You can also insert a page number inside existing artistic or paragraph text. If the text is located on a local layer, the page number is inserted on the current page only. If the text is located on a master layer, the page number becomes part of the master layer and appears on all pages where the master layer is visible. For more information about artistic and paragraph text, see Adding and manipulating text.
First, add the image to your Word document, select the image, and choose Picture Tools on the Ribbon toolbar. Click Format > Wrap Text > Tight. Now, with the image still selected, click Format once more and choose Edit Wrap Points. A red line with black markers, called wrap points, will appear around the image. Adjust this line by dragging the wrap points: You can drag the wrap points inward to wrap text over the image, or drag them outward so that the text moves away from the image. Drag on the line itself to create additional wrap points, as desired. When you’re done, click away from the image, and the wrap points will disappear.
Trajan Color Concept—an OpenType SVG font that now ships with InDesign—includes color information, via 20 stylistic sets with various colors and gradients. However, because OpenType SVG fonts are already colored, you cannot apply different colors to OpenType SVG fonts within InDesign. The colors can be viewed in PDF, EPUB, or Publish Online documents. (Just be aware that some PDF and ebook readers may not be updated yet to display this color information correctly!)
If you use the same page size and language for most of your documents, you can change these defaults with no document open. For example, to change the default page size, close all documents, choose File > Document Setup, and select a desired page size. To set a default dictionary, close all documents, choose Edit > Preferences > Dictionary (Windows) or InDesign > Preferences > Dictionary (Mac OS), and select an option from the Language menu.
My problem is similar but it happens when the same printer is used and different pcs. We have several word docs that are the direction inserts for the products we make. They were all created with Word XP and all are formatted to fit to 2 pages. We got 2 new Dell Optiplex pcs last year. No problem. We got 2 new Dell Vostro pcs in April. No problem. We upgraded to Word 2003 in June. There is no problem with the new pcs but on the old pcs, the direction inserts spread to more than 2 pages, a lot more. The pcs are networked and they are all accessing the same files. They all run Windows XP home edition. When you print the insert from the old pc it is evident that the font looks a little bigger. Of course we could change the formatting but then, when printed from the new pcs the text would be too small. It
Thanks. I found this to be extremely helpful for some of those nagging annoyances in iD.  Unfortunately I have to use iD v3 at work.  All but #10 (& the part about changing the bg color in #1) were available as described.  Apparently #10 wasn’t an option until a later version – that would have been nice… but hey – I got a bunch of other awesome workable tips! 😀

Provides me every feature I need to create impressive ,quality drawings. It has particularly been useful when I need to create logos or any other vector based drawings. I leverage on Corels SHAPE TOOL to correct any errors and shortcomings in my drawings using nodes. I also like Corels text tool for their typographic quality , allowing me play around with texts..


In Figure 4, I placed six raster images from my sample files using the “gridify” feature, producing a 2 × 3 grid of frames. When the Make Content-Aware Fit preference was turned off, the images were placed using the Fit Content Proportionally option (in Object > Fitting). When Make Content-Aware Fit is turned on by default, the feature did a pretty good job of finding the useful content to include within the frames. Of course, you can continue to tweak the image position manually in individual frames after using the fitting command.


      As mentioned, you must have an account to get any updates now with version X6, which is different from earlier versions of CorelDRAW. In older versions, updating CorelDRAW with a service pack involved going to the Corel website and downloading the service pack. In more recent versions, the update could be done automatically via the Update command in the Help menu in the software. With Version 6.1, updates can only be done after you create an account with Corel and then log into the account via CorelDRAW.
Pros: I use CorelDraw because I want to be able to depict that rawness of a character based on my imagination. Working with visual artists, writers and creative directors gets the synergy going, and being able to execute the characters through graphics and illustrations is truly magical. CorelDraw includes a lot of images and fonts where we can garner ideas from and refine to make them unique. I used this program specifically for a fashion designer character in our project and I'm glad I did, because CorelDraw specializes in fashion illustrations. It brought our character to life and made her shine.
It’s autumn, so it must once again be time for a brand new version of InDesign! Indeed, Adobe has just released InDesign CC 2019, and I’m pleased to report that almost every InDesign user will find something to smile about. This upgrade brings significant (though often-hidden) changes to the user interface, as well as innovative ways to fit images to frames and to set spacing between paragraphs. A newly revamped font menu gives you more ways to choose and preview fonts. You can import comments from a PDF. And of course there are the usual small tweaks and changes, including some refinements to footnotes and endnotes. Whether you’re a beginner or advanced InDesign user, you’re going to want to check out the new features in CC 2019. (In addition to this article, you may enjoy watching some of Anne-Marie Concepción’s new Lynda/LinkedIn Learning video title that covers each of these new features in depth, InDesign CC 2019 New Features.)
You may know that Adobe uses voting on the InDesign Uservoice site to help determine which new features to add, and one of the top vote-getters has long been “Please make it possible to insert footnotes in tables.” Well, hallelujah: You can now include footnotes within tables. Plus, you can convert footnotes to endnotes and endnotes to footnotes in your document. And, also in the category of long document feature improvements, Adobe made a few small tweaks to the Index panel.

24 Aug 1995[12] 6 3, 4, 5, 6 5, 6 95 This is the first version which was made exclusively for 32-bit Windows. New features were customizable interface, Polygon, Spiral, Knife and Eraser tools. Corel Memo, Corel Presents, Corel Motion 3D, Corel Depth, Corel Multimedia Manager, Corel Font Master and Corel DREAM (for 3D modelling) were included in the suite.
The ability to create custom paragraph and character styles is an excellent time-saving feature. This pane is visible in the work area by default, and if you’ve hidden it for some reason, you can bring it up by pressing Command/Control + F11. You can create styles exactly to your liking using many options; and then you can apply them to a portion of text with just one click.
A multi-level list is a list that describes hierarchical relationships between the list paragraphs. These lists are also called outline lists because they resemble outlines. The list’s numbering scheme (as well as indentations) show rank as well as how items are subordinate to one another. You can tell where each paragraph fits in the list with respect to the paragraphs before and after it. You can include up to nine levels in a multi-level list.
To change the default, choose High Quality from the Default View menu in the Display Performance panel of Preferences. For good measure, I also unchecked Preserve Object Level Settings so that even graphics that are set to Fast or Typical (via Object > Display Performance) always display at High Quality. (But what about that big background graphic that is slowing you down? Put it on a layer and hide it. Don’t display it as a shadow of its former self.)
For my workflow, I decided to turn off Check Links Before Opening Document in the File Handling pane of the Preference dialog. Yes, sometimes I do have the imported files, but in those cases I don’t move the files. And I have to check the links before output anyway. Anything you can do to make opening documents more seamless is nice, so check out this preference and others in this area.

- [Voiceover] When laying out artwork, it's easy to make sure that objects are properly aligned with other objects. In CorelDRAW, it can be done in a number of different ways. From the View menu, you'll see that I have the ability to select Grids, Rulers, Guidelines, as well as alignment guides. These are some of the tools that make it easy to align objects within the document. There's also the ability to do snapping. And of course I can snap to the document grid, baseline grid, guidelines, as well as objects and the page itself. Under the Tools menu, Options, then Document, here we have the ability to set up the frequency of guidelines, grids, rulers, and that sort of thing. I'm going to talk a little bit more about this in a few minutes. For now, let me just cancel this, and we're gonna take a look at the rulers. You'll notice that we have two rulers. One is a horizontal ruler across the top and we have a vertical ruler down the left-hand side. You may notice that our zero zero coordinate is bottom left-hand corner. If for some reason we wish to change that, it's easy enough simply by left-clicking where the rulers intersect, and I'm gonna drag and drop this to the top, left-hand corner of my page. That's effectively reset the zero zero coordinates to the top left corner. Now if I want to draw with better accuracy, I can actually left-click where the rulers intersect, hold the Shift key down, and drag the rulers right out onto the page. Makes it a lot easier to get down and get into the fine details when you're drawing on the document. I'm gonna hold the Shift key down, left-click and drag the rulers back to where they belong. Now the next way to assist in lining objects up is by using the grid. Underneath my View menu, I'll go down to Grid and I'm gonna select Document Grid. Here you can see our document grid is set up as a dot pattern. This is easy enough to change. From the Tools menu, go down to Options, highlight Grid, and here we can show the grid either as dots or as lines. I also have the ability to change the frequency of the grid. I'm going to change this to .5 And you'll see I have Snap-To is turned on. I'll click OK to this, and now set up the grid at .5 and now you can see if I draw a rectangle, I'm going to left-click and drag and I can move this rectangle around and you can see it's going to snap to the gridlines for me. Now the next way to assist in lining things up is to use Guidelines. But first, before I do that, let me go to the View menu down to Grid, and I'm going to turn off the document grid. Guidelines are created by dragging in from the rulers. So I can drag in from my horizontal ruler, left-click, and I'm going to drag down and I'll position a guideline here. I'll left-click my vertical ruler and I can position another guideline here. So it's very easy to bring guidelines out on the page, and I'll just say it's simply a matter of clicking on the ruler and dragging down onto the screen itself. You'll notice that these guidelines are blue while this one is red. The reason that is, is because this is a guideline that's currently selected. Let me just select my Pick tool and when I click on this guideline, you can see it's turned red. It's very easy to change the color of guidelines and one reason why you might want to do that is if you had multiple layers and you want guidelines on these multiple layers you can have separate colors for different layers. I'm gonna left-click on this green and I'm gonna drag and drop that on top of this guideline and that's gonna change that guideline green. Again, one that's currently selected and if I select this one, it will turn red. But if I deselect it or select a different guideline, then of course it goes back to the green. Now another way to add guidelines is to use the guideline docker. And there is a couple of different ways to get there. I can click on this little icon here to go to my guidelines. I can go to Windows, down to Dockers and select Guidelines, or quicker and easier, simply double-click on a guideline and that's going to open up the docker for me. In here I have the ability to very precisely position guidelines where I want them. Now the final way to align objects on the page is to use Alignment Guides. Let me go to the Windows menu, down to Dockers, then I'm going to select Alignment and Dynamic Guidelines. In here I want to turn on my alignment guides so it's simply a matter of clicking on this little icon. Now I've gone ahead and I've changed the color of this so that my alignment guides are now a darker brown. It's a lot easier for me to see. If for some reason you want to change the color, it's simply a matter of hitting the drop-down and I can select whatever color I want in here. By default, it's a light blue. So let's leave that as it is, and now when I create a rectangle, you'll notice that as I move around my page I have these alignment guides which allow me to very precisely position the next object that I'm creating. Again, left-click and drag, and again, very easy to align objects on the page. So with a little bit of set up, you can see how easy it is to have increased accuracy while creating your design.
Pros: It has a very old-school user interface, while also being very simple learn and grasp. It has a great variety of features -- while not as many as Adobe Illustrator or as versatile as Affinity Designer -- are still plenty in general to make good art and even work with raster images. It also has a good stylus support, making it great for complex vector illustrations. And its also very stable and reliable.
In general, change the feature settings in the dialog box, and then save the settings. Styles and presets are stored in the document in which they are created. You can use the settings from another document by importing or loading the styles and presets from that document. In addition, most presets can be exported or saved to a separate file and distributed to other computers.
If you use the same page size and language for most of your documents, you can change these defaults with no document open. For example, to change the default page size, close all documents, choose File > Document Setup, and select a desired page size. To set a default dictionary, close all documents, choose Edit > Preferences > Dictionary (Windows) or InDesign > Preferences > Dictionary (Mac OS), and select an option from the Language menu.
Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.

These limitations will drive some InDesign users crazy, but there is an easy solution, at least for the first two problems: to have separate footnote numbering for a table, and place the numbering under the table rather than at the bottom of the page (interspersed with other footnotes), simply place each table in a text frame of its own. Then, if necessary, you can anchor that text frame into the larger text story. That said, if the new features still don’t meet your needs, check out Peter Kahrel’s article “Going Deep with Footnotes” in InDesign Magazine issue #95.

Track essential design details and key information with dynamic callout tools. Sticky callouts will connect or "stick" to source objects as they are moved around or modified. You can also link callout text to source shape metadata. Callouts based on object metadata are dynamic, helping you efficiently and consistently implement updates and changes.


CorelDraw is quite expensive to purchase outright. This makes it difficult for an independent user to justify such a large expenditure unless the software is used frequently. For most students, grad students or researchers who lack a big software budget, open-source applications may do the job just as well. But if you need a pro-grade tool that can handle any task, then you'll do well to purchase CorelDraw.

Publish to 3D PDF with interactive viewing of 3D content in combination with other visual and text elements. Export from Corel DESIGNER to 3D PDF to generate output with all pertinent data and graphics in one document for cross-media publishing. 3D PDF files can be viewed with free PDF reader applications that are installed on almost any desktop or laptop computer.


      Here is what Corel has to say about the Premium service: “Premium membership is an optional benefit that only X6 users can elect to purchase annually on top of their perpetual license (it’s automatically included for current subscribers). We offer our premium members early access to new features, exclusive content and upgrades to the next major version of CorelDRAW. In the past year, we have added over 20 new features that only premium members have access to.”

If she is using the standard windows fonts, then install drivers for the printer that you have at church. Some printers may use a slight bit more space per line than others. A page that is full between the margins will then overflow on that printer. Installing the printer, even if you cannot print to it, will let your computer see how that printer will format the page.
- On occasion you may have content…you'd like appearing at the top of every page.…Maybe at the bottom of every page.…How about automatic page numbering for example.…That's what we're going to talk about in this movie…and we're going to do it with our with our…Landon Hotel newsletter we've been building.…And here as we look at page one,…zoomed in to see the whole page…I don't see any page numbering there.…If we go to pages two and three,…well it looks like there might be something up there…at the top left and top right hand corner.…So let's zoom in and I'm going to use the slider…and go to around 100% and just scroll up…to the top of the pages,…and let's move over to the left hand side.…
This InDesign Documents from the exercise files called 4C_arthistory has 241 pages in it.…I can tell that by looking in the lower left corner of the Pages panel, were it…says 241 pages, in a 121 spreads.…Now this document, a book has various sections in it.…For example, the Opening section is the front matter.…And my introduction should have page numbers, but they should be in Roman Numerals.…Can I do that? Absolutely!…I can break my document up into sections and change the page numbering of those…sections by using the Numbering & Section Option dialog box.…

Produce illustrations that contain descriptive text, then output directly to the Translation Memory System (TMS), and process in Corel DESIGNER for translated results to use in multi-lingual global technical publication. Now, you can format text spanning multiple columns and use Corel DESIGNER to author complete user manuals or documents. Next, send the source language text for translation and receive translations to create localized documents literally with one click.
Pros: CorelDRAW is a software that I started using years ago out of curiosity, the design caught my attention and I had the opportunity to learn the basics of the program and with basic saying I mean a great variety of applications, it is a complex program but I consider it very valuable to learn it to use. Despite not being an expert I have been able to develop designs that have complemented various activities, such as the design of the logo of the degree promotion. The quality offered by this program undoubtedly deserves recognition. Undoubtedly CorelDraw is synonymous with perfection
We will create an imaginary logo, and we apply the Blue Style. Then, to create the background, double click on the Rectangle tool (Toolbox > Rectangle tool or F6), to create a rectangle the size of the page. We apply the Yellow Style, and we then create a gradient (we press the G-key to activate the Interactive Fill tool and drag the handles to adjust the gradient). Finally, we expand the size to cover the bleed area. As the card measures 90x50 mm, we will make the background of 96x56 mm, centered on the page (to center the background object, select and press P on the keyboard).
Microsoft Publisher might seem like a secondary choice next to so many dedicated competitors from other companies, but don't be fooled – this is some of the best publishing software around. Granted, it has its drawbacks – we wish it offered some more impressive graphic design tools – but as a product for laying out your family's next scrapbook page or putting together a new resume, it's one of the best. It has some of the best typography and template tools of any DTP software. Another hug bonus is its availability. Most people already have access to it, whether they know it or not, since it is included in the Microsoft Office package. This is multifunctional software that will help you create all kinds of documents and publications.
On the "Objects" tab you had several important options. The standard PDF X-3 is good, so you don't need to change anything. In particular, it's not needed to convert text to curves, because the PDF will embed all the fonts. Use this option only if you use fonts with restrictions for print, but only a few fonts have this problem. The 'Convert to curves' option will create a bigger and more complex file, and some RIPs will have problems processing it. Since the fonts will be embedded, it is not necessary to convert text to curves.

Ensure a consistent look, style, and layout throughout your design projects with Object Styles, Color Styles and Color Harmonies. With the enhanced Object Styles in Corel DESIGNER, you can manage object styles, such as outline color, line style, line width, halo, fill type and color, and text styles. You can then create symbol libraries that can be accessed and used across projects. Reuse the style definitions that you create once and apply to the individual components in the custom symbols.
Anyway, there's a good alternative: create a PDF. To do this, you can go to File > Publish to PDF (or go to File > Export (CTRL+I), and there choose PDF). But it is not enough just to create a PDF, since not all the PDF's have the same configuration. For example, a PDF for the web will produce a PDF of low quality but it will be a small file, suitable for attaching to an email or using on a web page. But for printing, we need the opposite: images of high quality and resolution. PDF settings is also a topic that requires a lengthy explanation, but this excedes the scope of the current tutorial. There are many different configurations, according to each company's work flow. But we propose a simple format that should work with most of the job outputs: choose PDF X-3 in the PDF Presets drop-down list, then go to "Settings" and change the "Compatibility" to Acrobat 8.0 or higher. Why? Because the PDF X-3 is a good standard but it has a default compatibility with Acrobat 4.0, which does not support transparencies and lenses. This problem is solved by changing the compatibility.
Tip: Normally, the visibility and printability should be enabled or disabled together. Remember, a visible layer cannot be printed or exported if printability is disabled, and a non-visible layer can be printed and exported if printability is enabled. A layer that is visible but non-printable can be used to keep notes with the file. I use such a layer to keep the print details and other job information, so that I can refer to them at any time.
Word's numbered list feature is easy to use but modifying the results isn't always as intuitive as you might like. As is often the case with Office, knowing the right setting to use and where to find it is the key. In this article, we'll take a basic look at Word's numbering feature and then move on to two common problems—indents and alignment—that are easy to solve if you know where to look and how to alter the setting to get the results you want.
its eternal failure with the colors when printing, only the experience makes me know what color to choose so as not to have direct colors on the screen. When exporting complex vectors with shadows the program gives an error and you can see some white lines that are not in the graphic piece (this always happens and there is no way to avoid it) unless the shadows are erased
Not available in Word Online. Office Online requires an Internet connection and an Internet browser. You need the Word desktop app installed on your computer to view and edit a document while disconnected from the Internet or from your organization's on-premises Office Web Apps Server. If you have the Word desktop app installed, you can use the full functionality of Word to view and edit your document. When you save, the online document is updated with your changes. You can also download and save-as an offline copy of the document, but it will not be in sync with the online version. Learn more about Office Web Apps Server.
There it is. Page 2.…If I click inside there I can see it's actually…the word page and the number two.…So if I were to, for example, add additional pages…after page one these would labeled incorrectly…because there not using automatic page numbering.…So let's start by removing these by clicking the border,…and then hitting the Delete key on your keyboard.…
If you want to use a bullet found in a specific font (such as the pointing hand from Dingbats), be sure to set the bullet to remember that font. If you use a basic bullet character, it’s probably best not to remember the font, because most fonts have their own version of that bullet character. Depending on whether you select the Remember Font With Bullet option, a bullet you add can reference either a Unicode value and a specific font family and style, or just a Unicode value.
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