When you generate the index, each topic is listed, along with the page on which it was found. The topics are sorted alphabetically, typically under section headings (A, B, C, and so on). An index entry consists of a topic (the term readers look up) paired with either a page reference (page number or range) or a cross-reference. A cross-reference, preceded by “See” or “See also,” points the reader to other entries in the index, rather than to a page number.

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Yes! As a professionally trained typographer of more than 25 years, picas and points are THE standard for good typography. By their lack of recent use, it’s indicative that instructors are glossing over this very easy and important way of understanding layout measurements (type is not done in inches, period – inches are for the document size). Doing math with picas is so much easier than in inches. Want to divide that 11″ tall (66 picas) page into thirds easily? That would be 22 picas … and in inches it’s a messy 3.66666666. That last measurement is especially fun to find when you’re placing guides in a document – but 22 picas is easy. Buy a pica gauge, which will show both picas and inches, to educate yourself on how to create exceptional type (the beauty of the words and their layout should carry a piece, not the images alone).
A new feature with the ungainly name “Space Between Paragraphs Having the Same Style” is a useful addition to setting spacing in the Paragraph, Control, and Paragraph Styles panels. It is particularly useful when setting bulleted lists, numbered lists, and block quotes. It allows you to use one style for lists, instead of resorting to separate styles to create the proper space above and below the list.
The CorelWORLD Real Life Video Tutorials was produced for the CorelWORLD Conference. The video package features more than 2.5 hours of tutorials on CorelDRAW, including extensive lessons on Corel® PHOTO-PAINT™. Discover how easy a difficult task can be when you apply the correct process, and see why things go wrong when you don't make the right choices. The tutorial package is included for free with the WorkPLACE Ready Training Package.
On measurements… I’ve made a fortune fixing all the poorly crafted jobs of people who don’t use picas and points. When you size type you use points – I can honestly say I RARELY run across situations where type in a file is sized in inches or metrically. It makes more sense to use one system of measurement of an entire document. Points are a sub unit of picas and beyond that you can be much more precise – 72 points in an inch (not even getting into half or quarter points) can you tell me what 1/72 of an inch is in a decimal value off the top of your head? Likely not. Then again I keep seeing layouts where the width of a text box is along the lines of 4.5839″ by 6.2991″ – you keep doing your sloppy work and I’ll keep making money. And when you can’t figure out why things look slightly off in your design in terms of spacing of elements or alignments, tell me once again how picas and points are so very arcane.
So, to create multi-level headings, you need to use the Level option just to the right of the List drop-down box. My second- and third-level headings use the same list as the first-level headings (this is necessary), except that they are changed to Level 2 and 3, respectively. Then, when numbering the section heading, you can insert the number of the previous-level heading above it. These can be selected using the arrow to the right of the Number field and selecting one of the levels under “Insert Number Placeholder.” So, the text in the Number field for my second-level heading is ^1.^#^t and it is ^1.^2.^#^t for the third-level heading. This presents the multi-level heading with dots between the numbers and a tab between the numbers and the section heading.
Despite its lack of compatibility with Adobe products, Publisher still shines as a layout tool. Custom guidelines help you align objects on the page, while master pages give you control over elements that will appear on every page of a document, like page numbers or framing blocks of color. Publisher even has full support for CMYK-optimized printing. This is the printing format used by ink printers to produce clear, high quality printing.
Note  If TAB and SHIFT+TAB do not work for changing the indents for outline numbering, you probably have the option Tabs and Backspace set left Indent turned off. To change this setting, from the Tools menu, choose Options. Select the Edit tab and check the option Tabs and backspace set left indent. As an alternative to turning this option on, you can instead use ALT+SHIFT+LEFT ARROW or RIGHT ARROW to increase or decrease outline numbering.
For example, you could have a single style that adds Space Below and Space After a paragraph, and then change this “space between” setting to zero points. If you apply this to a group of five paragraphs, the first paragraph would have space before, the last paragraph would have space after, and none of these paragraphs would have space added between them.
In general, change the feature settings in the dialog box, and then save the settings. Styles and presets are stored in the document in which they are created. You can use the settings from another document by importing or loading the styles and presets from that document. In addition, most presets can be exported or saved to a separate file and distributed to other computers.

Overall: Ever since i started using coreldraw i have helped so many companies advertise their products through graphic design, i have also help many organizations to spread information in a form of banner/flyers as well as wedding invitations and many other helpful things, i use the knowledge i have with coreldraw as a source of income for myself because i get paid pretty good when ever i create a banner or any graphic design content for a client.
It's not good if the file is opened in a different version of the program because some things can change. For example, the fills of CorelDRAW X7 are quite different to those of previous versions and also allow selective transparency. For this reason, if you save the file back as a previous version, the program will ask if you want to convert text to curves and fills to bitmaps.

InDesign is an essential tool for design firms, ad agencies, magazines, newspapers, book publishers, and freelance designers around the world. This course presents the core features and techniques that make this powerful page layout application fun and easy to use. Author David Blatner shows how to navigate and customize the workspace, manage documents and pages, work with text frames and graphics, export and print finished documents, explore creating interactive documents, and much more. He also covers popular topics such as EPUBs and long documents and includes advice on working with overset text, unnamed colors, and other troublesome issues that may arise for first-time designers.
Make the most of your content and important data by repurposing it from existing sources, including 3D designs with the integrated XVL Studio Corel Edition, and the optional XVL Studio 3D CAD Corel Edition add-on for advanced 3D CAD assembly formats. You’ll benefit from full support for a variety of content exchange types including .DWG CAD files, and over 100 other data file formats, and the ability to instantly access content through Corel® CONNECT™.
   If you are a shop that relies on one version of CorelDRAW and it is installed on multiple computers, you may be in for a surprise and added expense if you update to a service pack 6.1 or higher, or if you decide that when a new version of CorelDRAW comes out, you want to upgrade and install one license on a number of computers. For example, if you usually have four people working at the same time on their own computers, then each version on each computer will require its own license. I know that a lot of shops have the same version of CorelDRAW on multiple computers. So, when upgrade time comes you could be in for a significantly higher cost.
Ole’s tale: “Late night. The pale glow from the monochrome monitor of my Compugraphic phototypesetter. The smell of the office standard ‘French Vanilla’ coffee—warming, now, for several hours and resembling nothing so much as battery acid. The gentle snoring of one of the staff writers, who is curled up in the warmth of the unit that holds the filmstrips containing the fonts I’m using to set his story.
To include numbering prefixes from higher levels, enter text or click at the start of the Number box and choose Insert Number Placeholder and then select a Level option (for example, Level 1), or enter ^ and then the list level (for example, enter ^1). In a list with first levels numbered 1, 2, 3, and so on, and second levels numbered a, b, c, and so on, including the first-level prefix in the second level renders second-level numbers as 1a, 1b, 1c; 2a, 2b, 2c; 3a, 3b, 3c.
Also, they have included a virus in their installation. You will receive POP-UP notifications at the most inopportune moments. These will inform you of the new products Corel is seeking to push onto you. Most annoying to have such on my own PC, code installed that is activated without my wanting it. That is what a virus is, is it not? Something that does something on your PC that you do not want!
There are a number of variables which may explain stability problems when running CorelDRAW on Windows XP 32\\64 bit, Windows Vista 32\\64 bit, and Windows 7 32\\64 bit operating systems. It is strongly advised that all operating system updates and CorelDRAW Graphics Suite X4\\X5 Service Packs be installed prior to troubleshootingapplication errors. It is also recommended that all system requirements are met prior to installing the application, since many older versions of CorelDRAW were never designed or tested to run on Windows Vista 32\\64 bit or Windows 7 32\\64 bit operating systems.
We will create an imaginary logo, and we apply the Blue Style. Then, to create the background, double click on the Rectangle tool (Toolbox > Rectangle tool or F6), to create a rectangle the size of the page. We apply the Yellow Style, and we then create a gradient (we press the G-key to activate the Interactive Fill tool and drag the handles to adjust the gradient). Finally, we expand the size to cover the bleed area. As the card measures 90x50 mm, we will make the background of 96x56 mm, centered on the page (to center the background object, select and press P on the keyboard).
Use "Format Page Numbers" for specific changes, like types of numbers and chapter headings. If you want to go the extra mile, double-click on the header or footer once again. Click "Page Numbers," then click "Format Page Numbers" under the menu that appears. From here, you can set different types of numbers, like Roman numerals or letters, as well as customize the basic appearance of numbers. It is not incredibly robust, but it works.
When you have a multiple-page document, such as a brochure or catalog, using master pages will save you time. Master pages are used to automatically insert layout elements on various pages. All elements of the master page are placed onto any page you choose, and these are by default not selectable, which allows you to further develop the page without worrying about accidentally modifying the pre-defined elements (such as page numbers, grids and guides, and graphic elements).
For the calendar job, I've used two master layers and four local layers. To create a master layer, click the New Master Layer (all pages) button at the bottom of the Object Manager docker. Objects placed on this master layer will appear on all pages of your design. Then, create the required number of regular or local layers (in this case, four) by clicking the New Layer button. You now have one page ready.
On the "Prepress" tab you have the option of activating "Bleed Limit". Even if the current document does not have an active bleed, you can activate it while creating the PDF. But remember that the objects must extend out from the page limit. Activating the "Bleed Limit" does not automatically increase the size of objects used to create the design. Another option which is often useful is to activate "Crop marks" to indicate the limits of our design. For this reason it is important that the page size is the real size.
Re: Number 4, you state “ a brilliant production artist mentioned to me that nobody really knows picas except for people with newspaper training.” This is FALSE. None of the professionall designers I know worked in newspapers, and we all use picas because the units of measure make a lot more sense when used in conjunction with type sizes. 14 points of space after a paragraph is 0.1944 inches, and 15 points is 0.2083 inches. Picas and points are the measurement system of typography. Sure, you can measure in hectares if you’re the only one working on your files, but if you want to be taken seriously as a professional designer, you should learn the craft of your chosen profession. 
A quick way to create a bulleted or numbered list is to type the list, select it, and then click the Bulleted List or Numbered List button in the Control panel. These buttons let you turn the list on or off and switch between bullets and numbers. You can also make bullets and numbering part of a paragraph style and construct lists by assigning styles to paragraphs.
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