Regarding the display settings, InDesign users who are still using CS6 or earlier will often take a serious performance hit by setting “Display Performance” to “High-Quality Display” if they have any high-res raster images or complex vector graphics. I assume that this is due to there not being a 64-bit version of InDesign before CC. Even if you have a high-end machine, 32-bit programs can’t utilize all of your system’s resources. And even with the 64-bit CC version, you’ll have performance issues if you use enough high-res/complex graphics in one document. Unlike Photoshop and Illustrator CC, InDesign has no option to use graphical hardware acceleration – i.e. it can’t use a dedicated graphics card, so all of the computations have to be run through the CPU; this too can bottleneck it’s performance.

   When you launch CorelDRAW, you are now logged into the Corel server using the account you have set up. As a result, only one version of CorelDRAW X6 (a licensed copy) can be running on one computer at one time. For example, if I have the program running on one computer and then I decide to run the same licensed version of CorelDRAW from another computer, I am now forced to log out of the software on the first computer before I can start CorelDRAW on the other computer. (I can shut down CorelDRAW or shut that computer down.)
Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.
Track essential design details and key information with dynamic callout tools. Sticky callouts will connect or "stick" to source objects as they are moved around or modified. You can also link callout text to source shape metadata. Callouts based on object metadata are dynamic, helping you efficiently and consistently implement updates and changes.

If she is using the standard windows fonts, then install drivers for the printer that you have at church. Some printers may use a slight bit more space per line than others. A page that is full between the margins will then overflow on that printer. Installing the printer, even if you cannot print to it, will let your computer see how that printer will format the page.

The auto-indenting feature of bullets and lists has always frustrated me. EVERY time you apply a numbered or bulleted list, you've got to set the indents. I want my lists to be indented at the very left of the page, flush with the rest of the paragraphs. But no, Microsoft insists that you want them indented by 0.63cm and hanging at 1.27cm (WHY 0.63? Why not 0.7? Or 1.0cm? But that's a question for a different session.) (I know, it's because MS is American and still uses inches etc...)
Pros: It has a very old-school user interface, while also being very simple learn and grasp. It has a great variety of features -- while not as many as Adobe Illustrator or as versatile as Affinity Designer -- are still plenty in general to make good art and even work with raster images. It also has a good stylus support, making it great for complex vector illustrations. And its also very stable and reliable.
Note that some versions of Word may have slightly different ways to create numbering. Each version of Word is slightly different, so some of the exact placement of buttons may change. However, all current versions of Word allow page numbering by double-clicking on the top or bottom of the page. This will allow you to open up the Page Number menu.[3]

Pros: I like the ability to bend and make it do whatever you want to achieve related to graphic design, when i first came across the software i thought it wasn't a great deal but when i started exploring it, i realized that there is nothing you can't do with CorelDraw,you can achieve almost anything and can bend it to do so many wonderful things in different ways.
Another way to import images and text is to simply drag them onto the document (from Mac’s Finder or Windows Explorer). This will automatically create an image or text frame, import the content and create a link to that file. If you drag content on top of an existing frame, it will replace the existing content but leave the size and cropping intact.
After adding a few more facts, as shown in Figure F, you might notice something new—the two-digit numbers don't align with the previous one-digit numbers. You could leave the list as is, but most likely you'll want to adjust it. Leaving it as is makes the reader uncomfortable; it's simply not as readable as it should be. We expect numbers to align using the period character or the right-most digit if there's no punctuation.
On the "Prepress" tab you have the option of activating "Bleed Limit". Even if the current document does not have an active bleed, you can activate it while creating the PDF. But remember that the objects must extend out from the page limit. Activating the "Bleed Limit" does not automatically increase the size of objects used to create the design. Another option which is often useful is to activate "Crop marks" to indicate the limits of our design. For this reason it is important that the page size is the real size.
Better performance when working with text. Improvements have been made in text performance—for example, in typing, deleting, adding columns, and inserting footnotes—providing a snappier performance. However, note that at the time of this writing, there is a frustrating performance problem that appears the first time you select the Type tool after launching InDesign. Fortunately, this long delay doesn’t appear again until the next time you launch InDesign.
My point is, if you (like myself) often work with large and/or highly complicated graphics, you may want to hold off on changing any global “Display Performance” settings and instead adjust the quality on a per-graphic basis. If you do change the global settings to “High-Quality Display” and start to notice the program lagging a bit, you should turn down the display settings of each graphic (starting with the largest) to “Typical Display” until that lag goes away. If you want to see a preview of what your graphics will ultimately look like use the “Presentation” (Shift+W) preview. Hope these tips help!
On the "Objects" tab you had several important options. The standard PDF X-3 is good, so you don't need to change anything. In particular, it's not needed to convert text to curves, because the PDF will embed all the fonts. Use this option only if you use fonts with restrictions for print, but only a few fonts have this problem. The 'Convert to curves' option will create a bigger and more complex file, and some RIPs will have problems processing it. Since the fonts will be embedded, it is not necessary to convert text to curves.
Trajan Color Concept—an OpenType SVG font that now ships with InDesign—includes color information, via 20 stylistic sets with various colors and gradients. However, because OpenType SVG fonts are already colored, you cannot apply different colors to OpenType SVG fonts within InDesign. The colors can be viewed in PDF, EPUB, or Publish Online documents. (Just be aware that some PDF and ebook readers may not be updated yet to display this color information correctly!)
Since Word 2000 applies outline numbering by default, as you press TAB or SHIFT+TAB in a numbered list, you are moved to the next or previous outline level. If you are in a numbered list that has outline numbering generated by the method described in the previous exercise, when you choose Bullets and Numbering from the Format menu (or alternate-click a portion of the numbered list), the Numbered tab appears on the Bullets and Numbering dialog box. However, if you first select the entire list and choose Bullets and Numbering from the Format menu, the Outline Numbered tab from the Bullets and Numbering dialog box is selected.
The easiest way to implement a numbering scheme for headings is to add one to a heading style. To illustrate, we'll modify Heading 1 by adding a numbering scheme. First, right-click Heading 1 in the Styles gallery (in the Styles group on the Home tab). Then, choose Modify as shown in Figure A to launch the Modify Style dialog. If you thumb through the default properties, you'll not find a numbering scheme (Figure B). Click the Format button and choose Numbering as shown in Figure B. If necessary, click the Numbering tab. Choose the predefined scheme that's the best match for what you want (Figure C).
Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.
Dear All, I have corel installed on two laptops. Both of these laptops have arabic support enabled via windows xp. I have been facing a very unusal problem, my problem is that one laptop writes digits in the Hindi numerical form (which are the digits that we use in the arabic writing), the other on doesnt, it only writes the Arabic numerical form (which are the digits used in the english langague). Both these computers have the same set of softwares on them. I have matched the settings for both on them in the control panel, and the font i use is the transparent arabic.
To line up images relative to each other across the page, select the images and click the Picture Tools tab on the Ribbon; then click Format > Align > Align Selected Objects. Finally, click Format > Align once more, and click Align Top (to align their top edges) or Align Bottom (to align their bottom edges). When you click Format > Align, you’ll see that you can also choose Distribute Vertically or Distribute Horizontally to space images evenly down the page margin or space them evenly relative to each other (depending on whether you select Align to Page or Align Selected Objects).
Leverage all the power you need to publish, share and output important technical documents, including a new capability to publish to WordPress. Using a diverse set of cross-media publishing and distribution capabilities, including CGM, WebCGM, SVG, PDF, and 3D PDF, you will ensure all of your important technical files will be delivered in a readable format and accessible through online, print and mobile options.
One solution is to format the heading with the style and follow it with a hidden paragraph mark. You should format the text in the next paragraph with a style that is not included in the Table of Contents. A hidden paragraph mark keeps the text together on one line when it is printed, even though it is actually two separate paragraphs. The Table of Contents command picks up only those paragraphs with heading styles and places them into the Table of Contents.
One of the harder things to do in Adobe InDesign, surprisingly for a page layout tool, is to create multilevel or outline format numbered lists.  The right way to accomplish this, according to the folks at Adobe, is to create a Style for every level of the list you’d like to have! Here are Adobe’s instructions on how to do so (This content is taken directly from https://helpx.adobe.com/indesign/using/bullets-numbering.html#create_multi_level_lists):
Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.
I have read up on the InDesign figures and cross referencing and have been testing this out. I am using separate text boxes for each figure description with the jump frames command. When I delete a figure the numbers automatically update and I can update the cross references. However, when I add a figure the numbers go out of sequence and I can’t work out how to update them. Perhaps there is another setting I need to change? Is there a way of numbering text boxes sequentially? I was able to thread boxes to update the numbers but this could lead to problems down the line…Any advice on this would be greatly appreciated.

There it is. Page 2.…If I click inside there I can see it's actually…the word page and the number two.…So if I were to, for example, add additional pages…after page one these would labeled incorrectly…because there not using automatic page numbering.…So let's start by removing these by clicking the border,…and then hitting the Delete key on your keyboard.…


The CorelWORLD Real Life Video Tutorials was produced for the CorelWORLD Conference. The video package features more than 2.5 hours of tutorials on CorelDRAW, including extensive lessons on Corel® PHOTO-PAINT™. Discover how easy a difficult task can be when you apply the correct process, and see why things go wrong when you don't make the right choices. The tutorial package is included for free with the WorkPLACE Ready Training Package.
   “Each license should only be used by one person. It can be installed up to three times for the convenience of being able to use it on a laptop vs. desktop vs. tablet. The license can only be open and running on one machine at a time. More information is available in our EULA (www.corel.com/eula). In the scenario you described, the company would need to buy four full licenses of CorelDRAW Graphics Suite X7, or if they have one license of X6 or X5, they could purchase one upgrade and three full licenses. We do validate serial numbers from previous versions when installing a purchased upgrade, so it’s not possible to install an upgrade if you do not own one of the two previous versions of CorelDRAW (i.e. you must own X4 or X5 to purchase an upgrade of X6). That being said, we also offer volume licensing prices for anyone buying two or more copies of CorelDRAW.”
I have a document which was created in Word and has 226 pages. When I send it to a client who is using a later version of Word, it looks totally different and has over 330 pages. How can I send the client the document without it changing? Also, they wanted a pdf version, which looks nothing like the Word document. How can I get the Word document to look like the pdf?
I never place .eps files. I place the native .ai files instead and haven’t had a problem. I prefer points and picas, but that’s just my choice. I remember the olden days in college with fondness…when we actually learned about points and picas and drew letters with pencil on tracing paper to learn about line spacing, word spacing, and kerning. Our fonts were Helvetica, Bodoni, Garamond, and (oops, too vintage here…I forget). Type On!
For the calendar job, I've used two master layers and four local layers. To create a master layer, click the New Master Layer (all pages) button at the bottom of the Object Manager docker. Objects placed on this master layer will appear on all pages of your design. Then, create the required number of regular or local layers (in this case, four) by clicking the New Layer button. You now have one page ready.
It's not good if the file is opened in a different version of the program because some things can change. For example, the fills of CorelDRAW X7 are quite different to those of previous versions and also allow selective transparency. For this reason, if you save the file back as a previous version, the program will ask if you want to convert text to curves and fills to bitmaps.
Defined lists are often used to track paragraphs for numbering purposes. When you create a paragraph style for numbering, you can assign the style to a defined list, and paragraphs are numbered in that style according to where they appear in the defined list. The first paragraph to appear is given number 1 (“Table 1”), for example, and the next paragraph is given number 2 (“Table 2”), even if it appears several pages later. Because both paragraphs belong to the same defined list, they can be numbered consecutively no matter how far apart they are in the document or book.
×