have used this software for 3 years and I can verify that it is easy to learn, it also contains a great help panel, the automatic vectorization tool is incredible, the preview of the texts facilitates the design process, it contains a wide range of tools manual vectorization. in general lines it is a very complete software suitable for beginners and experts
Like the Control panel, the Properties panel changes based on what’s selected. The mode you’re working in (for example, Text Insertion or Linked File) appears listed at the top of the Properties panel. The rest of the panel is grouped into sections. For example, if you are editing text, the panel configures itself to show sections for Text Style, Appearance, Character, Paragraph, Bullets and Numbering, and Quick Actions (Figure 1).

The Newsletter Wizard gives you, as a default, four pages of newsletter with which to work.� For this project, we will only need two pages.� To become comfortable changing the Wizard-created template, we will guide you through the process of deleting two pages from the newsletter � namely, pages three and four.� This is easily done if you follow the steps below:
When you add a new figure, and figure caption, make sure you anchor the text from the caption box (using blue anchor box on text frames) (if its not inline with the text frame…) and it will update the figure number…. unless you anchor it, it will just become the last number in the document. You will need to do this with all figures. Just anchor them and they will flow and update when needed! Hope this helps!
I never place .eps files. I place the native .ai files instead and haven’t had a problem. I prefer points and picas, but that’s just my choice. I remember the olden days in college with fondness…when we actually learned about points and picas and drew letters with pencil on tracing paper to learn about line spacing, word spacing, and kerning. Our fonts were Helvetica, Bodoni, Garamond, and (oops, too vintage here…I forget). Type On!
Not available in Word Online. Office Online requires an Internet connection and an Internet browser. You need the Word desktop app installed on your computer to view and edit a document while disconnected from the Internet or from your organization's on-premises Office Web Apps Server. If you have the Word desktop app installed, you can use the full functionality of Word to view and edit your document. When you save, the online document is updated with your changes. You can also download and save-as an offline copy of the document, but it will not be in sync with the online version. Learn more about Office Web Apps Server.

Adobe has changed the name of Typekit to Adobe Fonts. However, it still appears as Typekit in some programs, such as Photoshop, which will undoubtedly cause some confusion for a while. But the confusion goes deeper than just branding. After all, the font called Adobe Garamond is an “Adobe font,” because it was designed and developed by Adobe. But hundreds of other fonts were designed and developed by other non-Adobe font foundries, and only licensed to be distributed through Typekit. Unfortunately, those are now also called “Adobe Fonts.” So when you’re talking with someone about “Adobe Fonts,” you need to be clear whether you’re referring to the fonts from Adobe or “the service formerly known as Typekit.”
try this…if you place all your graphics and set up a figure number style, and place some of your styles in an inline text frame and the ones that need to fall outside the text frame, the numbering will be off, UNTIL you take the blue anchor frame and anchor it to text of the stand alone graphics, then the figure numbers will then be in order. It also works on 11×17 pages where you have to link the figure number to the previous page and then Anchor Object options and use the Inline or above Line (position) to move text frame to the next page. :-)
In 2012 the joint LibreOffice/re-lab team implemented libcdr, a library for reading CDR files from version 7 to X3 and CMX files.[47] The library has extensive support for shapes and their properties, including support for color management and spot colors, and has a basic support for text.[48] The library provides a built-in converter to SVG, and a converter to OpenDocument is provided by writerperfect package. The libcdr library is used in LibreOffice starting from version 3.6,[49] and thanks to public API it can be freely used by other applications.

See Word's Numbering Explained by John McGhie, MVP - comprehensive and not pretty (Downloadable pdf file in letter size) - Reading this is vital to anyone attempting to use automatic numbering or bullets in a law office setting or other places where the documents are likely to be reused or heavily edited. See also How to Create a Template with a downloadable template with style-based numbering.
At one time, only professional graphic designers used desktop publishing software. Then along came consumer-level desktop publishing software and an explosion of people who did desktop publishing for fun and profit, with or without a background in traditional design. Today, desktop publishing is still a career choice for some, but it is also increasingly a required skill for a wide range of jobs and careers.
Eliminate the need to draw and project dimension objects in multiple steps thanks to the advanced dimension tools. Display precise measurement values in building plans and more, including radial and diameter dimensioning. Plus, with projected dimension options, your projected drawings can be quickly documented with precise and dynamic dimension lines and text.

With Word Online, you can apply a choice of three bullet styles or five numbering styles. Click the Increase Indent and Decrease Indent buttons to change the list level for existing bulleted and numbered lists in the document, as well as those created in the Word desktop app. Learn more about differences between using a document in the browser and in Word.
If you use the same page size and language for most of your documents, you can change these defaults with no document open. For example, to change the default page size, close all documents, choose File > Document Setup, and select a desired page size. To set a default dictionary, close all documents, choose Edit > Preferences > Dictionary (Windows) or InDesign > Preferences > Dictionary (Mac OS), and select an option from the Language menu.

A CorelDRAW Graphics Suite expert, Roger has been a popular presenter at industry trade shows. He has developed and conducted classroom training and online sessions throughout North America and has authored articles for key industry magazines, including SQE Professional and The Screen Printers Resource Guide, and is a regular contributor to Trophex magazine. You can train with Roger using his book, Bring It Home with CorelDRAW: A Guide to In-House Graphic Design, or by watching his online course, CorelDRAW Essential Training.


More than one person can work simultaneously in a document. In Word Online and Word 2016, real-time presence helps you see where your co-authors are working in the document so that you don't create conflicts as you edit, and you can see changes as they're being made. Word 2013 supports simultaneous editing, but there is no presence indication, and changes can't be seen by multiple authors until the document is saved. To learn more about real-time co-authoring, see What's new in Word Online and Collaborate on Word documents with real-time co-authoring.
First, create the text boxes by clicking the Insert tab on the Ribbon, clicking Text Box > Draw Text Box, and then dragging your mouse to draw a text box on the page. Repeat this step to create a second text box on a later page. Next, select the first text box and click Drawing Tools > Format > Create Link. The cursor will change to resemble a jug with a down-pointing arrow in it. Position the cursor over the second empty text box, and click once to link the two text boxes. Now when you type or paste text into the first text box, and there’s too much to fit in the first box, it will overflow into the second box. The best part is that you can edit within either box, and the text will automatically flow back and forth as you cut or pad the story.
Corel draw has a number of associated programs which are sold as a package when you purchase Corel draw and these are created to work in the same. Photo paint allows you edit photos and othe images for many purposes. A very rounded package of graphic and desktop publishing tools. Corel draw allows you to save and export files in a wide range of types.

Want to get started on your publication right away? The good news is that Microsoft Publisher is now available for digital download. Once you’ve paid for the software, you’ll simply be able to download it directly from the Microsoft website. There’ll be no waiting around weeks for shipping. You’ll have access to your new publishing software straight away.
We'll work with the existing heading styles. When applying this technique to your own documents, you can modify the heading styles to reflect the properties you need—you're not stuck with the default settings. If, however, the built-in heading styles are already in use because you're working with an existing document, you'll have to create new styles. Avoid this route when possible. We'll be changing properties for the numbering scheme and not the actual heading styles.

Keyboard shortcuts for kerning and tracking are awesome for quickly experimenting with type and for copyfitting. But InDesign’s default increment of 20/1000 ths of an em is HUGE. I knocked it down to 5 in the Kerning/Tracking field (Preferences > Units & Increments > Keyboard Increments). Maybe you love it—leave it alone. Maybe you think it’s too small—bump it up. The point is, you can make this setting work for you.


These limitations will drive some InDesign users crazy, but there is an easy solution, at least for the first two problems: to have separate footnote numbering for a table, and place the numbering under the table rather than at the bottom of the page (interspersed with other footnotes), simply place each table in a text frame of its own. Then, if necessary, you can anchor that text frame into the larger text story. That said, if the new features still don’t meet your needs, check out Peter Kahrel’s article “Going Deep with Footnotes” in InDesign Magazine issue #95.
Hello, I am having way too much trouble with Indesign to the point I just hate this program. I changed the visualization of the document in preferences like you said to high quality but the document which is from Illustrator still looks like crap when before it looked good. Also, the option in object that also says to change the visual quality is greyed out and I have no clue why aor how to change it. Getting desperate here, please help!
I am designing my first book on indesign for a client who wanted to turn an academic paper into a book therefore it has a lot of references in the footnotes. The format we are using is a super script number in the body text and end notes at the end of every chapter with a continuous numbering throughout the book.  I am importing text individually for every chapter but I have not managed to find a way to keep the footnote numbering continuous in this method. Also I am not very experienced in running scripts.
The secretary at my church sends be the bulletin to check and make corrections in each week. She uses Windows XP, Office 2003 Pro. and MSOffice 2003. I have the same programs on my computer, and my settings are the same as hers on here machine, however, the lines do not show up the same on mine as hers. She has two pages she sends and when I open it, there are three pages. I do not understand why.
Thanks. I found this to be extremely helpful for some of those nagging annoyances in iD.  Unfortunately I have to use iD v3 at work.  All but #10 (& the part about changing the bg color in #1) were available as described.  Apparently #10 wasn’t an option until a later version – that would have been nice… but hey – I got a bunch of other awesome workable tips! 😀

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When desktop publishing appeared, we found that it couldn’t do everything Ole could do with his Compugraphic—but that being able to see what our type would look like before we printed it more than made up for any deficiencies. These days, page layout programs are far more capable than Ole’s trusty EditWriter. Does that mean, however, that there’s no more room for improvement? For surprising new features? Is typesetting “done”?

Trajan Color Concept—an OpenType SVG font that now ships with InDesign—includes color information, via 20 stylistic sets with various colors and gradients. However, because OpenType SVG fonts are already colored, you cannot apply different colors to OpenType SVG fonts within InDesign. The colors can be viewed in PDF, EPUB, or Publish Online documents. (Just be aware that some PDF and ebook readers may not be updated yet to display this color information correctly!)

15 May 1992[6] 3 1, 2, 3 2, 3 3.0, 3.1 (preferred) Included Corel Photo-Paint asp ( for bitmap editing), CorelSHOW (for creating on-screen presentations), CorelCHART (for graphic charts), Mosaic and CorelTRACE (for vectorizing bitmaps). The inclusion of this software was the precedent for the actual graphic suites.[7] CorelDraw for Unix also became available.[8][9] The fonts bundled with CorelDraw are no longer in the proprietary Corel format WFN, but in Type 1 PostScript fonts and TTF TrueType formats.


To line up images relative to each other across the page, select the images and click the Picture Tools tab on the Ribbon; then click Format > Align > Align Selected Objects. Finally, click Format > Align once more, and click Align Top (to align their top edges) or Align Bottom (to align their bottom edges). When you click Format > Align, you’ll see that you can also choose Distribute Vertically or Distribute Horizontally to space images evenly down the page margin or space them evenly relative to each other (depending on whether you select Align to Page or Align Selected Objects).
“I had wanted a Mac for a long time, for many reasons. I didn’t want to use a PC anymore, I wanted to try something different and the Mac is cool; so I got myself an iMac last month. In my free time, I do a lot of work in graphic design, image editing, and photography, and I’m a big fan of CorelDRAW. For those who are not familiar with this program, CorelDRAW is a popular graphics and image editing software program on Windows systems. It was one of the first applications that I installed on my PC in the 90s, so I now have a large number of files that I’ve created using this over the years.
Using an indexing shortcut, you can quickly index individual words, a phrase, or a list of words or phrases. Adobe InDesign recognizes two indexing shortcuts: one for standard index entries; the other for proper names. The proper name shortcut creates index entries by reversing the order of a name so it is alphabetized by the last name. In this way, you can list a name with the first name first, but have it appear in the index sorted by last name. For example, the name James Paul Carter would appear in the index as Carter, James Paul.
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