Pros: I use CorelDraw because I want to be able to depict that rawness of a character based on my imagination. Working with visual artists, writers and creative directors gets the synergy going, and being able to execute the characters through graphics and illustrations is truly magical. CorelDraw includes a lot of images and fonts where we can garner ideas from and refine to make them unique. I used this program specifically for a fashion designer character in our project and I'm glad I did, because CorelDraw specializes in fashion illustrations. It brought our character to life and made her shine.

      There is nothing more igniting to create a firestorm of debate than those issues that surround a TOS or EULA. If I only had a dollar for every time I listened to a podcast or read an article that related to the constant debate on this TOS and that TOS. I can tell you that people just hate it when a company or government even comes close to taking away or even treading close to their rights.
- [Voiceover] When laying out artwork, it's easy to make sure that objects are properly aligned with other objects. In CorelDRAW, it can be done in a number of different ways. From the View menu, you'll see that I have the ability to select Grids, Rulers, Guidelines, as well as alignment guides. These are some of the tools that make it easy to align objects within the document. There's also the ability to do snapping. And of course I can snap to the document grid, baseline grid, guidelines, as well as objects and the page itself. Under the Tools menu, Options, then Document, here we have the ability to set up the frequency of guidelines, grids, rulers, and that sort of thing. I'm going to talk a little bit more about this in a few minutes. For now, let me just cancel this, and we're gonna take a look at the rulers. You'll notice that we have two rulers. One is a horizontal ruler across the top and we have a vertical ruler down the left-hand side. You may notice that our zero zero coordinate is bottom left-hand corner. If for some reason we wish to change that, it's easy enough simply by left-clicking where the rulers intersect, and I'm gonna drag and drop this to the top, left-hand corner of my page. That's effectively reset the zero zero coordinates to the top left corner. Now if I want to draw with better accuracy, I can actually left-click where the rulers intersect, hold the Shift key down, and drag the rulers right out onto the page. Makes it a lot easier to get down and get into the fine details when you're drawing on the document. I'm gonna hold the Shift key down, left-click and drag the rulers back to where they belong. Now the next way to assist in lining objects up is by using the grid. Underneath my View menu, I'll go down to Grid and I'm gonna select Document Grid. Here you can see our document grid is set up as a dot pattern. This is easy enough to change. From the Tools menu, go down to Options, highlight Grid, and here we can show the grid either as dots or as lines. I also have the ability to change the frequency of the grid. I'm going to change this to .5 And you'll see I have Snap-To is turned on. I'll click OK to this, and now set up the grid at .5 and now you can see if I draw a rectangle, I'm going to left-click and drag and I can move this rectangle around and you can see it's going to snap to the gridlines for me. Now the next way to assist in lining things up is to use Guidelines. But first, before I do that, let me go to the View menu down to Grid, and I'm going to turn off the document grid. Guidelines are created by dragging in from the rulers. So I can drag in from my horizontal ruler, left-click, and I'm going to drag down and I'll position a guideline here. I'll left-click my vertical ruler and I can position another guideline here. So it's very easy to bring guidelines out on the page, and I'll just say it's simply a matter of clicking on the ruler and dragging down onto the screen itself. You'll notice that these guidelines are blue while this one is red. The reason that is, is because this is a guideline that's currently selected. Let me just select my Pick tool and when I click on this guideline, you can see it's turned red. It's very easy to change the color of guidelines and one reason why you might want to do that is if you had multiple layers and you want guidelines on these multiple layers you can have separate colors for different layers. I'm gonna left-click on this green and I'm gonna drag and drop that on top of this guideline and that's gonna change that guideline green. Again, one that's currently selected and if I select this one, it will turn red. But if I deselect it or select a different guideline, then of course it goes back to the green. Now another way to add guidelines is to use the guideline docker. And there is a couple of different ways to get there. I can click on this little icon here to go to my guidelines. I can go to Windows, down to Dockers and select Guidelines, or quicker and easier, simply double-click on a guideline and that's going to open up the docker for me. In here I have the ability to very precisely position guidelines where I want them. Now the final way to align objects on the page is to use Alignment Guides. Let me go to the Windows menu, down to Dockers, then I'm going to select Alignment and Dynamic Guidelines. In here I want to turn on my alignment guides so it's simply a matter of clicking on this little icon. Now I've gone ahead and I've changed the color of this so that my alignment guides are now a darker brown. It's a lot easier for me to see. If for some reason you want to change the color, it's simply a matter of hitting the drop-down and I can select whatever color I want in here. By default, it's a light blue. So let's leave that as it is, and now when I create a rectangle, you'll notice that as I move around my page I have these alignment guides which allow me to very precisely position the next object that I'm creating. Again, left-click and drag, and again, very easy to align objects on the page. So with a little bit of set up, you can see how easy it is to have increased accuracy while creating your design.

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Remember that you must update the values in the sheet if you want to continue the numbering series with the next batch of tickets. For instance, if you want your next batch of tickets to start with 112, you'd open the workbook and change the value 100 to 112, and update the remaining values accordingly. Don't forget to save the workbook after updating the values.
Since Word 2000 applies outline numbering by default, as you press TAB or SHIFT+TAB in a numbered list, you are moved to the next or previous outline level. If you are in a numbered list that has outline numbering generated by the method described in the previous exercise, when you choose Bullets and Numbering from the Format menu (or alternate-click a portion of the numbered list), the Numbered tab appears on the Bullets and Numbering dialog box. However, if you first select the entire list and choose Bullets and Numbering from the Format menu, the Outline Numbered tab from the Bullets and Numbering dialog box is selected.
      When you create an account, you are asked to choose one of the two memberships: standard or premium. As a default, you are assigned a standard subscription. This allows you to access some online products along with some fonts. You will be informed of any updates that are available to be downloaded and those downloads will be applied if you choose.
There is an enhanced display of choices when browsing fonts in the Control, Character, and Properties panels font family menus. When you click the Font Family menu, there are two tabs at the top left (Figure 5): the “Fonts” tab shows currently installed or activated fonts. But here’s the cool one that is easy to overlook: The “Find More” tab previews Adobe Fonts that are available to be activated. Yes, that means instant access to thousands of fonts from within InDesign, without having to visit Adobe’s website.
      As mentioned, you must have an account to get any updates now with version X6, which is different from earlier versions of CorelDRAW. In older versions, updating CorelDRAW with a service pack involved going to the Corel website and downloading the service pack. In more recent versions, the update could be done automatically via the Update command in the Help menu in the software. With Version 6.1, updates can only be done after you create an account with Corel and then log into the account via CorelDRAW.
Microsoft Publisher, the desktop publishing component of the Professional version of the Office Suite, can perform many time-saving tasks for busy business owners, including layout and design work. It can even help you avoid a shopping run to try to find tickets for your next employee picnic, holiday giveaway or executive board meeting. Create your own tickets, including the vital sequential ordering needed for raffles or attendance tracking, using Publisher’s page numbering. With a few tricky manipulations of the page number process, you can start running the numbers in an entirely new fashion.
CorelDraw full-suite comes with graphic design, page layout, photo editing and vector editing tools. Another plus point is the subscription plan is low compared to other products. We can simply run CorelDraw in low-budget devices. Because couple of years ago,i have used duel-core computer with only 1GB RAM. Also they provide good customer help and support to us. Really appreciate their service.

When you're working on a document such as a magazine or a book with many pages in it, using the master page feature in Adobe InDesign CC 2015 to insert automatic page numbering simplifies working with the document. On a master page, you designate the position, font, and size of the page numbers and any additional text you want to accompany the numbers such as the magazine name, date or the word "Page." Then that information appears on every page of the document along with the correct page number. As you work, you can add and remove pages or rearrange entire sections, and the numbers remain accurate.
Whatever the design, many times your client will ask for an alternate color scheme or additional options for fonts and text attributes. In other cases, you may want more options for your design. Spending time creating these options manually can add hours and additional costs to your project. Instead, why not use “Styles” in CorelDRAW? In this webinar, Anand Dixit, CorelDRAW Master, graphic designer and trainer will show you how to create options for your designs in minutes, including:

Pros: The first advantage is that it is a vector program, with which you can work on tracings and bring the designs to embroideries, engravings, prints among others, also supports the transparency of the TIF image files which other programs do not, allows editing fast, you can perform complex tasks with very few clicks, their tools are very intuitive and easy to use.

In general, change the feature settings in the dialog box, and then save the settings. Styles and presets are stored in the document in which they are created. You can use the settings from another document by importing or loading the styles and presets from that document. In addition, most presets can be exported or saved to a separate file and distributed to other computers.
Active X controls, embedded OLR objects, and a signature line will display in the document as expected in View mode. In Edit mode, they appear as placeholders that you can delete but not edit. They cannot be moved or resized in Word Online. Advanced controls and macros are only available in the Word desktop app. Learn more about differences between using a document in the browser and in Word.
This issue is bigger than Ben Hur and yet so few people know about it. As Leo has stated, printer and fonts can change the look when the document is opened on another computer. Problems due to printer characteristics are fairly easily fixed by setting the page setup on the target computer to be the same as that on the source computer. Fonts… well just stick to the common fonts on the source computer for maximal compatibility.
      When you create an account, you are asked to choose one of the two memberships: standard or premium. As a default, you are assigned a standard subscription. This allows you to access some online products along with some fonts. You will be informed of any updates that are available to be downloaded and those downloads will be applied if you choose.
Instantly find images on your local network and search online portals and websites, and easily access content using built-in content assistant Corel® CONNECT. Organize assets by type or project in trays that are shared between Corel DESIGNER, CorelDRAW, Corel PHOTO-PAINT and Corel CONNECT for maximum efficiency. Utilize the Content Exchange and the tray synchronization option with Microsoft OneDrive.
   So why am I breaking with tradition and reviewing what has been updated? Well, there are some new features that have been released with the service packs but there is also one very important change that was released with service pack 1 (X6.1) that we need to talk about. This change relates to the terms of the CorelDRAW end user license agreement (EULA). This change that Corel has introduced and the way you install the program could cost you some extra money if you upgrade to this service pack or future versions of the software.

- [Voiceover] When laying out artwork, it's easy to make sure that objects are properly aligned with other objects. In CorelDRAW, it can be done in a number of different ways. From the View menu, you'll see that I have the ability to select Grids, Rulers, Guidelines, as well as alignment guides. These are some of the tools that make it easy to align objects within the document. There's also the ability to do snapping. And of course I can snap to the document grid, baseline grid, guidelines, as well as objects and the page itself. Under the Tools menu, Options, then Document, here we have the ability to set up the frequency of guidelines, grids, rulers, and that sort of thing. I'm going to talk a little bit more about this in a few minutes. For now, let me just cancel this, and we're gonna take a look at the rulers. You'll notice that we have two rulers. One is a horizontal ruler across the top and we have a vertical ruler down the left-hand side. You may notice that our zero zero coordinate is bottom left-hand corner. If for some reason we wish to change that, it's easy enough simply by left-clicking where the rulers intersect, and I'm gonna drag and drop this to the top, left-hand corner of my page. That's effectively reset the zero zero coordinates to the top left corner. Now if I want to draw with better accuracy, I can actually left-click where the rulers intersect, hold the Shift key down, and drag the rulers right out onto the page. Makes it a lot easier to get down and get into the fine details when you're drawing on the document. I'm gonna hold the Shift key down, left-click and drag the rulers back to where they belong. Now the next way to assist in lining objects up is by using the grid. Underneath my View menu, I'll go down to Grid and I'm gonna select Document Grid. Here you can see our document grid is set up as a dot pattern. This is easy enough to change. From the Tools menu, go down to Options, highlight Grid, and here we can show the grid either as dots or as lines. I also have the ability to change the frequency of the grid. I'm going to change this to .5 And you'll see I have Snap-To is turned on. I'll click OK to this, and now set up the grid at .5 and now you can see if I draw a rectangle, I'm going to left-click and drag and I can move this rectangle around and you can see it's going to snap to the gridlines for me. Now the next way to assist in lining things up is to use Guidelines. But first, before I do that, let me go to the View menu down to Grid, and I'm going to turn off the document grid. Guidelines are created by dragging in from the rulers. So I can drag in from my horizontal ruler, left-click, and I'm going to drag down and I'll position a guideline here. I'll left-click my vertical ruler and I can position another guideline here. So it's very easy to bring guidelines out on the page, and I'll just say it's simply a matter of clicking on the ruler and dragging down onto the screen itself. You'll notice that these guidelines are blue while this one is red. The reason that is, is because this is a guideline that's currently selected. Let me just select my Pick tool and when I click on this guideline, you can see it's turned red. It's very easy to change the color of guidelines and one reason why you might want to do that is if you had multiple layers and you want guidelines on these multiple layers you can have separate colors for different layers. I'm gonna left-click on this green and I'm gonna drag and drop that on top of this guideline and that's gonna change that guideline green. Again, one that's currently selected and if I select this one, it will turn red. But if I deselect it or select a different guideline, then of course it goes back to the green. Now another way to add guidelines is to use the guideline docker. And there is a couple of different ways to get there. I can click on this little icon here to go to my guidelines. I can go to Windows, down to Dockers and select Guidelines, or quicker and easier, simply double-click on a guideline and that's going to open up the docker for me. In here I have the ability to very precisely position guidelines where I want them. Now the final way to align objects on the page is to use Alignment Guides. Let me go to the Windows menu, down to Dockers, then I'm going to select Alignment and Dynamic Guidelines. In here I want to turn on my alignment guides so it's simply a matter of clicking on this little icon. Now I've gone ahead and I've changed the color of this so that my alignment guides are now a darker brown. It's a lot easier for me to see. If for some reason you want to change the color, it's simply a matter of hitting the drop-down and I can select whatever color I want in here. By default, it's a light blue. So let's leave that as it is, and now when I create a rectangle, you'll notice that as I move around my page I have these alignment guides which allow me to very precisely position the next object that I'm creating. Again, left-click and drag, and again, very easy to align objects on the page. So with a little bit of set up, you can see how easy it is to have increased accuracy while creating your design.
I answer readers' questions when I can, but there's no guarantee. Don't send files unless requested; initial requests for help that arrive with attached files will be deleted unread. You can send screenshots of your data to help clarify your question. When contacting me, be as specific as possible. For example, "Please troubleshoot my workbook and fix what's wrong" probably won't get a response, but "Can you tell me why this formula isn't returning the expected results?" might. Please mention the app and version that you're using. I'm not reimbursed by TechRepublic for my time or expertise when helping readers, nor do I ask for a fee from readers I help. You can contact me at susansalesharkins@gmail.com.

CorelDraw full-suite comes with graphic design, page layout, photo editing and vector editing tools. Another plus point is the subscription plan is low compared to other products. We can simply run CorelDraw in low-budget devices. Because couple of years ago,i have used duel-core computer with only 1GB RAM. Also they provide good customer help and support to us. Really appreciate their service.

A multi-level list is a list that describes hierarchical relationships between the list paragraphs. These lists are also called outline lists because they resemble outlines. The list’s numbering scheme (as well as indentations) show rank as well as how items are subordinate to one another. You can tell where each paragraph fits in the list with respect to the paragraphs before and after it. You can include up to nine levels in a multi-level list.
Tip  Follow the same steps (above) to create Request for Production or Request for Admissions. The only difference would be in Step 3, you would change the "rog" to "rpf" or "rfa". This will keep unique numbering schemes running in the same document. Therefore, you could have an Interrogatory No.1 as well as Request for Production No.1. Keep in mind that if you cut, copy or paste sequence codes, you'll need to select them and press F9 to update the field codes. They do not update automatically.
Word Online automatically checks spelling as you type and applies a wavy red underline to misspelled text. Common AutoCorrect actions are included, such as correcting routine misspellings or converting characters to symbols. Additionally, you can set the proofing language or turn off the spelling checker for selected text. Learn more about differences between using a document in the browser and in Word.
its eternal failure with the colors when printing, only the experience makes me know what color to choose so as not to have direct colors on the screen. When exporting complex vectors with shadows the program gives an error and you can see some white lines that are not in the graphic piece (this always happens and there is no way to avoid it) unless the shadows are erased

One solution is to format the heading with the style and follow it with a hidden paragraph mark. You should format the text in the next paragraph with a style that is not included in the Table of Contents. A hidden paragraph mark keeps the text together on one line when it is printed, even though it is actually two separate paragraphs. The Table of Contents command picks up only those paragraphs with heading styles and places them into the Table of Contents.
      When you install the update or service pack, you are prompted to log in or create an account. Figure 1 shows the log in screen that you are presented with when you install CorelDRAW or a new update. You do not have to create an account but if you don’t, you will not receive updates to your software. For this reason, you really do need to create an account. To create an account, click on the blue “Create an Account” button.
If you’re like most designers, you spend a significant amount of time picking just the right font, including previewing the way it appears in different parts of your layout. So you’re going to be very happy about a new method of previewing and selecting fonts. Plus, InDesign CC 2019 introduces a new font type that supports glyphs with colors and gradients.
Word and Publisher were designed to provide specific solutions for different requests. If your document requires footnotes, endnotes, annotations, tables of contents or page numbers, use Word to create the document. Publisher's ability to position text and graphics, handle pantone images and merge text and images makes it ideal for brochures and other creative documents. You will save time and effort if you choose the correct application for your tasks.
Few people think this feature is handy. Yet many of us frequently work with tables given to us by clients. The one I run into most often is the Excel spreadsheet of price listings and item features, which I have to make presentable for a catalog or sales collateral. Many designers recreate these tables from scratch to make them clean and attractive, but this can be time-consuming, especially with large tables.
I work in Microsoft Word a lot, and it just loves to try to help you out. While a lot of its help can be a hindrance, the underlining of possibly misspelled words, repeated words, and the like can be pretty handy. If you’d like to see this in InDesign, check Enable Dynamic Spelling in the Spelling panel of the Preferences dialog. (You can quickly toggle this from the Edit > Spelling menu as well.)
Content-Aware Fit is not enabled by default. If you want to make it apply automatically to all placed images, turn on “Make Content-Aware Fit the default frame fitting option” in the General pane of the Preferences dialog box. You may find some type of graphics work well with the algorithm and some may not, so you may need to experiment with the images used in your workflow. In my experience, the feature seems to work better with raster images than with vector graphics.
The secretary at my church sends be the bulletin to check and make corrections in each week. She uses Windows XP, Office 2003 Pro. and MSOffice 2003. I have the same programs on my computer, and my settings are the same as hers on here machine, however, the lines do not show up the same on mine as hers. She has two pages she sends and when I open it, there are three pages. I do not understand why.

This course offers in-depth instruction in all the core features and tools in Publisher 2016, the desktop publishing software from Microsoft. Author David Rivers demonstrates Publisher's features using real-world examples of the different kinds of publications you can create with Publisher, from greeting cards to brochures to newsletters. The course explains how to work with text frames and format and edit text; insert and position shapes, pictures, and tables; and customize and automate the layout and design of publications. Plus, learn about Publisher's features for sending out mass mailing with Mail Merge and sharing publications on the web or in print.
try this…if you place all your graphics and set up a figure number style, and place some of your styles in an inline text frame and the ones that need to fall outside the text frame, the numbering will be off, UNTIL you take the blue anchor frame and anchor it to text of the stand alone graphics, then the figure numbers will then be in order. It also works on 11×17 pages where you have to link the figure number to the previous page and then Anchor Object options and use the Inline or above Line (position) to move text frame to the next page. :-)
Choose from a variety of workspaces designed for different proficiency levels and specific tasks: Page Layout and Illustration, a Classic option for longtime users, a Lite option for new users, Technical Illustration for pros doing isometric illustrations, Diagramming for pros using flowcharts and diagrams, and workspaces with the look and feel of Adobe Photoshop and Adobe Illustrator.
Not available in Word Online. Advanced design features, such as starting documents from a large selection of professionally designed templates hosted on Office.com, are only available in the Word desktop app. However, Office 365 customers can configure a document library to launch a custom template when a user creates a new document. To learn more, see Add a content type to a list or library.

its eternal failure with the colors when printing, only the experience makes me know what color to choose so as not to have direct colors on the screen. When exporting complex vectors with shadows the program gives an error and you can see some white lines that are not in the graphic piece (this always happens and there is no way to avoid it) unless the shadows are erased
The problem we are having is that 2 computers in our house are viewing special characters differently. For my job we use the plus minus sign a lot. One one computer it works fine, the other computer it appears like an upside down A. They both have word 2003, they both have windows XP and they both use the same printer. So, what is causing this and is there a way to rectify the problem?
The same happens with the styles of text and graphics. Suppose that we are working on a magazine, and we use Garamond, 24 pts for titles and Times New Roman, 11 pts for the body of the text. But after we have finished, our customer wants to change the fonts, and asks us to use Humanist777 - 30 pts for the titles and HelveticaNeue LT Pro 55 Roman - 12 pts for the body of the text. Although you can change it manually if we edit the Style of the titles it will change on all the pages in a second.
To change the default, choose High Quality from the Default View menu in the Display Performance panel of Preferences. For good measure, I also unchecked Preserve Object Level Settings so that even graphics that are set to Fast or Typical (via Object > Display Performance) always display at High Quality. (But what about that big background graphic that is slowing you down? Put it on a layer and hide it. Don’t display it as a shadow of its former self.)
Theory is great, and articles like this one can give you quick useful tips, but the best way to learn is by practice. If you are new to InDesign, try this: use an existing layout as a guide (anything you want: a page from a magazine, a poster or a business card), and try to recreate it from scratch. Familiarize yourself with the tools, menus and options. If you get stuck, you can always search for tips and tutorials or ask a friend.
      It looks to me as though Corel, like most other software producers, is making strides to control the number of times a particular license is installed. Is it wrong? Based on other programs, no. Based on what Corel has done in the past, well, that is a bigger question. Admittedly, in the days of dwindling revenues and soaring costs, everyone is looking for ways to create additional cash flow from their operations and Corel is no different. I have always been an advocate of updating the programs and machinery that you make your money with. Let us hope that Corel makes it worth our while to do so. I do not mind updating as long as I find tools that I can use. If Corel continues to shy away from giving us reasons to upgrade (and by “us” I mean those of us in the engraving and awards industry), then maybe it is time to look elsewhere for a software solution.
      Now I know this is a big change for Corel. Traditionally, they have been opposed to policing how many times you installed the program on x number of computers. They seemed to be more concerned with the number of users than how many paid licenses they had. I can remember that for years you could buy the upgrade version and install it as a full version without ever needing to show a previous version as your proof of ownership. In all my years of buying software, I had never seen this before CorelDRAW. Well I guess Corel, like everyone else, is trying to clamp down and control who is using the program. Because of this, I am sure there are a number of users out there who will now probably take a closer look at whether or not they will upgrade.
Using Emoji fonts, you can include various colorful and graphical characters, such as smileys, flags, street signs, animals, people, food, and landmarks in your documents. Of course, you can’t just type an emoji inside InDesign, so to insert them, you can copy and paste them from another program, or double-click them inside the Glyphs panel (Type > Glyphs).

If you use the same page size and language for most of your documents, you can change these defaults with no document open. For example, to change the default page size, close all documents, choose File > Document Setup, and select a desired page size. To set a default dictionary, close all documents, choose Edit > Preferences > Dictionary (Windows) or InDesign > Preferences > Dictionary (Mac OS), and select an option from the Language menu.
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