Thanks. I found this to be extremely helpful for some of those nagging annoyances in iD.  Unfortunately I have to use iD v3 at work.  All but #10 (& the part about changing the bg color in #1) were available as described.  Apparently #10 wasn’t an option until a later version – that would have been nice… but hey – I got a bunch of other awesome workable tips! 😀
Although Microsoft Publisher is often associated with newsletter and brochure design, that’s not the only things it’s good for. You can use the software to create a wide range of publications including proposals, product sheets, services guides and much, much more! Whatever type of publication you’re looking to design, you can guarantee that Microsoft Publisher will help you do it.
When you select terms like kanji for which a yomi is required and set the index marker using a shortcut, the New Page Reference dialog box will open automatically if the yomi has not been input, and the term selected will be displayed in the Topic Levels dialog box. Input the yomi corresponding to the text input in the Topic Levels box in the Yomi text box. When the same index entry appears on several pages, the yomi for all the index entries can be changed in a single step. To change only the index entry selected, select the page number in the Index panel and Page Reference Options from the Index panel menu.
You could include things like empty spaces and paragraph breaks in your search if you know, for example, that the word that has to change is followed by a space. Insert these special characters by clicking the “@” arrow to the right of the Find box, or search for a particular glyph by going to the Glyph tab. Replacing glyphs one by one might be best, so that you can monitor your work and progress.
Cons: Many years have passed since the last Corel 7, which was probably the most used design software. And the new Corel has been updated but without taking advantage of small processors (as does its competition). It is necessary to have a lot of machine potential to be able to work fluently. Maybe it's a software architecture problem, but they should include some accelerator or something that makes work in small workstations fluid.

At this point, you could click OK and start your document. But, let's modify the scheme instead. Click the Define New Number Format button. In the resulting dialog, click the Font button and choose Chiller from the Font list and click OK (only once). Click inside the Number format control—to the left of the example character—and enter Heading, as shown in Figure D. Click OK twice. If you check the properties now (Figure B), you'll find a numbering scheme. Click OK once more to return to the document. Heading 1 in the Styles Quick Gallery displays the new numbering scheme.
For the calendar job, I've used two master layers and four local layers. To create a master layer, click the New Master Layer (all pages) button at the bottom of the Object Manager docker. Objects placed on this master layer will appear on all pages of your design. Then, create the required number of regular or local layers (in this case, four) by clicking the New Layer button. You now have one page ready.
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Publication design shouldn’t have to be complicated and if you use Microsoft Publisher, it won’t be. The software has a great drag and drop feature that allows you to quickly insert photos and other media into your publications. The drag and drop feature will save you no end of time. You can even drop content directly from your social media pages into your document!
The easiest way to implement a numbering scheme for headings is to add one to a heading style. To illustrate, we'll modify Heading 1 by adding a numbering scheme. First, right-click Heading 1 in the Styles gallery (in the Styles group on the Home tab). Then, choose Modify as shown in Figure A to launch the Modify Style dialog. If you thumb through the default properties, you'll not find a numbering scheme (Figure B). Click the Format button and choose Numbering as shown in Figure B. If necessary, click the Numbering tab. Choose the predefined scheme that's the best match for what you want (Figure C).
We now navigate to "Layout" and choose "Booklet" from the Layout drop-down list. It is important to verify that the option "Facing pages" is active in order to see the magazine as it is read: the first and last pages as individual pages (as if the magazine is closed), and then pages 2-3, 4-5, etc. However, when creating the PDF each page will be individual, as it should be, so you can use any imposition software. If an object or image occupies two pages, it will be cut automatically.
The next step is to create the simple Excel workbook that contains the ticket numbers. Open a blank Excel sheet. Using Figure B as a guide, create the ticket numbering sheet and save it, making sure to note the new workbook's name and location. As we discussed earlier, the Excel workbook stores the ticket numbers. In this example, we'll create 11 tickets numbered 100 through 110. You'll need to update the ticket values for each merge.
Regarding the display settings, InDesign users who are still using CS6 or earlier will often take a serious performance hit by setting “Display Performance” to “High-Quality Display” if they have any high-res raster images or complex vector graphics. I assume that this is due to there not being a 64-bit version of InDesign before CC. Even if you have a high-end machine, 32-bit programs can’t utilize all of your system’s resources. And even with the 64-bit CC version, you’ll have performance issues if you use enough high-res/complex graphics in one document. Unlike Photoshop and Illustrator CC, InDesign has no option to use graphical hardware acceleration – i.e. it can’t use a dedicated graphics card, so all of the computations have to be run through the CPU; this too can bottleneck it’s performance.

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Pros: I like the ability to bend and make it do whatever you want to achieve related to graphic design, when i first came across the software i thought it wasn't a great deal but when i started exploring it, i realized that there is nothing you can't do with CorelDraw,you can achieve almost anything and can bend it to do so many wonderful things in different ways.
Not working on Mac, but had the same issue on my PC (both in v.13 and 14). It disappeared after uninstalling CC Desktop Application after finishing ID installation (with Adobe uninstaller – https://helpx.adobe.com/creative-cloud/help/uninstall-creative-cloud-desktop-app.html) I’m not using CC Cloud so it’s not a problem for me, but I guess it will be a problem if somebody actually needs CC Desktop APP.
      Again, as I have mentioned in numerous articles about CorelDRAW, the bottom line is: Is it worth the upgrade? Is it worth it to pay significantly more money to get the latest version? I think some of you will definitely need to think harder about that. As some of you are aware, I am not a big fan of how the recognition and identification industry has to take a back seat in terms of features that Corel makes available. Maybe this will change with the new policy but then again, maybe not. If everyone has to pay, then maybe they will finally bring some specific features to our industry that we need to make our workflow a lot easier and more efficient.

For Pinyin, if multiple words have the same Pinyin, the order is sorted by (1) tone and (2) stroke count in ascending order. For Stroke Count, each character is sorted by (1) stroke count, (2) first stroke, and (3) second stroke. You can either edit the sort information directly in the Sort By field, or you can click the arrow to the right of the Sort By field to open either the Pinyin Entry dialog box or Stroke Count Entry dialog box. You can edit the fields and click OK. Repeat this process for each topic level.
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