The ability to create custom paragraph and character styles is an excellent time-saving feature. This pane is visible in the work area by default, and if you’ve hidden it for some reason, you can bring it up by pressing Command/Control + F11. You can create styles exactly to your liking using many options; and then you can apply them to a portion of text with just one click.
Use the callout drawing tool in Corel DESIGNER to add interactive functionality to callout shapes in technical publications. With the Object Data Manager docker, you can list metadata fields, such as WebCGM metadata, for any graphical or callout shape. Object data items can be edited so that shapes can be manually edited as hotspots for WebCGM output.
Choosing a CMYK color profile doesn't means that all objects will be CMYK automatically. When you import an image, or copy/paste a text, if the image is RGB it will be stored as RGB until you change the color mode. The best way is to use a image-editing software (such as Corel PHOTO-PAINT, included with the CorelDRAW Graphics Suite, or Corel PaintShop Pro), for correcting the image before importing it in to CorelDRAW. But if you insert an RGB image you can always change the color mode later. (NOTE: You can go to File > Document Properties… to make sure that all objects are in CMYK mode) For this reason it's so important to have a good color management.
Second (and more interesting) is that you can apply text formatting to text frames you’ve selected using the Selection tool or the Direct Selection tool. When you do this, InDesign applies the formatting to all of the text in the text frame, including any overset text. InDesign won’t let you use this method to apply formatting to text frames that are linked to other text frames. Tired of using the Type tool to select and format every photo caption on a page? Use the Selection tool to select them all and apply your formatting—it’s easier, and it’s quicker (see Figure 4-1).
its eternal failure with the colors when printing, only the experience makes me know what color to choose so as not to have direct colors on the screen. When exporting complex vectors with shadows the program gives an error and you can see some white lines that are not in the graphic piece (this always happens and there is no way to avoid it) unless the shadows are erased
If you are a shop that relies on one version of CorelDRAW and it is installed on multiple computers, you may be in for a surprise and added expense if you update to a service pack 6.1 or higher, or if you decide that when a new version of CorelDRAW comes out, you want to upgrade and install one license on a number of computers. For example, if you usually have four people working at the same time on their own computers, then each version on each computer will require its own license. I know that a lot of shops have the same version of CorelDRAW on multiple computers. So, when upgrade time comes you could be in for a significantly higher cost.
I have installed MS 2007 home/studen on 2 computers in my home; a desktop and a laptop. The programs do not even have all the same fonts. The laptop has some fonts that the desktop doesn’t have and visa versa. Both systems are running Vista and both were installed with the same disk. I have also seen many occasions where the document comes through totally different.
My point is, if you (like myself) often work with large and/or highly complicated graphics, you may want to hold off on changing any global “Display Performance” settings and instead adjust the quality on a per-graphic basis. If you do change the global settings to “High-Quality Display” and start to notice the program lagging a bit, you should turn down the display settings of each graphic (starting with the largest) to “Typical Display” until that lag goes away. If you want to see a preview of what your graphics will ultimately look like use the “Presentation” (Shift+W) preview. Hope these tips help!
Word and Publisher were designed to provide specific solutions for different requests. If your document requires footnotes, endnotes, annotations, tables of contents or page numbers, use Word to create the document. Publisher's ability to position text and graphics, handle pantone images and merge text and images makes it ideal for brochures and other creative documents. You will save time and effort if you choose the correct application for your tasks.
The next step is to create the simple Excel workbook that contains the ticket numbers. Open a blank Excel sheet. Using Figure B as a guide, create the ticket numbering sheet and save it, making sure to note the new workbook's name and location. As we discussed earlier, the Excel workbook stores the ticket numbers. In this example, we'll create 11 tickets numbered 100 through 110. You'll need to update the ticket values for each merge.
So, to create multi-level headings, you need to use the Level option just to the right of the List drop-down box. My second- and third-level headings use the same list as the first-level headings (this is necessary), except that they are changed to Level 2 and 3, respectively. Then, when numbering the section heading, you can insert the number of the previous-level heading above it. These can be selected using the arrow to the right of the Number field and selecting one of the levels under “Insert Number Placeholder.” So, the text in the Number field for my second-level heading is ^1.^#^t and it is ^1.^2.^#^t for the third-level heading. This presents the multi-level heading with dots between the numbers and a tab between the numbers and the section heading.
Other features that may be expected include find and replace, which replaces one word with another, and the ability to import [import: A good or service which enters a country. ] graphics [graphics: visuals intended to brand, inform, illustrate or entertain, eg photographs, drawings, maps, diagrams etc. ], eg from a clip art [clip art: clip art is a library of images, photos and sounds provided by Microsoft as part of its office suite ] library. Headers and footers and page numbering are also very useful.
Ensure a consistent look, style, and layout throughout your design projects with Object Styles, Color Styles and Color Harmonies. With the enhanced Object Styles in Corel DESIGNER, you can manage object styles, such as outline color, line style, line width, halo, fill type and color, and text styles. You can then create symbol libraries that can be accessed and used across projects. Reuse the style definitions that you create once and apply to the individual components in the custom symbols.
If the list you want is as simple as "1", "2", "3", you'll appreciate how easy it is to apply this type of numbering in legal documents. Simple numbered lists are different in Word 2000 than they were in Word 97. In Word 2000, the default for even the most basic list is multi-level. For example, if you number an item and press Enter and then press the TAB key, Word automatically formats this number as the second level in an outline numbered list format. Single and multi-level numbering are explained later in this chapter.
Capture your intended drawing shape with exactness using the Outline Position options that recognize line width measurements for object dimensions. Use Dynamic Guides so all elements of your technical illustration are intuitively placed in their intended positions with precision. Speed up the creation of all kinds of technical graphics incl. pipes and wires with the Parallel Drawing mode in Corel DESIGNER.
Word is not designed for handling large document collaboration, which includes sending clients reports. As Leo has suggested, create the PDF of your report and send that your client. If they want changes, have them communicate them back and you make the necessary changes and then PDF the revised report again. It’s the only way that you can be absolutely certain that your client sees what you intended.
You can insert page numbers on the current page, all pages, all odd pages, or all even pages. When you insert page numbers on multiple pages, a new master layer is automatically created, and the page number is placed on it. The master layer can be an all-page master layer, an odd-page master layer, or an even-page master layer. For more information about master layers, see Creating layers.
Whatever the design, many times your client will ask for an alternate color scheme or additional options for fonts and text attributes. In other cases, you may want more options for your design. Spending time creating these options manually can add hours and additional costs to your project. Instead, why not use “Styles” in CorelDRAW? In this webinar, Anand Dixit, CorelDRAW Master, graphic designer and trainer will show you how to create options for your designs in minutes, including:
The Adjust Layout feature can alter your page elements in several different ways, including resizing and moving frames. But it can also (optionally) alter the size of your text on the page. For example, if you’re converting a large A3 poster into a smaller A4 flyer, you probably want all your text to be half as large (and with half the leading). This is a pain to do manually, but it’s just a checkbox away with Adjust Layout (Figure 3).
Overall: I have used coreldraw for laser-printing various things and I have been able to make very basic use of the software due to my relatively limited exposure to it. Coworkers who have been using it for months on end can easily navigate the software but I find myself having to use the help tabs and google much more often than I would like for a design software. This is definitely a higher skill platform but is VERY powerful once you get used to it.
Corel draw has a number of associated programs which are sold as a package when you purchase Corel draw and these are created to work in the same. Photo paint allows you edit photos and othe images for many purposes. A very rounded package of graphic and desktop publishing tools. Corel draw allows you to save and export files in a wide range of types.
I have read up on the InDesign figures and cross referencing and have been testing this out. I am using separate text boxes for each figure description with the jump frames command. When I delete a figure the numbers automatically update and I can update the cross references. However, when I add a figure the numbers go out of sequence and I can’t work out how to update them. Perhaps there is another setting I need to change? Is there a way of numbering text boxes sequentially? I was able to thread boxes to update the numbers but this could lead to problems down the line…Any advice on this would be greatly appreciated.
Anyway, there's a good alternative: create a PDF. To do this, you can go to File > Publish to PDF (or go to File > Export (CTRL+I), and there choose PDF). But it is not enough just to create a PDF, since not all the PDF's have the same configuration. For example, a PDF for the web will produce a PDF of low quality but it will be a small file, suitable for attaching to an email or using on a web page. But for printing, we need the opposite: images of high quality and resolution. PDF settings is also a topic that requires a lengthy explanation, but this excedes the scope of the current tutorial. There are many different configurations, according to each company's work flow. But we propose a simple format that should work with most of the job outputs: choose PDF X-3 in the PDF Presets drop-down list, then go to "Settings" and change the "Compatibility" to Acrobat 8.0 or higher. Why? Because the PDF X-3 is a good standard but it has a default compatibility with Acrobat 4.0, which does not support transparencies and lenses. This problem is solved by changing the compatibility.
Like the Control panel, the Properties panel changes based on what’s selected. The mode you’re working in (for example, Text Insertion or Linked File) appears listed at the top of the Properties panel. The rest of the panel is grouped into sections. For example, if you are editing text, the panel configures itself to show sections for Text Style, Appearance, Character, Paragraph, Bullets and Numbering, and Quick Actions (Figure 1).
For the calendar project, you will need 12 pages -- one for each month of the year. You can create multiple pages by duplicating the first page (with all its layers). Before you do that, however, you can rename the layers on Page 1, so that when you duplicate the page and its layers, the names of the layers are duplicated on the other pages as well. For example, I have given the layers intuitive names that indicate the type of content that I will place on each layer: Dates, Advertisements, Logo&Month, and Back&Photos. When you have renamed the layers on the first page, duplicate the page by right-clicking the Page 1 tab at the bottom of the application window and choosing Duplicate Page from the pop-up menu. Since you haven't added any objects to the page yet, you can accept the default options in the Duplicate Page dialog box and click OK. Repeat this process to create all 12 pages of the calendar. You can now rename the pages with the corresponding names of the months (Figure 3).
23 Feb 2010 X5 (15) 7 to X5 7 to X5 XP, Vista, 7, 8 Built-in content organizer (CorelConnect), CD, web graphics and animation tools, multi-core performance improvement, digital content (professional fonts, clip arts, and photos), object hinting, pixel view, enhanced Mesh tool with transparency options, added touch support, and new supported file formats. It has developed Transformation, which makes multiple copies of a single object.
When you generate the index, each topic is listed, along with the page on which it was found. The topics are sorted alphabetically, typically under section headings (A, B, C, and so on). An index entry consists of a topic (the term readers look up) paired with either a page reference (page number or range) or a cross-reference. A cross-reference, preceded by “See” or “See also,” points the reader to other entries in the index, rather than to a page number.