Using Emoji fonts, you can include various colorful and graphical characters, such as smileys, flags, street signs, animals, people, food, and landmarks in your documents. Of course, you can’t just type an emoji inside InDesign, so to insert them, you can copy and paste them from another program, or double-click them inside the Glyphs panel (Type > Glyphs).
If you’re like most designers, you spend a significant amount of time picking just the right font, including previewing the way it appears in different parts of your layout. So you’re going to be very happy about a new method of previewing and selecting fonts. Plus, InDesign CC 2019 introduces a new font type that supports glyphs with colors and gradients.
Home Screen/Start workspace changes. The initial screen you see after launching InDesign is now called the Home screen, and it still appears as the Start Workspace. By default, it also appears any time that when no documents are open. You can turn it off by going to the General pane of the Preferences dialog box and turning off Show ‘Start’ Workspace When No Documents Are Open.
i have a similar but bigger problem… the thing is that i installed the same font on 2 different machines (both with same os and software) the font is gill sans condensed, but it looks different on each one… the machines have exactly the same stuff and configuration… i even checked the screen dpi, the font smothness, etc but had no luck, anyone had this problem before? they look way too different, as if it was another font, but if i open a flash document, it would warn you if the font wasn’t installed, but it doesn’t (so this means that the font is installed) it just displays different… any clue?
Word's Numbering Explained by John McGhie, MVP - comprehensive and not pretty (Downloadable pdf file in letter size) - Reading this is vital to anyone attempting to use automatic numbering or bullets in a law office setting or other places where the documents are likely to be reused or heavily edited. See also How to Create a Template with a downloadable template with style-based numbering. I strongly recommend that you read both of these before doing anything with the contents of this chapter.
This simple technique makes quick work of a single-level numbered list and accommodates multiple lists within the same document. However, it doesn't work with multilevel lists. If you must work with an existing document, modify the heading style as shown above. Then, select each heading and apply the heading style that you modified by adding a numbering scheme. As I mentioned, this isn't possible if the existing document already employs the heading style. But if you face numbering headings in a document, you know you've got the request covered—and you won't lose a minute's composure. Just tell them, "Yes, I can do that."

For example, imagine that we start a job with 2 colors, Blue and Yellow. Instead of applying these colors to each individual object, it is better to create two Color Styles and apply these to the objects (to create a new color style, select the object and right-click and choose > Color Styles > New from Selected…), If you need to use shades of each color (such as 10% of Blue, 20%, 30%, etc) you can choose "Create Gradient" on the same Color Styles docker (Window > Dockers > Color Styles), or (CTRL+F6).

I answer readers' questions when I can, but there's no guarantee. Don't send files unless requested; initial requests for help that arrive with attached files will be deleted unread. You can send screenshots of your data to help clarify your question. When contacting me, be as specific as possible. For example, "Please troubleshoot my workbook and fix what's wrong" probably won't get a response, but "Can you tell me why this formula isn't returning the expected results?" might. Please mention the app and version that you're using. I'm not reimbursed by TechRepublic for my time or expertise when helping readers, nor do I ask for a fee from readers I help. You can contact me at susansalesharkins@gmail.com.
For example, you could have a single style that adds Space Below and Space After a paragraph, and then change this “space between” setting to zero points. If you apply this to a group of five paragraphs, the first paragraph would have space before, the last paragraph would have space after, and none of these paragraphs would have space added between them.
Create macros and add-ins with the integrated Microsoft Visual Studio Tools for Applications (VSTA) and Visual Basic for Applications (VBA). With the enhanced automation interface, developers can create utilities and macros that can interact with the drawing page. Using the new classes and methods, you can now create even more powerful utilities and macros to enhance the applications in CorelDRAW Technical Suite.
To create a running list—a list that is interrupted by other paragraphs or that spans multiple stories or documents—create a paragraph style and apply the style to paragraphs that you want to be part of the list. For example, to create a running list of the tables in your document, create a paragraph style called Tables, make a defined list part of the style, and then apply the Tables paragraph style to all paragraphs you want in your Table list.
Overall: I have used coreldraw for laser-printing various things and I have been able to make very basic use of the software due to my relatively limited exposure to it. Coworkers who have been using it for months on end can easily navigate the software but I find myself having to use the help tabs and google much more often than I would like for a design software. This is definitely a higher skill platform but is VERY powerful once you get used to it.

The Adjust Layout feature can alter your page elements in several different ways, including resizing and moving frames. But it can also (optionally) alter the size of your text on the page. For example, if you’re converting a large A3 poster into a smaller A4 flyer, you probably want all your text to be half as large (and with half the leading). This is a pain to do manually, but it’s just a checkbox away with Adjust Layout (Figure 3).
I love Adobe InDesign. For multi-page documents, it’s the most flexible and complete application out there. Yet I remember how counter-intuitive some things were when I was learning it for the first time. Here are some tips I wish I had known when starting out, as well as some answers to questions that others often ask me. This is not intended to be a manual; some good ones are already out there (although I personally learned by doing). Hopefully, these tips will help you make the best of your day-to-day use of InDesign. If you are preparing a document for print, keep your margins and bleeds in mind from the beginning. Your printer will give you the measurements for the bleed, but generally 1⁄8 inch or 3 mm should suffice. Approximately the same area within the document should be kept free of text and important graphic elements (such as the logo). Set up your document for bleed in InDesign as you create it by selecting the correct settings in the document set-up box.

If you have Office professional, it comes with MS Publisher. I use that for newsletters and flyers as it’s much easier to control where the text and photos appear. You’d still need to export it as a .pdf, otherwise most people wouldn’t be able to read it. And even if they had MS Publisher, they would still need to have the same fonts installed for it to look the same.
Why would you need another panel for applying formatting to text or objects? Adobe has found that InDesign’s plethora of panels and dialog boxes can be confusing, especially for those who are new to InDesign, or who use it less frequently. So, following the lead of Illustrator CC and Photoshop CC, the new Properties panel shows many of the relevant layout commands. And while it doesn’t offer all the same features as the Control panel (which still exists), even if you are an experienced user you may find the Properties panel faster for some of your workflows because most of your needed commands are found in one place.
I’d have to know what you mean by “come apart” and exactly how you send it. If you’re actually sending a WORD document (.docx, .doc) then this article you just commented on should answer your question: word documents DON’T necessarily display the same everywhere. Generally the “right” way to publish is to save as PDF and send PDFs around — it’s actually exactly why PDF was invented. 🙂
Another master layer is created for the names of the weekdays, which are also common to all pages. The sequential position of the background and the weekdays is different, which is why two master layers are needed. The weekdays layer is sixth from the bottom in the sequence of layers. This master layer must be placed on top of all layers (Figure 9).
Making an index in InDesign has always been hard, but here are two little changes that help: first, the size of the New Cross-Reference field in the Index panel has been enlarged, providing more space to find and locate index entries. Second, there’s now a Find field in the same dialog box to search within the index entries. Simply type the search term in the field, and use the Find Next Entry and Find Previous Entry buttons (arrows) to view the index entries.
Thank you very much for this! It seems to do the trick! I have about 80 images in each chapter of my document so I am hoping this will work throughout…It seems that anchoring the figure number text frames to the (cross-referenced) figures in the main text works….There are some pages where I only have images and figure descriptions so I think I will anchor the figure descriptions to each other in this instance….unless there is a better way of doing this? Is it possible to anchor the text frame to the text within the box itself?!

Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.

Please help! I must of actually hit a keyboard command without know it or something. Recently my text colour palette at top application menu is “dropping up” instead of “dropping down” which is causing my colours to run up and off screen at top. Currently using work around with having my swatch window open but would obviously like to fix this. Tried rebooting program… Nothing is working. So annoying! 🙁
When desktop publishing appeared, we found that it couldn’t do everything Ole could do with his Compugraphic—but that being able to see what our type would look like before we printed it more than made up for any deficiencies. These days, page layout programs are far more capable than Ole’s trusty EditWriter. Does that mean, however, that there’s no more room for improvement? For surprising new features? Is typesetting “done”?
The Classification filter (Figure 7) shows the same categories and icons that are found on the Typekit/Adobe Fonts website for filtering fonts. There are icons for each of eight classifications that were available in earlier InDesign versions, such as Serif, Script, and so on. You can also select properties for weight, width, x-height, contrast, standard or CAPS only, and Default Figure Style.
A quick way to create a bulleted or numbered list is to type the list, select it, and then click the Bulleted List or Numbered List button in the Control panel. These buttons let you turn the list on or off and switch between bullets and numbers. You can also make bullets and numbering part of a paragraph style and construct lists by assigning styles to paragraphs.
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